Hip Hop Artists Tackle Environmental Issues

  • Some Hip Hop artists are using their music to reach people about environmental issues affecting their communities (Photo source: Lestat at Wikimedia Commons)

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Transcript

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Environmentalists are often portrayed as treehugging elitists by conservative talk show hosts – and others.

That image really was never accurate, but the environmental movement is becoming more diverse. The environmental issues are becoming increasingly important to a wider swath of society.

Mike Cermack is a consultant for Boston’s public schools. He helps teachers figure out the best ways to teach classes such as environmental science.

He’s come to the conclusion that music can go a long way in getting the attention of kids in the classroom – especially since Hip-Hop artists started tackling the environment and not just as some distant ‘polar bears and butterflies’ issue.

“We really want to start at the corner store and ask deep questions like, ‘why isn’t there any fresh produce? Is that linked to the fact that diabetes and obesity is kind of rampant in our neighborhoods and in our families?’”

As people living in inner cities Cermack says – artists such as Mos Def did it in his song ‘New World Water.’

(clip of Mos Def song)
And it’s not just those big nationally known artists.

Mike Cermack says he stumbled into Boston’s local ‘green Hip-Hop’ movement by working with activists who were trying to stop a power plant from being built next to an elementary school.

“In talking with them further and getting to know them, also many of them turned out to be these really talented MCs, these talented lyricists who are using the new knowledge that they found working with the non-profits and kind of weaving those into their more traditional narratives of ‘this is what’s wrong with street/urban issues; this is what’s wrong with all the gangsters around/in my city.’ They’re saying how can we also bring in these environmental issues.”

And those artists are pulling in friends and bringing a whole lot of street cred to environmental issues.

Tem Blessed and Ben Gilbarg called in some of their Boston friends to perform ‘Green Anthem.’

(clip of ‘Green Anthem’)

“They’re staying true to their roots as kind of the voice social injustice and speaking out against urban problems and they’re really mixing it up with a lot of environmental issues.”

Mike Cermack says he’s been working to get students interested in environmental issues in the classroom, but Hip-Hop artists such as J-Live and Thes One get it done in a way the students know.

“They’re already used to loving the hip-hop tracks. And they know the MC. You know, it’s more important that the MC is from the community. That’s another big piece. I think it’s a really interesting start to this green hip-hop potential.”

For The Environment Report, I’m Lester Graham.

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Making Music With Rare Wood

  • Musical instrument companies are a very small part of the demand for old-growth wood, but they can be very influential (Photo source: Arent at Wikimedia Commons)

People who make musical instruments know they have to start with a good piece of wood. Some guitar makers are worried that the woods they need for their instruments are becoming too rare. Tamara Keith has the story of how guitar makers are working with a group that fights to protect trees:

Transcript

People who make musical instruments know they have to start with a good piece of wood. Some guitar makers are worried that the woods they need for their instruments are becoming too rare. Tamara Keith has the story of how guitar makers are working with a group that fights to protect trees:

(sound of a factory)

There are people all over the Martin Guitar plant in Nazareth, Pennsylvania, doing fine detailed work. One man is chiseling out tiny pieces of wood to make the neck and the body of a guitar fit perfectly.

(sound of sanding)

Dick Boak does artist relations for Martin.

“So this is a D-35, this is what Johnny Cash played.”

He says this guitar’s deep resonant sound is all about what it’s made of. It’s a who’s who of rare and exotic species.

“Rosewood from East India, spruce from the Pacific Northwest, and mahogony probably from Peru or Bolivia. Those would be kind of the traditional woods for a guitar.”

Boak says logging is wiping out old growth forests where these types of woods are found.

“We would like it if every single supplier that we used was working in a sustainable fashion because that would ensure that our future as a guitar maker would be you know intact.”

So Martin Guitar has teamed up with the environmental group, Greenpeace.

Scott Paul is the group’s Forest Campaign Director and he’s super interested in the Sitka Spruce used in the Johnny Cash style guitar. We’re talking at the group’s office in Washington, DC. And he shows me where the spruce is used.

“This part on the top. This here is the soundboard. This is the species that really projects the sound.”

That Sitka Spruce comes from South East Alaska. Paul has been crusading to save the forests there for some time. He says Sitka Spruce has been logged as if there were no end in sight. Most of it is used for low-end construction materials. But when he found out the wood was used by the world’s leading instrument makers – he approached them.

“It was a very interesting meeting where you had the CEO of Gibson, and the CEO of Martin and Taylor and Fender all in the same room.”

The competitors said they were concerned about logging practices too. And the told Paul they’d work together on the issue.

“Let’s all go to Alaska and start talking to the logging companies that are providing you this product and figure out if we can do it better.”

So they did. This new Musicwood Coalition went to the Sealaska Corporation, which logs Sitka Spruce. And they’re now working with the company to save old growth trees for really valuable things like guitars.

Musical instrument companies are a very small part of the demand for old-growth wood. Paul says its less than 1%. But they can be very influential.

“They need the wood. They’re not the driving force. But their profile, and to be honest, their sex appeal is perfect. Not everyone likes Greenpeace, but red state, blue state, everyone loves guitars.”

(sound of guitar being tuned)

Dick Boak is tuning a guitar that’s just about ready to leave the Martin factory.

“Everybody has a song they use to tune.”

This guitar is part of Martin’s sustainable woods series. The hope is that someday all Martin guitars – and those of Gibson, Fender and Taylor too – will be made from trees grown and harvested in a way that makes sure the wood will be around for the long haul.

For The Environment Report, I’m Tamara Keith.

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