Dreaming Big, Despite Bankruptcy

  • One paint technology that GM is developing uses quantum dots - shown here irradiated with ultraviolet light (Source: Walkman16 at Wikimedia Commons)

Even though General Motors has filed for bankruptcy, Rebecca Williams reports the company is still dreaming big:

Transcript

Even though General Motors has filed for bankruptcy, Rebecca Williams reports the company is still dreaming big:

Someday you might be able to power your radio through your car’s paint.

Christopher Webb is GM’s senior creative designer.

He says GM’s research teams are giving some thought to solar powered paint. He says it might start with tiny solar cells called quantum dots.

“You could suspend these solar cells in a resin system or a waterborne or solvent carrier and spray it over the surface of the vehicle. Technically the entire surface of the vehicle could become almost a solar conductor.”

Webb says nobody knows exactly how this might work yet. But he says he’s confident that GM will continue their research into new technologies like this even with the bankruptcy announcement.

Something else that’s being talked about is using volcanic rock in paint. It could be a coating that would reduce a car’s interior temperature by reflecting heat – so you could use the air conditioning less often.

For The Environment Report, I’m Rebecca Williams.

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INTERVIEW: creativecitizen.com CREATORS

If you spend a lot of time on the Internet,
you probably know about MySpace, and Facebook, and
maybe you use Wikipedia to look up things quickly.
Well a couple of guys in California are combining
social networking, web content, and citizen action
to make a green website called Creative Citizen-dot-
com. Lester Graham spoke with Scott Badnoch and Argum DerHartunian:

Transcript

If you spend a lot of time on the Internet,
you probably know about MySpace, and Facebook, and
maybe you use Wikipedia to look up things quickly.
Well a couple of guys in California are combining
social networking, web content, and citizen action
to make a green website called Creative Citizen-dot-
com. Lester Graham spoke with Scott Badnoch and Argum DerHartunian:

Scott Badnoch and Argum DerHartunian: “CreativeCitizen-dot-com is based on the idea that we need
to infuse action into people’s lives when it comes to the green movement. So, we call ourselves
the action-based green community. And it’s essentially where Wiki meets social networks. So,
we’ve taken the best of both worlds and put them together. And so, instead of trying to be a static
content provider, what we do is we open up the playing field for the entire community to be
involved.”

Lester Graham: “Now, when you’re talking about opening up to the whole community, that just
seems you’re asking for a lot of misinformation to be passed around. Who’s monitoring this to
make sure that you ensure accuracy on this thing?”

Badnoch and DerHartunian: “It’s very rare that people provide things that are absolutely incorrect.
Now, at the same time, we also have experts. And I’d also like to add that our experts really guide
the process. They show people where to go to find more information, so then more eyes are
actually looking at it, and making sure the information is actually accurate and effective in the real
world.”

Graham: “Well, even among the experts there’s an amazing amount of confusion about everything
from everyday questions like ‘paper or plastic?’, to lawn care, purchases we make – how do you
plan to get around some of those complicated issues that might depend on where you live, or other
circumstances of your locale or your lifestyle?”

Badnoch and DerHartunian : “We’re not saying we are the sort of all-knowing Gods of green, but, in
reality, we’re saying ‘hey, we don’t know’, and neither does the vast majority of people. So let’s all
contribute, and put the knowledge that we do have together, so we can actually get a more clear
understanding of what this green-thing is.”

Graham: “Your CreativeCitizen-dot-com site seems like it might just be the perfect opportunity for
some of these corporations to come in and really spin things for systems that might not be that
great. How will you compete with corporate green-washing you might see on your site?”

Badnoch and DerHartunian: “On CreativeCitizen-dot-com, we’ve created an organic R&D system,
where each creative solution is uniform in a sense, and users can come and comment on
solutions, and edit them. And companies are really putting themselves out there by saying ‘this
product or service really has this benefit or savings’. And people can say, ‘well, I’ve tried this at
home and it doesn’t have these savings’, ‘I’ve researched this product and you’re using these types
of methods to produce this and manufacture this product and it’s not good for the environment’.
Or, vise-versa, saying that this is good, and really bringing the real green products that are not
green-washed to the forefront.”

Graham: “What have you learned on CreativeCitizen-dot-com that made you a more
environmentally responsible person?”

Badnoch and DerHartunian: “Well, I’ve transformed my entire life since the process of really
understanding sustainability. But one of the main things is really understanding that efficient living
and sustainable living is not about a sacrifice. It’s about really putting in these little acts into your
daily lifestyle that really make you happier as a person, more efficient – not only in a personal
sense but in a global sense. So, one of the most simple things is recycling laundry water. I’ve built
a system in my house where I can just put the laundry water in a bin and feed it to my garden,
using waste-water that is actually more nutritious for the plants because of the minerals in the wash
cycle. I like to call it ‘optimize without sacrifice’ – that’s actually from Amory Lovins. Green is really
about optimizing your life, and making life better for you, and then the result, fortunately, is that life
is better for the whole planet.”

