Hip Hop Artists Tackle Environmental Issues

  • Some Hip Hop artists are using their music to reach people about environmental issues affecting their communities (Photo source: Lestat at Wikimedia Commons)

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Transcript

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Environmentalists are often portrayed as treehugging elitists by conservative talk show hosts – and others.

That image really was never accurate, but the environmental movement is becoming more diverse. The environmental issues are becoming increasingly important to a wider swath of society.

Mike Cermack is a consultant for Boston’s public schools. He helps teachers figure out the best ways to teach classes such as environmental science.

He’s come to the conclusion that music can go a long way in getting the attention of kids in the classroom – especially since Hip-Hop artists started tackling the environment and not just as some distant ‘polar bears and butterflies’ issue.

“We really want to start at the corner store and ask deep questions like, ‘why isn’t there any fresh produce? Is that linked to the fact that diabetes and obesity is kind of rampant in our neighborhoods and in our families?’”

As people living in inner cities Cermack says – artists such as Mos Def did it in his song ‘New World Water.’

(clip of Mos Def song)
And it’s not just those big nationally known artists.

Mike Cermack says he stumbled into Boston’s local ‘green Hip-Hop’ movement by working with activists who were trying to stop a power plant from being built next to an elementary school.

“In talking with them further and getting to know them, also many of them turned out to be these really talented MCs, these talented lyricists who are using the new knowledge that they found working with the non-profits and kind of weaving those into their more traditional narratives of ‘this is what’s wrong with street/urban issues; this is what’s wrong with all the gangsters around/in my city.’ They’re saying how can we also bring in these environmental issues.”

And those artists are pulling in friends and bringing a whole lot of street cred to environmental issues.

Tem Blessed and Ben Gilbarg called in some of their Boston friends to perform ‘Green Anthem.’

(clip of ‘Green Anthem’)

“They’re staying true to their roots as kind of the voice social injustice and speaking out against urban problems and they’re really mixing it up with a lot of environmental issues.”

Mike Cermack says he’s been working to get students interested in environmental issues in the classroom, but Hip-Hop artists such as J-Live and Thes One get it done in a way the students know.

“They’re already used to loving the hip-hop tracks. And they know the MC. You know, it’s more important that the MC is from the community. That’s another big piece. I think it’s a really interesting start to this green hip-hop potential.”

For The Environment Report, I’m Lester Graham.

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Making Music With Rare Wood

  • Musical instrument companies are a very small part of the demand for old-growth wood, but they can be very influential (Photo source: Arent at Wikimedia Commons)

People who make musical instruments know they have to start with a good piece of wood. Some guitar makers are worried that the woods they need for their instruments are becoming too rare. Tamara Keith has the story of how guitar makers are working with a group that fights to protect trees:

Transcript

People who make musical instruments know they have to start with a good piece of wood. Some guitar makers are worried that the woods they need for their instruments are becoming too rare. Tamara Keith has the story of how guitar makers are working with a group that fights to protect trees:

(sound of a factory)

There are people all over the Martin Guitar plant in Nazareth, Pennsylvania, doing fine detailed work. One man is chiseling out tiny pieces of wood to make the neck and the body of a guitar fit perfectly.

(sound of sanding)

Dick Boak does artist relations for Martin.

“So this is a D-35, this is what Johnny Cash played.”

He says this guitar’s deep resonant sound is all about what it’s made of. It’s a who’s who of rare and exotic species.

“Rosewood from East India, spruce from the Pacific Northwest, and mahogony probably from Peru or Bolivia. Those would be kind of the traditional woods for a guitar.”

Boak says logging is wiping out old growth forests where these types of woods are found.

“We would like it if every single supplier that we used was working in a sustainable fashion because that would ensure that our future as a guitar maker would be you know intact.”

So Martin Guitar has teamed up with the environmental group, Greenpeace.

Scott Paul is the group’s Forest Campaign Director and he’s super interested in the Sitka Spruce used in the Johnny Cash style guitar. We’re talking at the group’s office in Washington, DC. And he shows me where the spruce is used.

“This part on the top. This here is the soundboard. This is the species that really projects the sound.”

That Sitka Spruce comes from South East Alaska. Paul has been crusading to save the forests there for some time. He says Sitka Spruce has been logged as if there were no end in sight. Most of it is used for low-end construction materials. But when he found out the wood was used by the world’s leading instrument makers – he approached them.

“It was a very interesting meeting where you had the CEO of Gibson, and the CEO of Martin and Taylor and Fender all in the same room.”

