New Regs for Old Homes

  • The rules the EPA is proposing would apply to homes built before 1978. (Photo source: Daniel Schwen at Wikimedia Commons)

Renovating old homes or apartments can
mean scraping or sanding lead paint.
That lead paint dust can settle where
children play. That can put them at risk
for learning disabilities. Shawn Allee reports why the government’s
tightening rules on home renovation:

Transcript

Renovating old homes or apartments can
mean scraping or sanding lead paint.
That lead paint dust can settle where
children play. That can put them at risk
for learning disabilities. Shawn Allee reports why the government’s
tightening rules on home renovation:

The Environmental Protection Agency just finished rules about home renovation and lead paint, but children’s advocacy groups said they weren’t strong enough.

Anita Weinberg is with Lead-Safe Illinois. She says some rehab contractors are trained on how to handle lead paint safely, but only some property owners are required to hire them. Weinberg says the rules didn’t apply if there were no kids in that unit at the time.


“That’s perfectly fine, but tomorrow you turn around and sell your home to a family with children. And the work that was done, if it wasn’t done safely, there’s certainly the possibility there’s still going to be a lead hazards in that home.”

So, now the EPA’s proposing, if you hire a rehab contractor at all, that contractor must be trained to handle lead paint – regardless of whether children live there now or not.

The rules would apply to homes built before 1978.

For The Environment Report, I’m Shawn Allee.

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Wanted: Affordable Art Space

  • Back in 2000, Laura Weathered and fellow artists were drafting what their artist community would look like. (Photo by Lester Graham)

When artists make a check-list for the ideal place to live – they add things the average family
might not, like plenty of work space and being close to other artists and galleries. Big cities
usually offer all the things on that list – but there’s a problem. Big-city real estate prices have a
habit of rising quickly – and pricing artists out. Shawn Allee found artists who’ve tried to stay
put:

Transcript

When artists make a check-list for the ideal place to live – they add things the average family
might not, like plenty of work space and being close to other artists and galleries. Big cities
usually offer all the things on that list – but there’s a problem. Big-city real estate prices have a
habit of rising quickly – and pricing artists out. Shawn Allee found artists who’ve tried to stay
put:

Laura Weathered began her career in painting in Los Angeles.

It was tough enough finding her muse – but it was also tough finding places to live that stayed
affordable.

“This kind of history of settling into a space and then the neighborhood going through
gentrification was chasing me all over L.A.”

Fed up, Weathered left for Chicago.

Before long, she found some Chicago artists had the same problem – rents and home prices just
weren’t stable.

Weathered and fellow artists got tired of toughing it – so about thirty of them put their heads
together and looked into buying property – to live in, to work – and maybe share with artist
groups, too.

“And someone’s comment was, You know, this is going to cost more than a million
dollars – who’s going to rent a bunch of flaky artists a million dollars?”

But then they did some back-of the napkin kinda math.

“We had a everyone go around the room and, What are you paying for rent? And that
was the Aha moment – collectively we could afford much more than a million dollars,
because that’s what we’d been paying all along.”

It took almost ten years to dig up funding and expertise, but eventually – they transformed a
former metal-stamping factory into artist housing, studio and office space.

People have been living in the artists’ community for five years now.

When you walk around, you see paintings in some loft windows and sculptures near the front
step.

Weathered shows off some shared gallery space.

“So, this is really important. You can bring test audiences in and see how it plays and get
feedback and the like without taking huge risks.”

All this is great – but the big idea was to make the space stay affordable for artists and artist
groups. So far, it’s worked.

“We can stay here a long time.”

This is Denise Zaccardi.

Zaccardi runs the Community TV Network. It has offices at the Bloomingdale Arts Building.

The network teaches low-income teens how to produce news, TV and documentaries. Zaccardi
says arts organizations like hers can benefit from this stability.

“Kids can tell their brothers and sisters down the line we’re here – we’re not moving
every three years, which is a common thing for people who rent, especially for artists.”

So, sounds like everything is an artist’ dream, right?

Well, like in other condo-associations, members have fought over repair costs. And artists who
own their units can only sell them to other artists. Plus, if they do sell … their profits are
capped. That’s made the units much lower in value compared to their neighbors’.

Laura Weathered says there’ve been second thoughts.

“I think some people are saying, ‘Did I agree to this too quickly?’ because it’s restrictive,
but the agreement originally was that we wanted an artist community and not just for one
generation for the future.”

Weathered says the idea was to keep units affordable for artists – and that’s been the case for
five years.

She says it’s not perfect, but if it works for a decade or two more, it might be a model for other
artists to follow.

For The Environment Report, I’m Shawn Allee.

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Paint Regs Better for Environment?

