American Reviving Roman River

  • Rome is known for its many landmarks, but the Tiber River is often overlooked and neglected by its residents. (Photo by Nancy Greenleese)

When we think of Rome, we think of the Colosseum with its graceful arches and
Saint Peter’s Square, designed by Michaelangelo. We don’t often think of the
Eternal City’s oldest wonder: the Tiber River. But one American artist has. New
Yorker Kristin Jones creates public art that often focuses on nature and time. She
has found a muse in the trash-filled Tiber and wants to clean it up starting with a
small stretch. Nancy Greenleese reports from Rome:

Transcript

When we think of Rome, we think of the Colosseum with its graceful arches and
Saint Peter’s Square, designed by Michaelangelo. We don’t often think of the
Eternal City’s oldest wonder: the Tiber River. But one American artist has. New
Yorker Kristin Jones creates public art that often focuses on nature and time. She
has found a muse in the trash-filled Tiber and wants to clean it up starting with a
small stretch. Nancy Greenleese reports from Rome:


Along the Tiber, it’s “pazzo,” or crazy. Motorscooters and cars whip by near a
bridge that spans the river. Kristin Jones stands here, gazing down at the far more
tranquil river below. She decides to head down the stairs:


“We’re descending 36 feet below the street level into the channel or the gully that is now
the Tiber.”


Grafitti covers the stone walls and trash bobs in the water. It’s dirty and secluded
and Jones wants to change that with the creation of a water-themed “piazza,” the
gathering places that dot Italian cities. Jones remembers when she first saw the Tiber.
It was 1983 and she’d just arrived in Rome on a Fulbright scholarship:


And as a New Yorker I said to myself, “Oh my God. There’s something parallel here?
What is this?”


And then it hit her like a vision from the nearby Vatican:


“This is like a Central Park. Central Park is such an abstract miracle, I mean, it’s really
nature in the middle of the city and you walk there and you see leafs tremble and you see
real grass and you see a real squirrel. You even can collect mushrooms in Central Park.”


Jones could collect an impressive collection of beer bottles here. Homeless people are
camped nearby and the stench of urine is overpowering. Italian have little love for the
Tiber. It used to frequently flood, prompting the construction in the 1800s of walls that
hold – and hide – the river below the streets. Jones, however, wants people to visit and
appreciate the Tiber:


“Well, if you think about it, perhaps you could consider it to be the most ancient
monument in Rome (laughs).”


The city was founded along its banks nearly 3000 years ago and water has flowed
through its history. The Roman Empire’s aqueducts revolutionized water transportation.
A flooded Colosseum once held mock sea battles. Today, Jones says tourists still come
for the water:


“The fountains in, throughout the historic city have always been a sort of showy element
of power and exuberance and fun and yet the main artery is completely neglected.”


Until now.


(Mariamba music)


Locals and tourists stroll along the proposed piazza on a recent evening. Jones’ group
group Tevereterno, or Eternal Tiber, organized this event to promote the 600 meter
stretch. Supporters would like it to eventually host modern art exhibits and conferences
focused on water. Tonight, musicians perform and more than 1000 candles line the
river’s banks. Allegra Zapponi checks out the scene and reflects on what the Tiber means
to Italians:


“I think in the last 50 years of the last century, like the place for the rubbish. Everything
that you want to give away, you throw it in the river (laugh).”


But Kristin Jones and her supporters believe that the piazza would be a tributary for
getting people to the river and encourage its cleanup. However, arts advocate Luca
Bergamo, who has worked for two mayors, says Jones’ enthusiasm might not be enough
to get the project afloat:


“The biggest challenge is that you don’t find people investing in risky things in this
country. This is not risky but it’s unknown, not understood.”


Change is resisted in Italy, a country often strangled by its historic past. And politicians
can’t justify spending money on the Tiber when resources are scarce for more famous
monuments.


As couples at the party listen to an avante garde audio composition, attitudes might be
changing. The city has added the proposed renovation of this stretch of the Tiber, the
Piazza Tevere, to its new city plan. Jones says it’s time to hand the project over to
Italians:


“They’re all applauding me and trying to get me to keep doing it. And I keep trying to
step back and say, ‘It’s YOUR river. Hallelujah! See the potential, see the potential. I see
the potential.'”


She has agreed to plan next year’s celebration on the Tiber. In the meantime, there’s a
reminder of what could be. Jones has surreptitiously posted on the river’s embankment a
replica of the stone signs that mark Rome’s piazzas and streets. It says “Piazza Tevere.”


For the Environment Report, I’m Nancy Greenleese.