The competitors said they were concerned about logging practices too. And the told Paul they’d work together on the issue.

“Let’s all go to Alaska and start talking to the logging companies that are providing you this product and figure out if we can do it better.”

So they did. This new Musicwood Coalition went to the Sealaska Corporation, which logs Sitka Spruce. And they’re now working with the company to save old growth trees for really valuable things like guitars.

Musical instrument companies are a very small part of the demand for old-growth wood. Paul says its less than 1%. But they can be very influential.

“They need the wood. They’re not the driving force. But their profile, and to be honest, their sex appeal is perfect. Not everyone likes Greenpeace, but red state, blue state, everyone loves guitars.”

(sound of guitar being tuned)

Dick Boak is tuning a guitar that’s just about ready to leave the Martin factory.

“Everybody has a song they use to tune.”

This guitar is part of Martin’s sustainable woods series. The hope is that someday all Martin guitars – and those of Gibson, Fender and Taylor too – will be made from trees grown and harvested in a way that makes sure the wood will be around for the long haul.

For The Environment Report, I’m Tamara Keith.

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Hi-Ho, Hi-Ho, on a Singing Hike We Go

  • Music teacher Maura Volante leading students on her "Woods Walk Singing", a singing hike (Photo by Karen Kelly)

In many cultures, people sing as
they work or as they travel. But in North
America, most of us aren’t comfortable
singing out loud in public. Karen Kelly
reports on a music teacher who’s trying
to change that – by taking her students
into the woods:

Transcript

In many cultures, people sing as
they work or as they travel. But in North
America, most of us aren’t comfortable
singing out loud in public. Karen Kelly
reports on a music teacher who’s trying
to change that – by taking her students
into the woods:


“Ooh, ah. Ooh ah. Here’s another part: aay-oh”

Maura Volante is leading a troupe of six students through a path in the forest.

It’s rainy, buggy and muddy. But everyone quickly gets into a groove – both with their
feet and with their voice.

(sound of walking song)

“There’s lots to look at all the time: the green and the shadows, the lake, the sky and all
the different vegetation. And when I’m feeling relaxed and I’m in my body and I’m
walking along and I’m in nature like that, it just makes me want to sing. It inspires me to
let my voice out.”

Volante teaches singing in Ottawa, Canada. For her, people don’t need a good voice to be
able to sing. Instead, she says singing just comes naturally to humans, like breathing and
walking. Which is why she tries to get people outside where they can experiment and
make mistakes.

“It’s kind of like recreational softball. It doesn’t matter if someone sucks at it. They can
still play. It’s for fun.”

(sound of more singing)

We spend about two hours hiking around the heavily-wooded Mud Lake.

I did some research to see if I could find any other organized singing hikes. I found one
at a bible camp in Virginia. And there’s one at a kibbutz in Israel. And, at Yellowstone
National Park? They recommend singing loudly – or shouting – to scare the bears away.

Of course, lots of people like to sing when they hike. On this walk, Kathy Woodgold
says she sings differently when she’s walking in nature.

“When we’re in the woods, it brings sort of a primitive spirit. Like, I’m thinking, let’s
pretend we’re not civilized, instincts, and so on. And maybe that opens up a creative
spirit. It frees us to sing random notes, instead of having to feel like we have to do a
predefined melody.”

This isn’t really a conservationist group. But teacher Maura Volante says, in some small
way, doing this helps the planet.

“I think there is a benefit to the environment for people to sing more because that gets
them to appreciate nature more and appreciating nature helps you be committed to
preserving it.”

(sound of singing “O Canada”)

The small group stops at a dock overlooking Mud Lake for their only performance of the
day. The audience? Ducks, frogs and mosquitoes.

But they give it their all.

For The Environment Report, I’m Karen Kelly.

Related Links

Drumming Up a Green Outlook

  • The Junkyard Symphony warms the crowd with their beats. They say recycling even a little goes a long way. (Photo by Karen Kelly)

It takes a keen eye to see the value in an old hubcap, a dented bucket or a broken bicycle horn. But when you’re searching for musical instruments, the junkyard can be an inspiration. Karen Kelly has the story:

Transcript

It takes a keen eye to see the value in an old hubcap, a dented bucket or a broken bicycle horn. But when you’re searching for musical instruments, the junkyard can be an inspiration. Karen Kelly has the story:

It’s a winter weekend festival in Ottawa, Canada and it’s freezing. And there are a few things you can count on – ice skating, ice sculptures, maple taffy… but bongo drums?