  • Most paints are still high in VOCs – volatile organic compounds (Source: DanielCase at Wikimedia Commons)

When it’s time for a new
coat of paint, you might want a paint
that doesn’t smell so bad that it
leaves your head spinning. More states
are shaking up paint laws – and forcing
companies to roll out paints that aren’t
as bad for the environment. But some
people question if they will work as well
as the old stuff. Julie Grant reports:

Transcript

When it’s time for a new
coat of paint, you might want a paint
that doesn’t smell so bad that it
leaves your head spinning. More states
are shaking up paint laws – and forcing
companies to roll out paints that aren’t
as bad for the environment. But some
people question if they will work as well
as the old stuff. Julie Grant reports:

Matt Testa started painting for his family’s real estate
business when he was a kid. He remembers his parents
worrying that all the chemicals in the paint would ignite a fire
– so they turned off appliance pilot lights before painting a
kitchen.

(sound of painting)

Today, as a builder and general contractor, Testa says most
paints are still high in VOCs – volatile organic compounds.
Even though a lot of people don’t like it.

“Well, when we’ve used some high VOC products, of course
there’s occasional dizziness on large commercial jobs.
We’ve had to clear buildings at times because of people
reporting headaches and other things with the fumes that
were being given off.”

Testa says you can almost taste those chemicals in your
nose and mouth hours after painting. But the VOCs don’t
just affect painters. When you open a can of paint, or
primer, or wood stain, the chemicals get into the air – and
cause ozone pollution, which contributes to smog.

“When you do the math, they’re talking about a quarter
pound per gallon. And you think of the millions and millions
of gallons of paints that are used, you’re talking about a
huge amount of VOCs.”

In recent years, states on the east and west coasts have
started cracking down on paint makers. Smoggy southern
California has the toughest laws against VOCs in paints.
The Northeast has also forced manufacturers to reduce their
chemical load.

And now tougher paint laws are spreading to states in the
middle of the country. Ohio, for instance, has had a tough
time meeting federal clean air standards. It’s hoping that
stirring up the paint laws will make a difference.

(sound of paint store)

That’ll mean changes at the store. When you buy paints,
primers, stains – they will be based less on oil – and more
on water.

Steve Revnew is marketing director for Sherwin Williams –
and its 3,300 stores nationwide. Walking around one of his
Ohio stores, he says they have to roll out a new line of
products.

“For example, some of the oil based stains, wiping stains
that you traditionally would use on your wood work and
those types of things, as they’re known today, that
technology will no longer be available.”

Companies such as Sherwin Williams have seen the
chemical limits coming for many years. Revnew says
they’ve developed new stains, paints and enamels with
fewer harsh chemicals – using new resin and polymer
technology.

He picks up a can of enamel – “In 2009, we’ll be introducing
a whole new product line that is VOC compliant. It will still
provide you the hard, durable finish for metal, wood,
concrete – those types of things. Only it will be VOC
compliant.”

The changes have some professional painters in the store
concerned. They worry that water-based paints and stains
won’t coat as well or last as long as the oil-based coatings.

Now that contractor Matt Testa has kids of his own, he’s glad
VOCs are being brushed aside. But if reducing the
chemicals means things need to be re-painted more often,
he says the changes won’t do anything to improve air
quality.

“Yeah, if you have to go back and repaint it, you’re really
going to leave a bigger footprint environmentally from the
truck trips, the amount of the paint you put back up, all the
delivery of that paint, etc.”

Testa says consumers will have to see for themselves if
these new, environmentally friendly products work as well as
the higher VOC paints.

For The Environment Report, I’m Julie Grant.

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Ghostbikes: Two-Wheeled Memorials

  • With more cyclists on the road, there is concern about keeping accident rates from going up as well (Photo by Corbin Sullivan)

There’s a grass roots effort to
honor people killed while riding bicycles.
It’s called “ghostbikes”. Chuck Quirmbach
reports:

Transcript

There’s a grass roots effort to
honor people killed while riding bicycles.
It’s called “ghostbikes”. Chuck Quirmbach
reports:

Only a tiny number of bicyclists are hit and killed. But some riders say the death toll should be
zero.

So, in about sixty communities across the US, bicycle groups are painting bikes all white. Then
they chain them to a post near the site of the bicycle fatality.

Rider Jessica Weinberg compares the skeleton-looking ghostbikes to white crosses placed where
people die in motorized vehicles.

“I think anyone who drives on the highway when they see a cross on the side of the road, that
does kind of make you think for a minute, ‘should I drive a little more carefully here, there was a
tragedy here, what was the situation?’ We want the same thing with the ghostbikes.”

Weinberg says with high gas prices putting more bikers on the road, ghostbikes may help keep
accident rates from going up.

For The Environment Report, I’m Chuck Quirmbach.

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