Cradle to Cradle Design

  • Used resources can be remade into all kinds of things. These street signs were made into switchplates. (Photo by Ann Dornfeld)

The people who make everyday items – from cars to chairs to cell phones – attractive and functional are called industrial designers. Now a new generation of industrial designers is learning how to create products that are environmentally friendly as well. That makes their jobs a bit more challenging. Ann Dornfeld reports:

Transcript

The people who make everyday items – from cars to chairs to cell phones – attractive and functional are called industrial designers. Now a new generation of industrial designers is learning how to create products that are environmentally friendly as well. That makes their jobs a bit more challenging. Ann Dornfeld reports:


A lot of the things you buy have a pretty limited life cycle. Think about it. Before you buy a product, it uses up raw materials, then you use it for a while, then it ends up in a garbage dump. But that doesn’t have to be its fate.


A group of industrial design students at Western Washington University was given this challenge: create attractive, useful products that are also completely recyclable, reusable or biodegradable. On top of that, they had to use waste that would have ended up in the dump.


Rachel Bjarnasson explains what’s known as “closed-loop” design:


“Instead of a product life cycle and a designer’s job ending with that product when the product is at the end of its useful life, that that is just a new material that can be reused and turned into a new product.”


This sustainable design principle has caught on in Europe. There, household appliance manufacturers are required to take back old dishwashers and clothes dryers to reuse their components. U.S. factories are adopting closed-loop systems, too, as a way to save money on raw materials and benefit the environment.


One of the first lessons the students learned was that in closed-loop design, it’s not enough to use recyclable materials. You have to think about how you attach one material to another.


“If you have a recyclable material like an aluminum bonded to a plastic that’s non-recyclable, suddenly the recyclable component is no longer recyclable.”


Bjarnasson says they had to avoid using strong glues for that reason. And also because the adhesives can release toxic fumes.


The students also had to figure out where to get their raw materials.


Seth Tucker wanted to make bracelets out of disposable chopsticks.


“I found that between Japan and China, one billion pairs of chopsticks are thrown away every year. They’re taking down whole forests just for chopsticks!”


He asked local Asian restaurants whether he could install chopsticks recycling bins to collect enough for his project.


“Some restaurants, it was kinda funny, they gave me this kinda look like ‘you’re crazy, I would never give you used chopsticks.’ But it was really cool, ’cause other places were like, ‘oh yeah, totally, we’re definitely cool with the idea.'”


Tucker sanitized the chopsticks he’d collected, cut them into pieces and sandblasted them into what look like little driftwood beads. He strung them into bracelets along with natural turquoise and antique African trade beads.


One student turned newsprint into biodegradable flower pots.


Another made used-up retail gift cards into colorful luggage tags.


Rachel Bjarnasson challenged herself to use fabric scraps that she usually throws away in her job as a seamstress. She stitched strips of silk into baby booties, and lined them with scraps of fleece she got from a local glove manufacturer. Then she cushioned the soles with leftover carpet padding from a flooring company.


“And so all of this was materials that would’ve been thrown out, and I turned them into little striped baby booties.”


Several stores agreed to carry the products. One of them was Goods for the Planet in Seattle. Suzanne O’Shea is the co-owner.


“We were thrilled to do it because one of our goals is to find products as close to home as possible and support the local economy.”


The students’ products were a hit with her customers. O’Shea says some even sold out right away – like the chopsticks bracelets.


And sushi rollers made from stainless steel bicycle spokes flew off the shelves.


“And a lot of chefs that have come in and people that make sushi at home have really been impressed by this design because it has more weight than the standard bamboo sushi rollers.”


And that’s the idea. Student Rachel Bjarnasson says they learned the ideal sustainable product is at least as attractive and useful as the competition.


“You still need to make a product that looks beautiful and has good tactile sensation and is something that people ultimately want to buy. Even if it has the best of intentions in saving the environment, it won’t do its job if it’s not something that people want or need.”


