Hip Hop Artists Tackle Environmental Issues

  • Some Hip Hop artists are using their music to reach people about environmental issues affecting their communities (Photo source: Lestat at Wikimedia Commons)

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Transcript

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Environmentalists are often portrayed as treehugging elitists by conservative talk show hosts – and others.

That image really was never accurate, but the environmental movement is becoming more diverse. The environmental issues are becoming increasingly important to a wider swath of society.

Mike Cermack is a consultant for Boston’s public schools. He helps teachers figure out the best ways to teach classes such as environmental science.

He’s come to the conclusion that music can go a long way in getting the attention of kids in the classroom – especially since Hip-Hop artists started tackling the environment and not just as some distant ‘polar bears and butterflies’ issue.

“We really want to start at the corner store and ask deep questions like, ‘why isn’t there any fresh produce? Is that linked to the fact that diabetes and obesity is kind of rampant in our neighborhoods and in our families?’”

As people living in inner cities Cermack says – artists such as Mos Def did it in his song ‘New World Water.’

(clip of Mos Def song)
And it’s not just those big nationally known artists.

Mike Cermack says he stumbled into Boston’s local ‘green Hip-Hop’ movement by working with activists who were trying to stop a power plant from being built next to an elementary school.

“In talking with them further and getting to know them, also many of them turned out to be these really talented MCs, these talented lyricists who are using the new knowledge that they found working with the non-profits and kind of weaving those into their more traditional narratives of ‘this is what’s wrong with street/urban issues; this is what’s wrong with all the gangsters around/in my city.’ They’re saying how can we also bring in these environmental issues.”

And those artists are pulling in friends and bringing a whole lot of street cred to environmental issues.

Tem Blessed and Ben Gilbarg called in some of their Boston friends to perform ‘Green Anthem.’

(clip of ‘Green Anthem’)

“They’re staying true to their roots as kind of the voice social injustice and speaking out against urban problems and they’re really mixing it up with a lot of environmental issues.”

Mike Cermack says he’s been working to get students interested in environmental issues in the classroom, but Hip-Hop artists such as J-Live and Thes One get it done in a way the students know.

“They’re already used to loving the hip-hop tracks. And they know the MC. You know, it’s more important that the MC is from the community. That’s another big piece. I think it’s a really interesting start to this green hip-hop potential.”

For The Environment Report, I’m Lester Graham.

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One Man, a Marsh, and Birds

  • Ken Brunswick at the Limberlost marsh (Photo by Sam Hendren)

Biologists say we’ve lost about half
of the number of songbirds we had just 50 years
ago. Part of the reason is the loss of habitat.
Many birds need wetlands. Sam Hendren has the
story of one man’s love of those birds and his
work to save their home:

Transcript

Biologists say we’ve lost about half
of the number of songbirds we had just 50 years
ago. Part of the reason is the loss of habitat.
Many birds need wetlands. Sam Hendren has the
story of one man’s love of those birds and his
work to save their home:

When Ken Brunswick was a kid, he wanted
to study birds. Brunswick grew up near the
western Ohio town of St. Henry in the 1950s. He
says it didn’t take long to read all the books
about birds in the local library.

“I knew exactly where all the bird books were
because at that time that’s what I had my heart
set on, being an ornithologist,” Brunswick says.

One of the books that inspired Brunswick
was written by Gene Stratton-Porter. She was a
popular novelist in the early 1900s. Stratton-
Porter was best known for her fictional accounts
set in and around an Indiana swamp called the
Limberlost. She was also an amateur naturalist
and wrote several books about birds.

“I was in the eighth grade in that little two-room
schoolhouse reading ‘What I Have Done With
Birds’ by Gene Stratton-Porter, and the teacher
walked up to see what book I was reading, and
looked at it and the teacher said, ‘You know that
place isn’t very far from here.’ And I didn’t know
what she was talking about.”

The Limberlost actually was only a few miles
west across the state line. Stratton-Porter
moved to the area in 1888. But to the locals, the
trees were valuable lumber and the swamp was
a waste of land. Stratton-Porter wrote that
commerce attacked the Limberlost and began,
she said, its usual process of devastation. By
1910, two decades of destruction were
complete.

“This Loblolly Marsh was what I consider the
heart of the Limberlost area and this marsh was
actually the last thing that was drained in this
area so the farmers could start farming it,” says
Brunswick.