(sound of drums fades in)

As you make your way along a crowded path, you catch sight of the band, and you realize…these guys aren’t playing bongos.


They’re playing on recycling bins. And they’ve got paint buckets hanging on either side of them. Those bottle caps taped to the top turn them into snare drums. And there are PVC pipes sticking out of the bin with metal bowls on top. Those would be the cymbals. And – believe it or not – they sound really good.

(drumming)

They’re called Junkyard Symphony.

Two guys, dressed in khaki-green jumpsuits, playing on instruments they made themselves. Jonny Olsen is the founder of Junkyard Symphony.

“Usually, what I do is go to the junkyard and look through the stuff and take my stick and bang on stuff and experiment with different sounds. I get a lot of ideas for bits in the show just from the props that we find. Just use your imagination, basically.”

Like a beat-up Cheer detergent box. During the show, Olsen picks a little kid out of the audience to hold that box up in the air. And the audience does what it’s told.

(Olsen leads crowd in cheering)

Olsen started Junkyard Symphony about 20 years ago, when he was in high school. But what started as an Earth Day project became a summer job that put him through college. After graduation, he tried to stop, but couldn’t.

“Once I was done, I had so many people calling for the show, and I’ve never really been able to stop it, beacuse I’ve had so many people calling. I wasn’t able to move on to anything else. They wouldn’t let me.” (laughs)


What really gets the audience going are the tricks. There are plungers juggled between the legs. And the audience is invited to throw tennis balls at a tube attached to Olsen’s forehead.


One of Olsen’s favorite tricks is to place a kid on top of a milk crate, hands together, straight up over their head. The drum rolls, along with hundreds of mittens.

The kid’s looking nervous, and Olsen – standing behind him – starts tossing hula hoops at him. Kind of like human horseshoes.


That’s what attracts people like Joe Vinchec on a freezing cold day.

“I find them very creative and hilarious, actually. Quite funny.”


Olsen says he’s got three goals for his show. He wants to expand it beyond Ottawa, Montreal, and Toronto – where they play now.


He wants people to have fun.


And he wants people to think about reusing and recycling.


Some people have said he should move on to bigger issues, like climate change. Recycling is old news. But in Ottawa, where Olsen lives – and in many other cities – they’re running out of space for their garbage.


That’s why he argues everyday actions do matter.


“Every little thing you do adds up. Like when we first started Junkyard Symphony, we made our money on the street, by someone chucking in a quarter and eventually, all those quarters added up to my tuition. So if everybody just did little things, it would add up to having a cleaner environment.”


(sound back up)


Olsen blows into a homemade didgeridoo, and aims it at the nearest kid. (audience laughs)

It’s the traditional Australian instrument, but this one is made from a long piece of PVC piping.


Olsen doesn’t talk much during his show. And he definitely doesn’t preach. He believes if you inspire positive feelings – if you get them to laugh – you’re more likely to inspire people to take positive action, as well.

For the Environment Report, I’m Karen Kelly.

Related Links

Noise Pollution: Shhhhhh!

  • Everywhere you go, there's bound to be something making noise. (Photo by Lester Graham)

We live in a world that’s filled with noise. But when things get
too loud, the sounds can affect us in all kinds of ways. Kyle
Norris talks to one man who says that loud noises are a health,
ethical, spiritual, and environmental issue:

Transcript

We live in a world that’s filled with noise. But when things get
too loud, the sounds can affect us in all kinds of ways. Kyle
Norris talks to one man who says that loud noises are a health,
ethical, spiritual, and environmental issue:


For Les Blomberg, it all started with a sound like this:


(Sound of Blomberg imitating buzzing)


That’s Blomberg imitating the sound of the street sweeper. It
would clean his street at four in the morning. Blomberg says he
had never thought much about noise pollution…until this
happened, and it made him all tired and cranky. Eventually
Blomberg got the city to change the time of day when it cleaned
the street.


This experience got him interested in the topic of noise
pollution:


“To me kind of at the core, noise is an issue of civility. How
you treat your neighbor. It’s an environmental issue. Noise is a
pollutant that we’re casting out. It’s a waste product. It’s kind of
like second hand smoke. It’s the waste product of our activities
that we’re casting out into the environment.”


Blomberg’s passion for noise pollution grew as he learned more
about it, and he realized it’s an under-rated, under-appreciated
problem. Now he runs the Noise Pollution Clearinghouse. It’s
an organization that tries to keep the peace and quiet, the
organization connects people with noise experts and activists.
It fights for stronger noise regulations and standards, and it tests
consumer products to find out which are the quietest.