The students say they’ll try to integrate the closed-loop design principles they’ve learned into all of their future products. They don’t want anything they design to ever end up in the trash.


For the Environment Report, I’m Ann Dornfeld.

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Drumming Up a Green Outlook

  • The Junkyard Symphony warms the crowd with their beats. They say recycling even a little goes a long way. (Photo by Karen Kelly)

It takes a keen eye to see the value in an old hubcap, a dented bucket or a broken bicycle horn. But when you’re searching for musical instruments, the junkyard can be an inspiration. Karen Kelly has the story:

Transcript

It takes a keen eye to see the value in an old hubcap, a dented bucket or a broken bicycle horn. But when you’re searching for musical instruments, the junkyard can be an inspiration. Karen Kelly has the story:

It’s a winter weekend festival in Ottawa, Canada and it’s freezing. And there are a few things you can count on – ice skating, ice sculptures, maple taffy… but bongo drums?

(sound of drums fades in)

As you make your way along a crowded path, you catch sight of the band, and you realize…these guys aren’t playing bongos.


They’re playing on recycling bins. And they’ve got paint buckets hanging on either side of them. Those bottle caps taped to the top turn them into snare drums. And there are PVC pipes sticking out of the bin with metal bowls on top. Those would be the cymbals. And – believe it or not – they sound really good.

(drumming)

They’re called Junkyard Symphony.

Two guys, dressed in khaki-green jumpsuits, playing on instruments they made themselves. Jonny Olsen is the founder of Junkyard Symphony.

“Usually, what I do is go to the junkyard and look through the stuff and take my stick and bang on stuff and experiment with different sounds. I get a lot of ideas for bits in the show just from the props that we find. Just use your imagination, basically.”

Like a beat-up Cheer detergent box. During the show, Olsen picks a little kid out of the audience to hold that box up in the air. And the audience does what it’s told.

(Olsen leads crowd in cheering)

Olsen started Junkyard Symphony about 20 years ago, when he was in high school. But what started as an Earth Day project became a summer job that put him through college. After graduation, he tried to stop, but couldn’t.

“Once I was done, I had so many people calling for the show, and I’ve never really been able to stop it, beacuse I’ve had so many people calling. I wasn’t able to move on to anything else. They wouldn’t let me.” (laughs)


What really gets the audience going are the tricks. There are plungers juggled between the legs. And the audience is invited to throw tennis balls at a tube attached to Olsen’s forehead.


One of Olsen’s favorite tricks is to place a kid on top of a milk crate, hands together, straight up over their head. The drum rolls, along with hundreds of mittens.

The kid’s looking nervous, and Olsen – standing behind him – starts tossing hula hoops at him. Kind of like human horseshoes.


That’s what attracts people like Joe Vinchec on a freezing cold day.

“I find them very creative and hilarious, actually. Quite funny.”


Olsen says he’s got three goals for his show. He wants to expand it beyond Ottawa, Montreal, and Toronto – where they play now.


He wants people to have fun.


And he wants people to think about reusing and recycling.


Some people have said he should move on to bigger issues, like climate change. Recycling is old news. But in Ottawa, where Olsen lives – and in many other cities – they’re running out of space for their garbage.


That’s why he argues everyday actions do matter.


“Every little thing you do adds up. Like when we first started Junkyard Symphony, we made our money on the street, by someone chucking in a quarter and eventually, all those quarters added up to my tuition. So if everybody just did little things, it would add up to having a cleaner environment.”


(sound back up)


Olsen blows into a homemade didgeridoo, and aims it at the nearest kid. (audience laughs)

It’s the traditional Australian instrument, but this one is made from a long piece of PVC piping.


Olsen doesn’t talk much during his show. And he definitely doesn’t preach. He believes if you inspire positive feelings – if you get them to laugh – you’re more likely to inspire people to take positive action, as well.

For the Environment Report, I’m Karen Kelly.

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