Brunswick became a farmer himself. He
started a dairy only a mile from the old Loblolly
Marsh. Through the years he learned more about
the swamp and the birds that lived there.

Later he formed the Limberlost
Remembered project. The group’s mission: to
bring Loblolly Marsh back to life. And they’ve
made a lot of headway.

Brunswick, who’s 63, is retried from farming.
He’s now an ecologist for the Indiana
Department of Natural Resources. He oversees
the Limberlost restoration.
We take a look at the changes aboard his ATV.

He’s maneuvering along a path near the edge of
the marsh. It’s thick with prairie cord grass,
switch grass and blue stem. Some of the grasses
have been planted here; other plant seeds have
lain dormant for decades and are now reclaiming
the ground on their own.

Out in the marsh the water is a gentle sea of
green and wildflowers abound around the edges.
But Brunswick’s love of the birds has not gone
away. And he’s thrilled to see them returning to
their marsh home.

“This is the area where we see American Bittern
once in a while. There’s been Virginia Rail, we
hear Sora Rail in here also. Sora is just a real
little bird that has just the dandiest sound when
it makes its call,” Brunswick says.

These birds and others like them are in
trouble. Most of the wetlands and prairies where
birds once thrived have disappeared.

Brunswick’s dream of becoming an
ornithologist never happened. But his work to
save the Limberlost has been his way of doing
something for the birds he loves.

“Actually when I think about this work I’m doing
it takes me back to that dream I had when I was
a kid in that two room schoolhouse. That dream
of being an ornithologist was taken away and
here, about 30 years later, seeing this land
flooding, I’m seeing birds that, some of them, I
never saw before.”

And the work of an old farmer has restored
the wetlands and natural areas that farmers
before him destroyed.

For The Environment Report, I’m Sam
Hendren.

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Hi-Ho, Hi-Ho, on a Singing Hike We Go

  • Music teacher Maura Volante leading students on her "Woods Walk Singing", a singing hike (Photo by Karen Kelly)

In many cultures, people sing as
they work or as they travel. But in North
America, most of us aren’t comfortable
singing out loud in public. Karen Kelly
reports on a music teacher who’s trying
to change that – by taking her students
into the woods:

Transcript

In many cultures, people sing as
they work or as they travel. But in North
America, most of us aren’t comfortable
singing out loud in public. Karen Kelly
reports on a music teacher who’s trying
to change that – by taking her students
into the woods:


“Ooh, ah. Ooh ah. Here’s another part: aay-oh”

Maura Volante is leading a troupe of six students through a path in the forest.

It’s rainy, buggy and muddy. But everyone quickly gets into a groove – both with their
feet and with their voice.

(sound of walking song)

“There’s lots to look at all the time: the green and the shadows, the lake, the sky and all
the different vegetation. And when I’m feeling relaxed and I’m in my body and I’m
walking along and I’m in nature like that, it just makes me want to sing. It inspires me to
let my voice out.”

Volante teaches singing in Ottawa, Canada. For her, people don’t need a good voice to be
able to sing. Instead, she says singing just comes naturally to humans, like breathing and
walking. Which is why she tries to get people outside where they can experiment and
make mistakes.

“It’s kind of like recreational softball. It doesn’t matter if someone sucks at it. They can
still play. It’s for fun.”

(sound of more singing)

We spend about two hours hiking around the heavily-wooded Mud Lake.

I did some research to see if I could find any other organized singing hikes. I found one
at a bible camp in Virginia. And there’s one at a kibbutz in Israel. And, at Yellowstone
National Park? They recommend singing loudly – or shouting – to scare the bears away.

Of course, lots of people like to sing when they hike. On this walk, Kathy Woodgold
says she sings differently when she’s walking in nature.

“When we’re in the woods, it brings sort of a primitive spirit. Like, I’m thinking, let’s
pretend we’re not civilized, instincts, and so on. And maybe that opens up a creative
spirit. It frees us to sing random notes, instead of having to feel like we have to do a
predefined melody.”

This isn’t really a conservationist group. But teacher Maura Volante says, in some small
way, doing this helps the planet.

“I think there is a benefit to the environment for people to sing more because that gets
them to appreciate nature more and appreciating nature helps you be committed to
preserving it.”