Blomberg says people usually contact him with one of three
kinds of noise problems. Jets and helicopters (sound of jet),
highway noise (sound of highway), and noises from electronic
amplification (sound of music) — like loud stereos. People tell
him these noises ruin their sleep, concentration, and quality of
life… and all those things put people in bad moods and can ruin
how they deal with other people.


Loud noises also trigger a physiological response in our bodies.
That’s what Les Blomberg says:


“When we were evolving, when things were noisy it was
usually a warning that something wrong was happening. If the
lion walk through camp and you didn’t hear it coming, you
would be breakfast for that critter. And so we evolved to deal
with that. Our hearing works twenty-four hours a day, it can
wake us up if we hear noises in our environment.”


As humans evolved, Blomberg says that loud noises would
trigger a quick little shot of adrenaline, leading to fight or flight.
He says we still go through this stress response today, when we
hear a loud noise, even though we know it’s only a siren or an
air conditioner and not a lion.


Loud, isolated noises like a street sweeper or a leaf-blower can
be temporarily problematic, but if you’re continuously exposed
to loud noises like these over time, they can lead to serious
damage. Each year in this country 30 million people suffer
from hearing losses.


Paul Kileny is the Director of Audiology & Electrophysiology
at the University of Michigan’s Health System. He says hearing
is the essence of human communication:


“People who have significant hearing loss they have a variety of
emotional problems. They withdraw. They isolate themselves
because they have trouble hearing. They don’t socialize.”


So loud noises aren’t just an inconvenience. They can bring
about real emotional problems. Les Blomberg with the Noise
Pollution Clearinghouse says we don’t have to live in a noisy
world. Technology has the ability to make things quieter.


Noise-cancellation systems and acoustic buffering can make
cars, appliances, and even lawn equipment quieter. Engineers
can make road surfaces quieter to drive on, but these changes
cost money and will have to come from the various industries
wanting to change.


Blomberg says that’s starting to happen, but slowly. He believes
loud noises are also an ethical issue. He says it’s like the golden
rule, of treating people the way you’d like to be treated and that
we can all do a “politeness check,” by making sure we’re not
imposing our sounds on our neighbors.


For the Environment Report, I’m Kyle Norris.

Related Links

Songwriter Connects With Kids

  • Joe Reilly and poetry writer Nora sing at a CD release party for Joe's album. (Photo by Chris Reilly)

Singer-songwriter Joe Reilly recently made an album with kids. The songs on the album are all about nature. Reilly discovered that when it comes to writing and singing about nature, some of these kids are wise beyond their years. Kyle Norris has this story:

Transcript

Singer-songwriter Joe Reilly recently made an album with kids. The songs on the album are all about nature. Reilly discovered that when it comes to writing and singing about nature, some of these kids are wise beyond their years. Kyle Norris has this story:


It’s hard to get kids to think outside their own little world. Let alone get them to think about the entire planet. But Joe Reilly seems to have a knack for getting kids to think big. And to talk about something pretty big, nature. He does it with music:


“Realizing the way that music can reach a place in any person, but especially in a kid that is a place of excitement and inspiration, there’s really like a magic there.”


Joe Reilly recently wrote an entire album with kids. He’d ask the kids open-ended questions, like “why is it important to protect the river?” And then he’d weave their answers into lyrics. He had one song with music, but no words. And then he heard a poem written by one of his ten-year old students. The poem by Nora Sinnett blew him out of the water. Reilly asked Nora if she was willing to read the poem over the song’s music.


(Song lyrics): “I am important. I may be only a whisper in a sea of voices. I may be only a blade of grass on a lawn. I may be one flower in a garden, a minnow in an ocean, a grain of sand on a beach, one star in the sky. But I am important. I matter. I stand tall. I am proud.”


She says she wrote the poem one day while she was hanging out in her grandpa’s library and she was just feeling kind of blue:


“I just like, saw a little ray of sunshine in window and I thought wow, that little ray of sunshine is really small but without that little ray of sunshine there wouldn’t be any other bits of sunshine. Then the room would just be dark. It just made me feel like I’m important because like, there’s only one leaf on a tree but without leaves the tree would be really bare. So little things make up big things.”


At a benefit show for the CD, Nora and Joe performed the song together. Afterwards, a mob of children and adults surrounded Nora. Kim Hunter is a poet and writer-in-residence in the Detroit schools. He was one of the people congratulating her.