Graham: “Alright guys, thank-you very much.”

Badnoch and DerHartunian: “Thank you, Lester.”

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Old Stuff Gets New Life

  • Tennis ball art made of 160 balls. Some of the balls can be moved around in order to create different formations. (Photo courtesy of Britten Stringwell)

Everyone has stuff. Probably too much stuff. Stuff you don’t use anymore, stuff that’s just
gathering dust in a box somewhere. Sure, you could recycle it. Or, as reporter Jennifer
Guerra discovered, you could turn some of that stuff into art:

Transcript

Everyone has stuff. Probably too much stuff. Stuff you don’t use anymore, stuff that’s just
gathering dust in a box somewhere. Sure, you could recycle it. Or, as reporter Jennifer
Guerra discovered, you could turn some of that stuff into art:


Vivienne Armentrout has only the essentials in her house. A table, some chairs, a
sideboard. Maybe a vase with fresh cut flowers from her garden. But that’s it. No clutter,
no knick knacks. Armentrout doesn’t like to have stuff lying around her house. So she
gets rid of it. But she doesn’t just throw it out or recycle it:


“The thing is, it’s easy to recycle. You just load up everything take it down to drop off
center and put it in the appropriate bin. And that’s okay for material recovery. But a lot of
objects have a real use still and that would be a waste. ”


Like fabric, for example. Armentrout says there’s nothing inherently wrong with
recycling old neck ties or curtain remnants. But if you go that route, the material will
probably just end up being turned into stuffing for seat cushions:


“But I think making them into a beautiful piece of art is a much better use.”




Now you might be thinking to yourself, okay, sounds like a cool idea…but I’m not an
artist! That’s ok, you don’t have to be. That’s where someone like Britten Stringwell
comes in. Stringwell calls herself a…


“A creative, inspirational doer…or artist.”


Stringwell and Armentrout live in the same town. But they never met until Armentrout
read an article about Stringwell in a local paper. Stringwell had some art work on display
at a coffee shop, so the paper was doing a little bio on her. When Armentrout read that
Britten Stringwell used recycled materials in her pieces, Armentrout immediately went to
work. She went through boxes of stuff she had in her attic and in her basement. Armentrout
invited Stringwell over to her house and together, the two sifted through old metal gears, antique
furniture knobs and wooden beads.


Some of the items Stringwell took home with her. Some she didn’t. Stringwell’s quick to
point out that she doesn’t just take anything that’s handed to her:


“I don’t like to keep collecting things, but if I can help to inspire other people who
would use them, too, is really important.”


I think that’s key to understanding what drives Stringwell to do what she does. She likes to make connections, she likes to form relationships with people.


People – strangers – will read or hear about Stringwell and they’ll invite her into their
house. Virtual strangers! Sometimes they have her over for tea, maybe a light snack. And
then, they just talk. Mostly, about all the stuff they’ve got in their basement and their attic,
and it’s those stories – the stories BEHIND the items and not the actual items themselves – that
Stringwell says inspires her the most:


“More recently, I guess I’ve been interested in not talking so much when I enter a space,
but kind of seeing where the person leads me. And just kind of finding out what’s
important to them or what story comes up and why does this object inspire me more
or them more…”




For example, that’s how Stringwell discovered someone’s box of old tennis balls. An
older woman invited Stringwell into her home one day. The two walked through her
basement, where there were boxes of stuff everywhere. When they came to the box of
tennis balls, the older woman went on and on about her love of the game, and about how she
and her partner used to play tennis all the time when they were younger.


So, Stringwell took those tennis balls home with her and she gave them new life. She put
them in an art piece. Tennis balls that otherwise would have stayed in a box in a
basement or ended up in a landfill somewhere. Stringwell created an interactive composition of
sorts. So within the composition, the balls can be arranged by the viewer to form different
shapes and patterns:


“What’s important is that it becomes this new, physical game. What was important
to them about it. They might not be as physical as they were when they were
younger and playing tennis, but now they can take these things out and play a
matching game and they will change it around and recreate it.”


Of course not everyone is a creative inspirational doer, like Britten Stringwell. But that doesn’t mean you can’t reduce, reuse and recycle. That part’s easy. Everybody gets that. And maybe, while you’re at it, you’ll start to look at all the stuff around you in a different way. Maybe you’ll find your own way to recreate, repurpose and reimagine.


For the Environment Report, I’m Jennifer Guerra.