Related Links

Recapturing Music’s Roots

  • Frank Youngman playing on the Sound Garden. Photo by Tamar Charney.

These days a lot of modern music depends heavily on technology. Guitars are electric and beats electronic. But since ancient times human beings have found a way to make music with the things they found in nature. The Great Lakes Radio Consortium’s Tamar Charney has the story of one man who is helping his neighbors rediscover the roots of music:

Transcript

These days a lot of modern music depends heavily on technology. Guitars are electric and beats
electronic. But since ancient times human beings have found a way to make music with the
things they found in nature. The Great Lakes Radio Consortium’s Tamar Charney has the story of
one man who is helping his neighbors rediscover the roots of music:


In the woods behind Frank Youngman’s log home in Cadillac, Michigan there’s a small fire in a
fire circle. The smoke is wafting around logs that hang from the trees that surround the fire. It
curls around old car springs and break drums that also hang from the nearby trees. And big
hollowed out logs are propped up just inches off the ground.


On this cold, snowy Saturday there are five teenage boys and two adults banging on the logs and
car parts with sticks. And making music on what Frank Youngman calls his Sound Garden.


(music)


“I was out cutting firewood with our kids one day. And we were throwing it in the back of the
truck and it kept hitting each other. The logs were hitting each other. I just started noticing they
had all these different pitches and so I said, ‘kids throw ’em back out here.’ So we start laying it
out on the ground and we sorta constructed this crude xylophone. And pretty soon we were just
playing. I’d start a grove and they’d start playing and the four of us were on our knees around
these logs on the ground playing and we had a blast. After that, I kept thinking, wouldn’t it be fun
to have some instrument out in our woods here that when were walking by on the trail or skiing,
you could just stop and play a little bit.”


And eventually he built it. Youngman is a music teacher and band director, so he had an ear for
picking out the right logs with which to build his dream. Small logs are arranged to create
primitive xylophones and marimbas. Big logs act as bass drums. And the pieces of scrap metal
are miscellaneous percussion instruments. And any chance he gets, he’ll drag people out here to
play.


“Someone will start something just a click, cluck, cluck. Real simple little thing and then
someone layer in on top of it and it’s been fun cause they start to get the idea that we can slow
down and let it happen over a longer period of time and let it develop.”


He says after a while the people playing will start communicating and sharing musical ideas with
looks, nods, and beats.


(music)


As the rhythm gets going Ryan Newson and Mike Filkins emerge from their sullen teenage shells
and begin dancing and grooving to the beat. Like many people in town they first thought Frank
Youngman’s Sound Garden was really, really weird, but slowly they came around.


“You can’t explain the fun of playing it. You just have to go out there. The diversity of sounds
you get when hit stuff that you’re not even used to. When you play a drum set all day you just get
eight or nine different sounds you can play with, but with this it’s just a new set of sounds you can
screw around with and do what you want.”


The experience of playing the Sound Garden can vary from time to time. Frank Youngman says
night time playing has a different vibe from daytime playing. He thinks the Soundgarden’s best in
winter because the snow muffles the sounds and the woods are quiet, but then again other seasons
also have their appeal for instance warmer weather brings a chorus of frogs.


“In the spring, its great when the spring peepers. I’ve gone out by myself and you start hearing all
this sounds of springs birds and the peepers are just deafening at night sometimes and even they’ll
get a rhythm going and you get thousands of those things – rrrepperr rrrepper – they just get this
kind of pulsing rhythm and I’ve gone out and played with the peepers which sounds kind of
Crazy and maybe it is.”


Whether or not its crazy, the Sound Garden resonates with teenagers and adults alike, according
to 17-year old Mike Filkins.


I can imagine there will be people trying to build these now. This is just unbelievable. I was very
surprised how much it took off and how many people like it.”


And, in fact, a second Sound Garden has been built. After word got out about Frank Youngman’s
backyard one, the director of Cadillac’s Convention and Visitors Bureau suggested he create one
for the town’s new riverside Greenway. It’s just been finished in time to ring in the New Year
during Cadillac’s first night celebration.


(music)


“It’s a pretty primitive experience, you know, but I think it does kind of get back to musical roots
in some ways. It starts with rhythm – beating on a log – whether its signaling, talking over great
distances or just listening to each other and just responding.”


(music)


For the Great Lakes Radio Consortium, I’m Tamar Charney.


WEB INFO: For more information about the Sound Garden or Cadillac’s First Night celebration
which include demonstrations and a Sound Garden performance, www.cadillacmichigan.com.