“She has some really great metaphors in there. She’s a small person but she still, as says in poem, stands tall. And that’s, for a ten-year-old, a pretty sophisticated metaphor, and she employed it in a lot of different situations. It was a good poem.”


Hunter wasn’t the only person who thought it was a good poem. Songwriter Joe Reilly jokes that he’s been writing longer than Nora has been alive. He says he wishes he could write things as profound as Nora’s poem:


“I think there’s a real power in giving kids a voice and they can speak to adults and other kids, in a way we grown folks can’t always do.”


When Joe Reilly was a kid the adults in his life taught him about music and nature. He spent a lot of time exploring both of these things. He says they helped him to feel safe and good. These days, music and nature give him hope, which he says is a welcome change. To the hopelessness he feels about the environment and the future:


“When I can sit and make music with kids about how the beautiful earth is and how we want to celebrate our connections and inter-connections with all living beings. That just takes me beyond that despair, and it anchors me in some kind of hope.”


Reilly says that if he had sat down alone and tried to write a bunch of songs about nature, the songs would have been more serious. And not as fun. And silly. And lighthearted as it was with the kids. Like in this song. Where Joe and the kids invented a word to rhyme with river:


(Song): “Shibby dibby dibby dibby dibby dibby diver/We got a song about the Huron River/Water is such an important life-giver/We will protect it we will deliver”


For the Environment Report, I’m Kyle Norris.

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Musicians Tap Region’s Treasures

  • The Great Lakes Myth Society's songs cover all aspects of living in the Great Lakes region. (Photo courtesy of the Great Lakes Myth Society)

The Great Lakes Myth Society is a rock band with a clear sense of place. As
you might expect from their name, the band’s debut album is full of songs
about Great Lakes folklore. But their music is also infused with a subtle
appreciation for Great Lakes nature as well. The Great Lakes Radio
Consortium’s Dustin Dwyer has more:

Transcript

The Great Lakes Myth Society is a rock band with a clear sense of place. As you might expect from their name, the band’s debut album is full of songs about Great Lakes folklore. But their music is also infused with a subtle appreciation for Great Lakes nature as well. The Great Lakes Radio Consortium’s Dustin Dwyer has more:


James and Timothy Monger grew up in what they call the “former small town of Brighton, Michigan.” While strip malls and fast-food joints sprung up around them, the brothers held on to a sense of respect for the natural world.


“We were taught when you drive down the road with your parents, and you see a bunch of cranes, you stop, and you look at them until they leave.”


“…And when you see a lilac bush in someone’s yard, you stop and cut off several and you drive away quickly.”


On their debut album with the five-man group, The Great Lakes Myth Society, James and Timothy turn their stolen moments of Great Lakes beauty into songs about the region’s culture, history and nature.


(Sound of song)


“When the cold stars work overtime to impress you, and the Northern Lights rise up from the coral, And your bed is on your back…”


But while many of James and Timothy’s songs for the Great Lakes Myth Society are full of awe for Great Lakes nature, the songs don’t include any overt environmental messages. James says that’s intentional.


“I’m not a big fan of musical political statements. I think it’s extremely narcissistic to me to use your music as a platform unless you’re out there doing something behind it.”


James and Timothy say they prefer a more subtle approach.


“It’s always good to come up from behind people and imply.”


“We whisper in their ears.”


“Yes we do.”


So he and his brother often use personal experiences to draw the environmental connections. Like this song James wrote about his college days at Central Michigan University. It’s called “Isabella County, 1992” On the surface, the song has nothing to do with the environment.


“And it’s an Indian summer, and the tap water’s brown sand ‘cause the lamprey are crammed ‘neath the Chippewa dam.”


But in a song that’s essentially about the drinking scene at a state university, James includes a line about how sea lamprey affect the tributaries that drain into the Great Lakes.


“I think I may be the only person who ever used a sea lamprey dramatically in a piece.”


“I think you’re right.”


James says he worked for the U.S. Fish and Wildlife Service for a summer cleaning fish traps at the Chippewa dam in central Michigan.


“We would just get up early, get some donuts, pull up the traps, pull out three hundred crawdads, count weird riverfish like chubs. I liked the horny head chub a lot. That was my – and the Texas hogsucker. You learn a lot about your state when you know all the names of the fish that come through.”


And if James is about the gritty, sometimes overlooked details of Great Lakes nature, Timothy is more about the beauty of the area. He’s more likely to write songs about the northern night sky.


“‘Neath a radio of stars, on every band unravel cars. In the distance, Old St. Ignace, beneath a radio of stars.”


