Holy Grail of Great Lakes Shipwrecks Found?

  • For a long time, anything any diver salvaged could be claimed as his or her own. Since the Abandoned Shipwreck Act of 1987, anything divers find on public land remains public. But a new discovery may bend some rules. (Photo courtesy of NOAA)

A shipwreck hunter believes he might have found what’s been described as the Holy Grail of Great Lakes wrecks. His find has triggered a new debate over who can lay claim to historic shipwrecks and what should happen to them. The Great Lakes Radio Consortium’s Sally Eisele reports:

Transcript

A shipwreck hunter believes he might have found what’s been described as the Holy Grail of Great Lakes wrecks. His find has triggered a new debate over who can lay claim to historic shipwrecks and what should happen to them. The Great Lakes Radio Consortium’s Sally Eisele reports:


Of the thousands of shipwrecks in the Great Lakes, the wreck of the Griffin is probably the most legendary. For a few reasons. She was built by somebody legendary – French explorer Rene-Robert Cavalier Sieur de La Salle, she was the first European ship to sail the Upper Great Lakes… and she was the first to sink. Actually, she sank on her maiden voyage in 1769, not exactly one of La Salle’s bigger success stories. But the mystery she left behind is pretty big – and it has pretty well flummoxed Great Lakes historians for hundreds of years. Shipwreck scholar Steven Herald is the director of the Manistee County Historical Museum.


“The Griffin loaded its first and only freight cargo downbound at Green Bay, and there has never been a reliable report of anyone who has seen the vessel since. It left Green Bay and disappeared totally.”


Did she run aground? Sink to the bottom of Lake Michigan? No one knows, But Steven Libert, a long-time shipwreck hunter, thinks he might have found a clue. What he’s excited about appears to be a long, wooden pole sticking out of the sand in about 80 feet of water in northwestern Lake Michigan. It doesn’t look like much. But Rick Robol, the attorney for Libert’s company Great Lakes Exploration, says tests indicate it could date back to the 17th century. And it could be part of a ship.


“Great Lakes Exploration does not know at this point what is there. And it does not know whether in fact it is the Griffin or not. Certainly if it were the Griffin, it would be a very substantial find.”


Great Lakes Exploration has filed suit in federal court seeking salvage rights to the site. But the site is in Michigan waters and the state has filed a motion to have the case dismissed. State archaeologist John Halsey says whatever there is should belong to the public, not a private company.


“They have the money to go out and look, they have the money to go out and find, but what they don’t have is the permission to bring stuff up. That’s where the rubber meets the road.”


The state argues the Federal Abandoned Shipwreck Act of 1987 gives any state title to historic wrecks in its waters. Before its passage, pretty much anybody in a rubber suit could salvage shipwrecks. And they did – the evidence is rusting out in garages across the country. The federal law sought to protect these historic sites – which, in the cold fresh water of the Great Lakes, are often well-preserved time capsules. But Wisconsin shipwreck researcher, Brendon Baillod, says a number of cases have already shown the law is full of technical loopholes if you have the money and time to challenge it.


“We have a lot of wrecks that are open game legally. It really is up to the judge who gets the case before them.”


If Great Lakes Exploration does clear the legal hurdles, the next question will be academic. What should happen to their findings? Attorney Rick Robol says it all depends on what’s there.


“Really, shipwrecks have to be dealt with on a case by case basis. There are some shipwrecks that may best remain in situ, that is, on site, and there are other that should be recovered. It’s impossible to determine what’s best for a particular wreck without first scientifically studying it.”


At this stage, it’s anybody’s guess as to whether the site contains the remains of a ship or just a pile of very old scrapwood. But preservationists such as historian Steven Herald, argue anything of historical value should really just be left there.


“I’m a great one for leaving it where it is and studying it in as much detail as possible. The easiest way to preserve it is to keep it there.”


One thing is certain, any excavation would likely involve many years and millions of dollars. Oh, and there’s another possibility too, if in fact the Griffin is found. Technically, the vessel still belongs to France, which was in charge around here after all at the time of La Salle’s adventures.


For the Great Lakes Radio Consortium, I’m Sally Eisele.

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Junk Cars Become Environmental Art

We’ve come a long way since Henry Ford’s black Model T. Cars of every shape, size – and color – now practically dominate American life. Which poses a problem – what to do with the cars once they’re piled high in junkyards. A recent public art project offered one passionate recycler a chance to reuse junked cars in his art. The Great Lakes Radio Consortium’s Joyce Kryszak has this story of “Art on Wheels”:

Transcript

We’ve come a long way since Henry Ford’s black Model T. Cars of every shape, size – and color
– now practically dominate American life. Which poses a problem – what to do with the cars
once they’re piled high in junkyards. A recent public art project offered one passionate
recycler a chance to reuse junked cars in his art. The Great Lakes Radio
Consortium’s Joyce Kryszak has this story of “Art on Wheels”:


The American landscape is filled with automobiles. Lines of fancy molded steel are everywhere
– in parking lots and bumper to bumper along the highways. Or, as Canadian folk singer Bruce
Cockburn once observed, a kind of “sheet metal ballet.” But, sadly, when the dance finally ends,
there’s nothing left but junkyards of crushed steel. A recent community art project suggested that
re-use could be an answer to the old environmental debate of what to do with all the junk.