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Roadblocks to Closing Toxic Waste Loophole

  • Trash and toxic waste cross the U.S.-Canada border every day, and untreated toxic waste often ends up at the Clean Harbors facility. Some are trying to restrict this practice and purge the idea that waste is a commodity.

There’s only one place in North America that still dumps
toxic waste straight into the ground without any kind of pre-treatment. A legislator from Ontario, Canada wants this landfill to clean up its act. But trade in toxic waste is big business. The Great Lakes Radio Consortium’s Mary Ann Colihan follows some trucks to learn more:

Transcript

There’s only one place in North America that still dumps toxic waste straight into the ground without any kind of pre-treatment. A legislator from Ontario, Canada wants this landfill to clean up its act. But trade in toxic waste is a big business. The Great Lakes Radio Consortium’s Mary Ann Colihan follows some trucks to learn more:


(Sound of trucks)


6,000 trucks cross the Blue Water Bridge every day between Canada and the United States. Just under the bridge, Lake Huron funnels into the skinny St. Clair River on its way to south to Lake Erie. The Blue Water Bridge connects Port Huron, Michigan with Sarnia, Ontario. This is the second busiest truck crossing between the United States and Canada. With post 9/11 security, the border can get backed up for miles in both directions. A lot of these trucks are carrying garbage back and forth across the border. Canadian trash and toxic waste is going to the U.S. and American toxic waste is going to Canada.


During her first month in office, Ontario Member of Parliament for Sarnia-Lambton, Caroline Di Cocco, found out just how much toxic waste was coming into her district.


“In 1999 that year, it was over 450,000 tons. To put it in perspective, the Love Canal was 12,000 tons.”


Di Cocco went on a five year crusade to change the Ontario laws that govern the trade in toxic waste. She adopted the U.N. resolution known as the Basel Agreement, as her model.


“The notion from that Basel Agreement is that everybody should look after their own waste and it is not a commodity.”


Di Cocco is not alone in her fight to slow or stop the flow of garbage and toxic waste from crossing the border. Mike Bradley is the mayor of Sarnia, Ontario. He can see the backup on the Blue Water Bridge every day from his home.


“One of the ironies on this is that while Michigan is very much upset, and rightly so, with the importation of Toronto trash, there are tens of thousands of tons of untreated toxic waste coming in from Michigan crossing the Blue Water Bridge into the Clean Harbors site.”


The Clean Harbors facility is the only place in North America that does not pre-treat hazardous waste before it dumps it into its landfill. Frank Hickling is Director of Lambton County Operations for Clean Harbors. He says imports from nearby states in the U.S. accounts for about forty percent of its volume.


“It’s from the Great Lakes area. We do reach down and take waste that our facility is best able to handle. We’re right on the border.”


Rarely do lawmakers on both sides of the border agree on an environmental issue. But pre-treatment of hazardous waste is the law in all fifty states, Mexico and every other Canadian province and territory except Ontario. Pre-treatment reduces the amount of toxic waste or transforms it into a less hazardous substance. But Hickling says disposing hazardous waste in Clean Harbors is a better economic bet.


“Obviously, if you don’t have to pre-treat it, it is cheaper there’s no doubt about that. But what isn’t obvious is the security of the site. Pre-treating waste doesn’t help immobilize the material forever.”


Clean Harbors’ company officials say their landfill won’t leak for 10,000 years. They say that the U.S. pre-treats hazardous waste because they expect their landfills to leak in hundreds of years or less. Hickling says the blue clay of Lambton County that lines Clean Harbors landfill gives them a competitive edge as a toxic dump.


“The facility is in a 140-foot clay plain and we go down about 60 feet. So there’s 80 feet below.”


But Clean Harbors has had big environmental problems. When volume was at its peak in 1999 the Clean Harbors landfill leaked methane gas and contaminated water. Remedial pumping of the landfill is ongoing.


Caroline Di Cocco found other ways to deal with toxic waste rather than simply dumping it in her district.


“First of all, there has to be a reduction of the amount of generation of this hazardous material. The more expensive you make it for industry to dispose of it, the more they are going to find creative ways to reduce it. Then there are what they call on-site treatments and closed-loop systems. You see technology is there but it’s expensive and again we go to the cost of doing business. And so a lot of the hazardous waste can be treated on site in a very safe way. And then what can’t be, well then you have to have facilities to dispose of it. But I believe that the days of the mega dumps have to end.”


Meanwhile, Clean Harbors looks at what the new Ontario regulations for pre-treatment will cost them.


“Certainly when you’re making the investment in pre-treatment and you’re adding all that cost for no additional environmental benefit we’re going to have to be getting larger volumes to ensure its profitability.”


Until we see a reduction in the loads of toxic waste that need to be dumped in Clean Harbors, it’s likely the trucks will roll on down the highway.