“Across the Bridge” is Timothy’s love song to Michigan’s Upper Peninsula.


“We played a Chicago show directly after 9/11, like a couple days after. Like so many people, we were almost frightened going into a large city. I’d been writing about the U.P. and it kind of occurred to me that that was about the safest place, you know. Sort of in the event of a hurricane, you’d go to your cellar, I’d go to the U.P. in case anything bad was going down.”


Timothy says he just felt safer up north, where society and sprawl have yet to take over. He says it’s one of the few places he and his brother can still go to simply appreciate the Great Lakes – not to be advocates or fight for a cause, but to recognize and appreciate the nature that surrounds them. A place where the only intrusion from the civilized world is the music playing in their headphones.


For the GLRC, I’m Dustin Dwyer.

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A Snow Sculpting Pilgrimage

  • Gary Tessier of Team Manitoba works on the team's 16-foot-high snow sculpture in Gatineau, Quebec. (Photo by Karen Kelly)

Every year, snow sculptors from the U.S. and Canada travel
to northern cities to carve huge works of art. They often depict things such as legends of sea monsters and native spirits. As the Great Lakes Radio Consortium’s Karen Kelly reports, these artists are driven by a shared passion for the outdoors:

Transcript

Every year, snow sculptors from the US and Canada travel to northern cities to carve huge works of art. They often depict things such as legends of sea monsters and native spirits. As the Great Lakes Radio Consortium’s Karen Kelly reports, these artists are driven by a shared passion for the outdoors:


(sound of chipping and scraping)


Gary Tessier is jabbing a spade into the side of a towering block of snow. He and his team are here to compete in a snow sculpture competition in Gatineau, Quebec. It’s just across the Ottawa River from Ottawa, Canada’s capital. The team has 50 hours to transform this 16 foot high block of snow into a work of art. They work from 8:30 in the morning until 10:30 at night – shoveling, scraping and sawing.


“Basically, fundamentally, you use a good sharp spade and these homemade sander kind of things. A whole variety of tools and uh, it doesn’t take much.”


The team is creating a sculpture based on a legend of a fiddler from their hometown of Winnipeg, Manitoba. The fiddler drowned in the Winnepeg River and the legend has it that people can still hear his music in the rapids. Gary uses the spade to follow the outline of a fiddle drawn in black magic marker on the snow.


“I’m working on one of the what do you call that? La manche… du violin… comment t’appelle ca? The fiddlehead! The fiddlehead. When we’re finished, hopefully it’ll be two fiddleheads and the fiddler surrounded by the water that well, he lost his life in, but went on to forever playing music.”


Gary and his sculpting partner Real Berard have been going to snow sculpting competitions for 25 years. They both work in the arts, Gary as an administrator and Real as an artist. Gary says they spend most of their time indoors, hunched over, working at a desk. Which is why he looks forward to a week outside, even if it’s 30 below.


“This is like a pilgrimage, literally, it clears my mind and clears the body, too, of all kinds of awful things. It’s just a reawakening, like a rebirth every time, it’s beautiful, it really is.”


And on the best days, Gary and Real say, the sculpture takes over.


Tessier: “You’re sort of going with the flow, going with the line and going where it’s going.”


Berard: “Yeah, and you see quite often, like we follow the lines. It seems like a snake. It wants to go someplace and there’s no way that you could… it’s stronger than your mind.”


Tessier: “Sometimes you try and fight it and don’t listen – this is really where this thing has got to go – and then ultimately it doesn’t work.”


Kelly: “That’s when you make a mistake?”


Tessier: “Yup, and it shows.”


Not that they’re that concerned about making mistakes. Of course they want the sculpture to look good, but they say they don’t care about winning, which was tough for Denis Vrignon-Tessier, Gary’s son, to accept. He’s 22 and has been with the team for 4 years.


Vrignon-Tessier: “Like at first, in a competition, I’d be like, ‘Oh, I’m going to be real disappointed if we lose,’ and stuff and then just being with them every year, they’ve just showed me that really, it’s not important.”


Kelly: “So what is it about?”


Vrignon-Tessier: “It’s about being here and spending time with them, just joking around, hearing what they have to say. Yeah.”


In the end, the sculpture has two giant violins. There’s a fiddler kneeling in front of them, playing in a swirl of water.


It doesn’t win.


The judges seem to like the sculptures with lots of details carved on them. But Gary and Real like bold, smooth shapes that will last for a while. And sure enough, after a couple days of freezing rain and warm temperatures, a lot of the detailed work on other sculptures is worn away. But the fiddler and the violins stay strong – ready to play into the spring.