(sound of singing “O Canada”)

The small group stops at a dock overlooking Mud Lake for their only performance of the
day. The audience? Ducks, frogs and mosquitoes.

But they give it their all.

For The Environment Report, I’m Karen Kelly.

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Songbirds’ Numbers Flying South

  • A Nashville Warbler - one of the birds that Matt Etterson heard during this bird count in Canada (Photo courtesy of the US Fish and Wildlife Service)

The numbers and types of songbirds
are dropping dramatically in many areas of
the country. A lot of people are trying to
get a better count on the number of birds
that are still around. Stephanie Hemphill recently went with researchers
on one of the more ambitious bird count projects:

Transcript

The numbers and types of songbirds
are dropping dramatically in many areas of
the country. A lot of people are trying to
get a better count on the number of birds
that are still around. Stephanie Hemphill recently went with researchers
on one of the more ambitious bird count projects:

The jumping off point for this trip is a tiny airport with a grass runway in
northern Minnesota, about 20 miles from the Canadian border.

We fly for 15 minutes, over trees and swamps as far as the eye can see. Down
below we get a glimpse of a moose. And, later, a pair of rare trumpeter swans
in their nest.

The helicopter sets down in what’s known as a floating bog. Its runners are
sitting in six inches of water.

We jump out in knee-high boots and rain jackets, and douse with DEET to try
to keep the mosquitoes away.

I’m following Heidi Seeland, a graduate student who seems to know her way
around a bog.

We’re in knee-deep water. Then it’s thigh-deep Pretty soon it’s waist-deep. I try
to step on a clump of sphagnum moss. But it sinks. It holds onto my boot, and
I’m sitting in water.

Heidi helps me up, and we catch up with the others.

They fan out on different points of the compass. I follow Matt Etterson. He’s an
ornithologist, a bird expert. We slog through the bog for nearly half an hour.
Etterson is aiming for a piece of higher ground, where the trees are a little
taller, better for nesting.

Suddenly he stops. He’s found the spot he was looking for. He sets his watch
for 10 minutes and pulls out a notebook.

Etterson cocks his head this way and that, jotting the names of the birds he can
hear, and the time he hears them. He doesn’t pay any attention to the mosquito
biting the back of his neck. He just listens and takes notes.

“We had a couple of hermit thrush — that’s the singing to the north of us. A
veery called a couple of times to the west of us. A Nashville warbler, and a
couple of western palm warblers, and that was about it. It was pretty quiet
otherwise,” Etterson said.

We trudge through the muck for another 20 or 30 minutes and he repeats the
process.

It’s two hours later, and the three researchers meet at the helicopter landing spot
and compare notes. They’re excited about Etterson’s veery and Nashville
warbler. The others heard a Connecticut warbler and a Lincoln’s sparrow.

They would have been really happy if they’d heard a golden-winged warbler.
It’s one of the most threatened of bird species. The number of golden-winged
warblers has declined by some 80% during the last 50 years.

Today’s trip is an experiment to see how well it works to count birds in remote
places, using a helicopter.

It’ll take five years to finish the bird count here. Then, in 10 or 20 years, they’ll
do it all over again, to see how the birds are faring.

For The Environment Report, I’m Stephanie Hemphill.

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Musicians Tap Region’s Treasures

  • The Great Lakes Myth Society's songs cover all aspects of living in the Great Lakes region. (Photo courtesy of the Great Lakes Myth Society)

The Great Lakes Myth Society is a rock band with a clear sense of place. As
you might expect from their name, the band’s debut album is full of songs
about Great Lakes folklore. But their music is also infused with a subtle
appreciation for Great Lakes nature as well. The Great Lakes Radio
Consortium’s Dustin Dwyer has more:

Transcript

The Great Lakes Myth Society is a rock band with a clear sense of place. As you might expect from their name, the band’s debut album is full of songs about Great Lakes folklore. But their music is also infused with a subtle appreciation for Great Lakes nature as well. The Great Lakes Radio Consortium’s Dustin Dwyer has more:


James and Timothy Monger grew up in what they call the “former small town of Brighton, Michigan.” While strip malls and fast-food joints sprung up around them, the brothers held on to a sense of respect for the natural world.


“We were taught when you drive down the road with your parents, and you see a bunch of cranes, you stop, and you look at them until they leave.”