(sound of kids at the art show)


Dozens of artists were asked to come up with their own unique ways to re-use at least some of
that automotive scrap for the recent “Art on Wheels” Project. Art teacher Bruce Adams describes
what he and his high school students call the “Environmentally Friendly Car.”


“There’s a picket fence on each side. The front we call the front lawn, because the surface is a
big, grass lawn, with a bird house, so the birds can live there over the summer. Then the back of
it, we call the backyard, it’s a garden, it’s a got a pond, it’s got a stream running down to the pond
– it had fish living in there all summer.”


Adams says they built the car as sort of an ironic commentary on the whole American dream
thing. That’s what many of sculptures in the exhibit were designed to do – to make a statement.
Other sculptures, such as the cement truck chicken, were simply intended to be outlandish. But
for one of the exhibit artists, Doug McCullum, re-use isn’t a novelty. It’s a lifelong expression.
You might even say an obsession.


“My sister broke her femur…I made a lamp out of her steel leg splint. It was a little strange
thinking that, you know, this thing spent six months in my sister’s leg –
but she kind of enjoyed the lamp.”


McCullum is, well, shall we say, passionate about re-use? Okay, so you might even call him the
Dr. Frankenstein of the junkyard. His Gremlin car sculpture from the exhibit features some of
his junkyard creations. They’re popping out of the roof, the hood, the doors and the gas tank.
Come meet Scratch, Knock, Guzzle, and the rest of the Gremlins gang.


“The car is covered in a wide variety of monsters, all named after things that go wrong with your
car – henceforth the name Gremlins. They are all made out of various things like air compressor
tanks, and old recycled drive shafts, and snow blower hoods, and old air tanks.”


No, McCullum isn’t an auto mechanic, or a junk dealer. He’s an architect by trade, who likes to
create recycled art in his spare time. But McCullum doesn’t have to go far for re-use materials
when he begins a project. He just walks downstairs and scrounges around in his basement.
McCullum says he saves everything – and he’s especially partial to automobile salvage.


“I have so much steel, and so much stuff that I’ve recycled in my basement that it would take a
small crew to move that stuff out, and that’s just the way I create.”


McCullum says there are plenty of worn out or broken parts from his own cars down there. And
he’s never one to pass up somebody else’s cast off muffler or tire tread abandoned at the side of
the road. McCullum hauls it all home for his next project. And if he does run into roadblock
while creating? McCullum says he loves to go shopping – at the junkyard of course.


“It’s like shopping at the mall for me. I like climbing through the piles, and digging through
something, and I get a lot of enjoyment out of it. Like, oh… this could be a great head, and sit
that aside… I go looking for a part and I come out with like a couple hundred pounds worth of
steel. Like, yeahhhh, like there was a big sale at the mall and I’m coming out with the spoils of
my labor.”


But make no mistake, for McCullum re-use isn’t an idle past time, it’s a professional and personal
commitment. As both an artist and an architect he says he believes in the beauty and the
possibility of preserving everything. McCullum says things can and should last. He says it’s
purely a matter of vision.


“Basically, anything that is discarded can be re-used in a wide variety of ways, just people don’t
have the vision or that kind of mentality to really think in a different way. And that’s really what
this whole project is about – the Art on Wheels thing in general – you can re-use everything.”


(sound of kid yelling, “Look a bug car! There’s a bug on top!”)


MCullum says the unusual automobile inspired sculptures were fun to make – and to look at.
Mind you, he doesn’t expect to see gremlin cars or cement truck chickens roaring down the
highway anytime soon. But McCullum says hopefully the exhibit will help turn people on to the
possibilities of recycling.


For the Great Lakes Radio Consortium, I’m Joyce Kryszak.

Habitat Harmed by Submerged Log Harvest?

Old growth logs left on the bottom of the Great Lakes continue to attract interest. The dense wood is prized by people who make instruments and fine furniture. A few states (Wisconsin, Minnesota, New York) have permitted salvage operations. But in Michigan, permits are on hold until officials resolve how removal of the logs affects fish habitat. The Great Lakes Radio Consortium’s Bob Allen has more:

Transcript

Old growth logs left on the bottom of the Great Lakes continue to
attract interest. The dense wood is prized by people who make instruments
and fine furniture. A few states (Wisconsin, Minnesota, New York) have permitted salvage
operations. But in Michigan, permits are on hold until officials resolve
how removal of the logs affects fish habitat. The Great Lakes Radio Consortium’s
Bob Allen has more:


The submerged timber has been abandoned since the heyday of logging in the
late 1800’s, but cold fresh water has preserved the wood. To retrieve it,
salvagers need two permits. One from the state, another from the U.S. Army
Corps of Engineers. Michigan has issued 12 permits. But the Army Corps
wants to be sure there’s no adverse impact on fish. Randy Claremont is a fish
biologist with the Little Traverse Bay Band of Odawa Indians. He’s been
documenting how fish use a proposed salvage pile in Lake Michigan off
the city of Petosky.


“Those logs… you know… at least every time we visited we saw fish
utilizing them because there’s very little habitat structure around so if
you remove those logs, you will definitely affect fish community
negatively.”


The Army Corps wants to be sure salvagers replace lost habitat with
rock or brush piles. Details are being worked out before permits
are issued. For the Great Lakes Radio Consortium, I’m Bob Allen.