For the GLRC, I’m Karen Kelly.

Related Links

Greenways to Garner Green for City?

  • Proposals to build greenways in Detroit are raising interest, hopes, and concerns. (Photo by Val Head)

Many cities looking to revitalize their urban centers
have turned to greenways to spur economic development. Greenways are pedestrian or bike paths that typically run between parks, museums, or shopping districts. The Great Lakes Radio Consortium’s Sarah Hulett reports on hopes that greenways will breathe new life into one of America’s most blighted urban landscapes:

Transcript

Many cities looking to reviatlize their urban centers have turned to greenways to spur economic development. Greenways are pedestrian or bike paths that typically run between parks, museums, or shopping districts. The Great Lakes Radio Consortium’s Sarah Hulett reports on hopes that greenways will breathe new life into one of America’s most blighted urban landscapes:


This abandoned rail line twenty-five feet below street level might not be many peoples’ first choice for a walk or a bike ride. But Tom Woiwode thinks soon it might be. Woiwode is the director of the GreenWays Initiative for all of Southeast Michigan. When he takes a look down this former Grand Trunk Western Rairoad line in Detroit, he doesn’t see the fast food wrappers, tires, and crashed and rusting shopping carts. He sees trees and grass and benches. And more importantly, he sees people, and places for people to spend their money.


“So maybe a bike repair shop, restaurants, some opportunities for music venues and those sorts of things, so people can ride their bike on down to the riverfront and along the way either stay here for lunch, or along the way stop and rest and enjoy the ambiance, or take their food and go on down to the riverfront where they can enjoy the extraordinary natural resources of the river as well.”


We’re standing near the city’s sprawling open-air produce market. It’s one of the most popular draws for people from inside and outside the city limits. When it’s complete, the greenway will link the market to Detroit’s greatest natural asset: the Detroit River. Greenways are a new redevelopment concept in Detroit. But elsewhere, Woiwode says, they’ve proven a well-tested urban redevelopment tool.


“In fact, back in the late 90’s, the mayors of Pittsburgh and Denver – two municipalities that are roughly similar in size to Detroit – both characterized their greenways programs as the most important economic development programs they had within the city.”


Minneapolis is another city that’s had success with greenways. In fact, backers of the greenway plan in downtown Detroit say they were inspired by a similar project there. Last month, Minneapolis completed the second phase of what will eventually be a five-mile greenway along an abandoned rail line much like the one in Detroit. It’s called the Midtown Greenway. And it’ll eventually link the Chain of Lakes to the Mississippi River thruogh neighborhoods on the city’s south side.


Eric Hart is a Minneapolis Midtown Greenway Coalition board member. He says even the greenway’s most avid supporters joked that people might continue to use it as a dumping ground for abandoned shopping carts like they did when it was just a trench.


“Since then, since it was done in 2000, there’s been a lot of interest in the development community to put high-density residential structures right along the edge of the greenway. And it’s viewed more like a park now.”


Since the first phase was completed in 2000, one affordable housing development and a 72-unit market-rate loft project have been completed. And five more housing developments – mostly condos – are in the planning stages. Hart says people use the greenway for recreation and for commuting by bicycle to their jobs.


Colin Hubbell is a developer in Detroit. He says he’s all for greenways, as long as they’re not competing for dollars with more pressing needs in a city like Detroit: good schools, for example. Or safe neighborhoods. Hubbell says the question needs to be asked: If you build it, will they come?


“I’m not sure. I’m not sure, if, given the perception problem that we have as a city, how many people on bikes are going to go down in an old railroad right away, I’m not sure even if that’s the right thing to do, given the fact that – I mean, we have a street system. And just because there’s a greenway doesn’t mean if somebody’s on Rollerblades or a bicycle that they’re not going to stay on a greenway.”


Hubbell says Detroit already has a lot of streets and not much traffic – leaving plenty of room for bicyclists. Hubbell says it might be cheaper to paint some bike lanes, and put up signs. But he says connecting the city’s cultural and educational institutions, the river, and commercial districts with greenways is a good idea – as long as they’re running through areas where people will use them.


Kelli Kavanaugh says that’s exactly what’s happening with greenway plans in the city. Kavanaugh is with the Greater Corktown Economic Development Corporation in southwest Detroit.


“You can’t just stick a greenway in the middle of a barren, abandoned neighborhood and expect use. But when you put one into a growing neighborhood, a stabilizing neighborhood, it really works as another piece of the quality of life puzzle to kind of support existing residents, but also attract new residents to the area. It’s another amenity.”


