Seeing Abandoned Buildings Through a New Lens

  • Artist Julia Christensen peers through the ceiling of an abandoned auditorium in Gary, Indiana. (Photo by Anne Barnes)

We often take the buildings around us
for granted – that is, until those factories,
schools, or big retailers close shop and
people around town are left wondering –
what’s going to happen to that place?
One photographer’s making a career out
of documenting the surprising ways
people deal with this. Shawn Allee met her in the heart of America’s Rust
Belt:

Transcript

We often take the buildings around us
for granted – that is, until those factories,
schools, or big retailers close shop and
people around town are left wondering –
what’s going to happen to that place?
One photographer’s making a career out
of documenting the surprising ways
people deal with this. Shawn Allee met her in the heart of America’s Rust
Belt:

I meet Julia Christensen in Gary, Indiana.

She’s here for an art project: She’ll photograph buildings in Gary and ask people how they could be re-used in the future. I’m supposed to be the chauffer.

Christensen: We’re going to 5th avenue.

Allee: Where is that, exactly?

Christensen: Right. Uh…

Well, I’ll get to her current project in a sec but with all these wrong turns – I’ve got a chance to ask about her artwork in general.

I mean, what’s the point of documenting how people re-use buildings?

“Looking at use of urban space. It’s a structure we all share. No matter how you interpret it, there it is on he ground in front of you.”

Christensen’s got plenty of examples. She’s done photo exhibits of buildings in several cities, and she wrote this book called Big Box Reuse. It’s about how people reused buildings abandoned by Wal-Mart, K-Marts and other big retailers.

She photographed one big box store that got turned into an indoor go-cart track. Another became a school. And one store turned into a museum dedicated to the canned meat, SPAM.

“What it did was create this niche tourist industry. Over 10,000 people a year come to the SPAM museum and they spend money in the town, and it’s actually done something toward revitalization of this city, you know.”

Christensen says the point is that when big box stores get abandoned, they’re often a blight – kinda like one-building ghost-towns with enormous parking lots.

She found people assumed they were the only ones facing this problem.

“They’d be like, ‘huh, that’s interesting. You mean other people are dealing with this? How did they deal with those glass panes and those central pillars?’ And I became story-telling person who had information about big-box re-use.”

Christensen says she’s got a new art project. She’s interviewing people about old industrial sites, commercial buildings and homes. She’ll write stories about how these buildings could have totally new uses thirty years from now. Then, she’ll put photos and text together for art exhibits or maybe a book.

“It’s like an exercise to take these photos and write a caption for them in the context of the next thrity years, so it’s a little more exploratory.”

Right now, Christensen’s touring Rust Belt cities that are dealing with abandoned buildings. Gary Indiana is just one stop.

“So, we’ll turn left at Broadway.”

Christensen got a tip about a closed building.

“It is a closed performing arts school. It’s closed a few years ago when the city had to consolidate the schools.”

Christensen and I meet a young man named John. He lives nearby and he tells Christensen the closed school’s kind of an open wound.

“Kids just running through there, trust me. You see how the windows broken in?”

But Christensen asks John, What about the future? What could it be?

“I always thought of this being a recreational center for the kids. People can be indoors and play basketball and stuff all year round, stuff like that.”

Christensen notes all this and takes some snapshots of the building.

She’ll do this again and again in Gary and other Rust Belt towns. Christiansen says she wants to return some day – maybe with a book or photo exhibits. She wants people talking about what could happen to these places.

“People can come to arts and access a photo or a sculpture or a creative website from across the board, so I see the arts as central in the conversation about what our future is going to look like on the ground.”

Christensen says documentaries or art can’t solve all the problems people face with abandoned buildings but maybe it could be a good place to start.

For The Environment Report, I’m Shawn Allee.

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Nature’s Little Architects

  • The nest of a Swainsons warbler. (Photo by Judith McMillan)

Some of the world’s most intricate
architecture is not always constructed by
humans. Sometimes the most skilled architectural
wonders are designed by nature. Gretchen Cuda reports on an exhibit that celebrates
birds’ nests:

Transcript

Some of the world’s most intricate
architecture is not always constructed by
humans. Sometimes the most skilled architectural
wonders are designed by nature. Gretchen Cuda reports on an exhibit that celebrates
birds’ nests:

Judith McMillan didn’t find her inspiration in tree branches. She found it in the
basement of the museum where she works. She was rummaging through drawers
there when she came across a hundred-year-old collection of bird nests.

“This Museum must have 10 cabinets full of bird’s nests.”

She was fascinated and immediately knew she had a new subject for her art.

McMillan is a photographer who has been volunteering at the Cleveland Museum of
Natural history for 20 years. In her latest exhibit, titled “Nesting”, she captures some
of natures most inspiring, and often overlooked architecture – the nests of birds.

(sound of exhibit crowd)

“I was looking for nests that were different from each other so that you could see that
these birds were little architects. And there were so many different kinds of materials
used – and then the eggs could be so different. Some with little tiny speckles, some
with different colors some with little calligraphic streaks around them, so it was that
variety that I wanted to capture.”

All the photographs are in black and white – because she really wanted people to
concentrate on the architecture without being seduced by the color. She’s fascinated
by the way different birds chose very specific materials to work with – everything
from marsh reeds, grape vine, or little knotty twigs – like this one.

“This is a vermillion flycatcher – it’s almost like it’s made of pick up sticks in the way
their pushed together.”

And to emphasize the diversity of structures birds can create she shows me an
Orioles nest that’s five inches deep and formerly hung like a basket from a tree.

“I actually had to shine a flashlight down in it when I was taking the photograph in
order to get the eggs to show up.”

Most of the nests and eggs were collected around the turn of the 20th century by
amateur naturalists who never thought twice about disturbing the natural wildlife.

But the practice eventually fell out of fashion as people became more
environmentally conscious and large nest and egg collections were often turned over
to museums – explains Andy Jones the museum’s ornithologist.

“People whose grandfathers were dealing with eggs as a hobby, well their
grandfathers are passing away and so they contact their local university or natural
history museum, and say, ‘hey do you want these?’”

Those specimens were originally collected just because they were pretty. These
days, they’re still beautiful, but they also serve a scientific purpose. Scientists can
look at things such as the thickness of the shells, or the type and number of birds
found in a specific location and tell a lot about the birds. They can see where birds
used to live and how far their territories reached. They can even tell if a bird that’s
extinct now once lived in an area.

Judith McMillan hopes her photographs will not only show how beautiful the birds’
handiwork was, but will also inspire people to do something about saving the birds
that are still here.

“I didn’t understand until I started using a camera myself how you can isolate
something and make people look at it differently–And I hope through my
photographs I’m getting people to take a fresh look at things. It’s hard to have an
appreciation of nature unless you really look at it and start to really care about it.”

Recent surveys have found that many songbirds are disappearing. If people don’t
start caring, those photographs and drawers full of nests might become the only
reminders of many more species that go extinct.

(song of a Cardinal)

For The Environment Report, I’m Gretchen Cuda.

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