“…And when you see a lilac bush in someone’s yard, you stop and cut off several and you drive away quickly.”


On their debut album with the five-man group, The Great Lakes Myth Society, James and Timothy turn their stolen moments of Great Lakes beauty into songs about the region’s culture, history and nature.


(Sound of song)


“When the cold stars work overtime to impress you, and the Northern Lights rise up from the coral, And your bed is on your back…”


But while many of James and Timothy’s songs for the Great Lakes Myth Society are full of awe for Great Lakes nature, the songs don’t include any overt environmental messages. James says that’s intentional.


“I’m not a big fan of musical political statements. I think it’s extremely narcissistic to me to use your music as a platform unless you’re out there doing something behind it.”


James and Timothy say they prefer a more subtle approach.


“It’s always good to come up from behind people and imply.”


“We whisper in their ears.”


“Yes we do.”


So he and his brother often use personal experiences to draw the environmental connections. Like this song James wrote about his college days at Central Michigan University. It’s called “Isabella County, 1992” On the surface, the song has nothing to do with the environment.


“And it’s an Indian summer, and the tap water’s brown sand ‘cause the lamprey are crammed ‘neath the Chippewa dam.”


But in a song that’s essentially about the drinking scene at a state university, James includes a line about how sea lamprey affect the tributaries that drain into the Great Lakes.


“I think I may be the only person who ever used a sea lamprey dramatically in a piece.”


“I think you’re right.”


James says he worked for the U.S. Fish and Wildlife Service for a summer cleaning fish traps at the Chippewa dam in central Michigan.


“We would just get up early, get some donuts, pull up the traps, pull out three hundred crawdads, count weird riverfish like chubs. I liked the horny head chub a lot. That was my – and the Texas hogsucker. You learn a lot about your state when you know all the names of the fish that come through.”


And if James is about the gritty, sometimes overlooked details of Great Lakes nature, Timothy is more about the beauty of the area. He’s more likely to write songs about the northern night sky.


“‘Neath a radio of stars, on every band unravel cars. In the distance, Old St. Ignace, beneath a radio of stars.”


“Across the Bridge” is Timothy’s love song to Michigan’s Upper Peninsula.


“We played a Chicago show directly after 9/11, like a couple days after. Like so many people, we were almost frightened going into a large city. I’d been writing about the U.P. and it kind of occurred to me that that was about the safest place, you know. Sort of in the event of a hurricane, you’d go to your cellar, I’d go to the U.P. in case anything bad was going down.”


Timothy says he just felt safer up north, where society and sprawl have yet to take over. He says it’s one of the few places he and his brother can still go to simply appreciate the Great Lakes – not to be advocates or fight for a cause, but to recognize and appreciate the nature that surrounds them. A place where the only intrusion from the civilized world is the music playing in their headphones.


For the GLRC, I’m Dustin Dwyer.

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Romancing the American Chestnut

  • American chestnuts (left) are smaller than Chinese and European chestnuts. The Chinese and European varieties are also resistant to the blight, making the imports more desirable to growers. (Photo by Lester Graham)

Food is always a big part of the holidays. But one
traditional food has – for the most part – disappeared from American tables. The Great Lakes Radio Consortium’s Lester Graham reports:

Transcript

Food is always a big part of the holidays. But one traditional food has – for the most part – disapeared from American tables. The Great Lakes Radio Consortium’s Lester Graham reports:


(Sound of Nat King Cole singing, “Chestnuts roasing on an open fire…”)


That old chestnut of a song romanticizes roasting chestnuts as a part of the holidays. But a lot of us have never even seen chestnuts, let alone roasted them on an open fire. Chestnuts used to be a major part of the Eastern hardwood forest. There were millions of them. In fact, 25 percent of all the mature trees were chestnuts. But a blight, imported with some Chinese chestnut trees, slowly wiped out the American chestnuts. Now, they’re gone.


Well… almost. Much of the root stock is still alive. Sprouts grow until the blight knocks them back again. A blight only hurts the standing tree where it branches out.


And, in a few isolated pockets in the Midwest, the blight hasn’t reached the trees. A few American chestnuts are alive and growing and some of them are free of the blight. At Nash Nursuries in central Michigan, owner Bill Nash is guiding us through a rare sight… a grove of American chestnuts.