Greenway backers say for a city struggling just to maintain its population, Detroit can only benefit from safe, pleasant places to walk and bike. And if other cities are any indication, they say greenways should also help bring another kind of green into Detroit.


For the Great Lakes Radio Consortium, I’m Sarah Hulett.

Related Links

Dancers Mimic Nature’s Form

  • Dancer Anna Beard performing in Dragontree Waterfall Tea at the Matthaei Botanical Gardens in Ann Arbor, Michigan. Photo by Beth Wielinski.

The arts have long been used to draw people’s attention to things… a woman’s mysterious smile, social injustice, or details in the world around us. As the Great Lakes Radio Consortium’s Tamar Charney reports…one choreographer is using dance to encourage people to become more aware of nature:

Transcript

The arts have long been used to draw people’s attention to things – a woman’s mysterious smile,
social injustice, or details in the world around us. As the Great Lakes Radio
Consortium’s Tamar Charney reports…one choreographer is using dance to
encourage people to become more aware of nature:


(water trickle)


It’s really cold and gray outside. But the tropical conservatory at the Matthaei Botanical Gardens in
Ann Arbor is green and lush. The air is thick with humidity, warmth, and sweet-scented pollen.
The horticulturalists are sweeping up dead leaves, replacing plants, and removing wilted
blossoms. But occasionally the workers lift their heads from what they’re doing to take in an unusual
sight.


There’s a group of dancers, ranging in age from 7 to 70, rehearsing a performance among the
garden’s plants, waterfalls and walkways.


(sound of rehearsal)


They lean against vine-covered walls, prance down paths, and splash water from a fish pond.
Occasionally a dancer’s arm brushes against a branch setting the leaves of a bamboo, papyrus, or
orchid plant in motion. Shirley Axon is an environmental activist and one of the dancers. She
says it’s quite an experience dancing in a lush conservatory instead of a barren stage.


“It’s thrilling…the humidity, the green, the shapes of the plants…
the light, and then to think that we can climb the trees and the walls.”


The dance piece is called Dragontree Waterfall Tea and its creator is Jessica Fogel, a professor
of Dance at the University of Michigan. After choreographing a dance piece for a celebration at
an arboretum over the summer, she realized she just couldn’t imagine going back inside.


“At first I was going to do a snow dance, and then that seemed very unrealistic.”


Eventually she decided an indoor conservatory would be more practical and more comfortable for
both the dancers and the audience. She created this piece by absorbing the shapes, colors, smells,
and stories behind the plants in the garden. Movements the dancers make often mirror the
curves of a plant’s leaves. The dancers also use gesture, props, and pantomime to call attention to
how we use a plant.


“That the papyrus plants can become scrolls upon which messages are written, and that tea comes from these
camellia bushes and can be drunk, and that coffee does come from these beans and chocolate from the trees. So we do play with
those ideas as well, the function of the plants.”


Fogel says we often forget that we depend on plants and
nature for food, medicine, and even paper.
And she hopes this performance will remind people of
our reliance on the natural world. But some parts of the
dance just play with nature.


At one point in the performance, dancer Anna Beard climbs over a wall and down into a waterfall
in the conservatory.


“I step into it and bit by bit I work myself into the water until finally I’m completely immersed in the waterfall.”


She says it’s supposed to be a bit surreal and a bit surprising. She dances soaking wet with the
waterfall splattering down on her body.


“It’s more about existing with the setting and interacting with it instead of just placing some
movement in front of it as a backdrop.”


And unlike a performance in a theater, changes in the garden can affect what the dancers do or
don’t do. During rehearsals, a branch a dancer was supposed to lean against died and was cut off,
another plant grew to be in the way of a dancer’s arm, and some ground cover the dancers were
told they could walk on turned into a path of slippery mud.


Dancer Raphael Griffin says as she performs in the conservatory, she has to be very cautious of
the impact her movements make. The rock ledges are uneven and the plants fragile. And she
says that sense of the dancers treading lightly on the environment is something she hopes the
audience picks up on.


“Just a better awareness of nature and how the human body can interact with nature and yet not
ruin it either.”


Most of us will never get a chance to frolic in a conservatory like Raphael Griffin and the other
dancers in Dragontree Waterfall Tea , but as one dancer pointed out there’s nothing stopping us
from going out into our own backyards to enjoy and appreciate the line, movement, and form in
the natural world around us.


For the Great Lakes Radio Consortium, I’m Tamar Charney.