For the Great Lakes Radio Consortium, I’m Mary Ann Colihan.

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Soap Makers Revive History and Family Farms

  • Kim Brooks makes a batch of her Annie Goatley Hand-Milled Soap in her kitchen. (Photo by Tamar Charney)

For many of us, soap is just another mass-produced product we buy at the local supermarket. But in recent years, all-natural handmade soap has been showing up in galleries, gift boutiques, craft shows, and farmers’ markets. The Great Lakes Radio Consortium’s Tamar Charney has more:

Transcript

For many of us soap is just another mass-produced product we buy at the local supermarket.
But in recent years, all-natural handmade soap has been showing up in galleries,
gift boutiques, craft shows, and farmers’ markets. The Great Lakes Radio Consortium’s
Tamar Charney has more:


Kim Brooks’ home smells clean – like lemon, rosemary, citronella and well,
soap. The smell’s so pervasive that it wafts onto the school bus with her
12-year-old son, prompting taunts. His response to the kids teasing is he smells
like profit. See, his mom is a soap maker.


“I think I need to make some goats and oats with a dab of honey. So we’ll take oatmeal…
then I also want to add a little fragrance to this…”


(bottles clinking)


She makes 30 different types of bars for her Annie Goatley line of homemade soap.


“My soap is hand-milled, so what that means is I take olive oil, palm oil and coconut oil
and then I melt it down and add the lye and it saponifies, and then I make a base that
comes out in big chunks of hard soap and then I take these big chunks…”


It takes about two months from the time she starts a batch of soap until she
has a finished bar.


Kim Brooks started her business last June. She says she’s one of those
people who’d buy handmade soap any time she saw it. She says it was an
inexpensive way to feel like she was pampering herself. Eventually she
learned how to make it.


“There is a group of people that whenever they go to a craft show they buy soap. It’s
odd to think of it, but there is actually a culture of people that seek it out.”


Enough that Brooks says she can make soap seven days a week and still have trouble keeping up
with demand.


“As long as people get dirty, there’s always a market isn’t there?”


Patty Pike is another soap maker. She lives near Rogers City in northern Michigan. And she runs
an e-mail list for soap makers all across the state. More than 170 people are on the list.


“There are many women who are at home, either by choice or otherwise, and they are looking for
something to do to keep busy or to have a home-based business.”


She says for some, soap making is a creative outlet or a craft. For others,
such as Patty Pike herself, soap is a way to beef up a family farm’s bottom
line.


She raises goats, cattle, and chickens for show and for meat. And
soap was a way to make some money off the extra goat milk.


If you drive around rural communities you’re likely to see hand-lettered signs for soap outside
family farms.


In recent years, there’s been a renewed interest in how things used to be back before soap became
a mass-produced product advertised on TV.


(sound of soap ad)


At The Henry Ford Museum & Greenfield Village in Dearborn, Michigan, crowds of people who
grew up humming the ads for Dial, Zest, and Irish Spring show up to watch soap making
demonstrations.


Jim Johnson is with the Henry Ford. He says in colonial times, soap was just something everyone
made at home.


“As we move towards the whole convenience thing… this starts really at the end of the 19th
century and takes off at that point. By the time you get to the other side of Depression, the other
side of World War II, homemade soap is something only of folklore at that point.”


He says with the back-to-land and natural foods movement in the 1960’s and 70’s there was a
return to handmade, homemade soap. Since then, it has bubbled up from being a counterculture
interest to a more mainstream one.


One that’s been encouraged by the slow food movement, interest in organic products, and even
the popularity of how-to shows on television.


“It may be just sort of a whim or a hobby trying to make a connection to the past, other times they
might attempt it for practical purposes, you know, where they want something that they’ve done
with their own hands and they know what’s in it.”


And for a lot of people that itself is rewarding.


Kim Brooks takes a break from stirring a big pot of soap and she goes out to feed her goats and
chickens.


(barnyard sounds)


Like many of her customers, she has discovered she gets a certain satisfaction making things
herself or from buying things from someone she knows or at least has met.


“You know, we have heard so many things about ‘well this has been put in our
foods or that has been put in our foods’… and ‘this is a cancer-causing agent’ and you know, ‘this
is safe’ but then later on we find out well it’s not really safe. And I think that just as a culture
we’re really trying to get back to more of the natural products. I think handmade soaps go right
along with that.”


And she thinks people may be realizing they value things more when they’re made by people, not
machines. Handmade soaps might be all the rage at craft shows, gift boutiques, and farmers’
markets, but even soap manufacturers have caught onto the trend. In the aisles of many
supermarkets and drug stores, more and more soaps are showing up that look handmade even
when they’re not.


For the Great Lakes Radio Consortium, I’m Tamar Charney.

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