“These are 20 years old and as you can see, they’re fairly good sized. The American chestnut is quite a rapid growing tree. It’s well-suited for our climate, so it doesn’t have any of the problems that some of the hybrids do as far as growing and cultural care you have to take care of them. The Americans, you get them started and they’re pretty much on their own.”


In a few places in Michigan and Wisconsin there are small groves of chestnuts. They’re prized trees. They’re great for shade. The hardwood is rot resistant and makes great furniture and fence posts. And the chestnuts are eaten by humans and wildlife alike. Bill Nash says the tree will be popular again if it ever overcomes the blight that’s hit it so hard.


“The American chestnut will make another big comeback in this country as a yard tree, as a timber tree, as a wildlife tree.”


That part about a wildlife tree is more important than just worrying about the squirrels and bunnies. Chestnuts were an important food source for all kinds of animals.


Andrew Jarosz is a plant biologist at Michigan State University. He says the loss of chestnuts has been hard on wildlife populations.


“Chestnuts shed nuts in a more regular pattern than oaks, which will have what are called mast years – where they’ll have major crops, massive crops one year and very small crops in other years – which means it’s either feast or famine if you’re depending on oaks.”


Since the blight first began hitting American chestnuts about a century ago, researchers have been looking into all kinds of ways to stop it. One way is to cross it with the Chinese chestnut which has a couple of genes that resist the blight. But it takes a long time to breed out the Chinese characteristics from the American chestnuts and still keep the resistant genes.


Another approach is genetic manipulation. Genetically modifying the American chestnut tree to make it disease resistant. Again, work is underway, but it takes a long time. And even after success, it’s likely some people won’t like the idea of releasing a genetically modified organism into the wild.


The final approach worked in Europe when the blight hit there. It seems there’s a naturally occuring virus that kills the blight. It spread naturally in Europe. There are a few groves in Michigan that have naturally acquired the virus and it’s working to keep the blight at bay. Andrew Jarosz is working on the research. He says the trick is figuring out how to get the virus to spread to other trees short of manually spreading it on cankers infected by the blight.


“If we’re literally talking about millions of trees across probably, you know, the eastern third of the country, we obviously can’t treat every canker on every tree. And we need to be able to figure out a way to deploy the virus in a way that it can spread.”


Even with all that hopeful research, it’ll be ten years at least before some practical solutions end up in the forests, and Jarosz believes a couple of centuries before the American chestnut holds the place it once did in the forests.


Bill Nash knows it’ll be a while before there are major changes, but he is optimistic about the American chestnut.


“Oh, I would think the tree has a bright future. There’s enough people working on that, enough programs going on now… So, I would suspect that in the not-too-distant future we should have some of this progress made. You know, Robert Frost in his poem predicted the comeback of the American chestnut, that something would arise to offset that blight. And we’re starting to see that.”


Frost put it this way: “Will the blight end the chestnut? The farmers rather guess not, It keeps smoldering at the roots And sending up new shoots Till another parasite Shall come to end the blight.”


Seems Frost was an optimist too.


For the Great Lakes Radio Consortium, this is Lester Graham.

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Bird Song Mystery Revealed

  • Superfast muscles help this bird sing. (Photo by Brian Peterson)

Scientists have come one step closer to understanding how birds create their songs. The Great Lakes Radio Consortium’s Rebecca Williams explains:

Transcript

Scientists have come one step closer to understanding how birds
create their songs. The Great Lakes Radio Consortium’s Rebecca
Williams explains:


(dove song)


That’s a cooing ring dove. And this is a recording of special muscles
the dove’s using to control its song: (sound of muscle activity).


Those muscles are called aerobic superfast muscles. It’s a type of
muscle that has been found in rattlesnakes and some fish. The
muscles were just discovered in birds for the first time.


The research was published in the journal Nature. Coen
Elemans is the lead researcher. He says a unique quality of the dove’s
song led him to investigate it further.


“And we found that some of these doves have a trill in their song, they
make a sound something like (mimics dove song). And during this
short trill, you get elements that are so short, sometimes ten or nine
milliseconds, that I was wondering, how can this be done? This is so
fast that normal locomotory muscles you find in vertebrates cannot do the job.”


Elemans says this discovery could be just the beginning. He says
songbirds have more complex vocal systems than doves… so
songbirds could be using even faster muscles.


For the Great Lakes Radio Consortium, I’m Rebecca Williams.

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