Big Apple Tree-Huggers

  • One NYC artist recruited arborists and neighbors to record messages about the city's trees. She placed markers in the cement listing numbers to call to hear the recordings. (Photo by Samara Freemark)

Trees along big city streets have a rough
life. Between pollution, development,
and vandalism, street trees die off at
a pretty alarming rate. One New York
artist thinks if people knew more about
street trees, they’d appreciate them more –
and treat them better. Samara Freemark reports from New York’s “Tree
Museum”:

Transcript

Trees along big city streets have a rough
life. Between pollution, development,
and vandalism, street trees die off at
a pretty alarming rate. One New York
artist thinks if people knew more about
street trees, they’d appreciate them more –
and treat them better. Samara Freemark reports from New York’s “Tree
Museum”:

When artist Katie Holten was commissioned to do a piece commemorating Grand Concourse boulevard in the Bronx, the first thing she thought of was trees. The Concourse, after all, is lined with them. The problem was, no one else seemed to notice they were even there.

“I had conversations with people who were sitting under the trees for the shade. And I’d ask them about what they thought of the trees. And they would say, ‘oh, there aren’t any trees on the concourse.’ But they were sitting underneath one.”

And if people did notice the trees, they weren’t always thrilled they were there.

“Kids told me that trees should all be chopped down because they couldn’t see the view. A teacher told me that all trees were the same, that there was only one kind of tree.”

People didn’t pay much attention to the trees. When they did, they often abused them – which is pretty common treatment for the trees that line city streets. People pin street trees with flyers. They spray trees with grafitti. They chain their bikes around trees, stripping their bark. City buses jump curbs and plow into trees. And developers chop them down to put up new buildings.

“You can’t just stick a tree in the ground and hope for the best. It’s a really tough environment.”

In fact, half of all trees planted in New York City die.

Holten figured one way to protect street trees was to get people to understand all the good that trees do.

So she recruited arborists and neighbors to record messages about the Grand Concourse’s trees. She placed markers in the cement listing numbers to call to hear the recordings. And she called the whole thing the Tree Museum.


“There are 100 trees along the 4 miles. And each of the trees gets a small marker. So we can walk up here to 165th street and I’ll show you one. Here’s one of the markers- nice and dirty.”

(sound of dialing in)

We dial and hear…

“I’d like to a moment to say thank you to this tree. This tree is busy cooling the air and helping to keep the river clean. The leaves in the canopy above are pulling water out of the air, reducing humidity, like an AC.”

It’s not really clear how many people are actually calling in to the museum, or whether the recordings are changing anyone’s mind. But it’s a start.

Joyce Hoagy lives further up the Concourse. She recorded a message for tree number 31. And now she feels kind of possessive of it.

“This is my tree. It’s a honey locust and I’m identified by it.”

Hoagy says Bronx trees have been under particular threat lately. This year the city cut down hundreds of mature oaks to make room for the new Yankees stadium.

“One street had these giant oaks, and they formed this canopy. And on the hottest day of the year you could walk down…people didn’t know what they had till it was gone.”

So now Joyce Hoagy’s spreading the word about the Tree Museum too. She hopes it will give her neighbors a hundred reasons to care about trees around them – and watch out for them.

For The Environment Report, I’m Samara Freemark.

Related Links

Protecting Art From Climate Change

  • Climate change can affect temperature and humidity. And those changes can damage art. (Photo source: Aude at Wikimedia Commons)

Preservationists are worried climate
change could destroy valuable art
and cultural artifacts. Kyle Norris
reports thay are looking at ways to
protect these valuables:

Transcript

Preservationists are worried climate
change could destroy valuable art
and cultural artifacts. Kyle Norris
reports thay are looking at ways to
protect these valuables:

Climate change can affect temperature and humidity. And those changes can
damage art. Debbie Norris is the chair of the art conservation department
at the University of Delaware.

“Fluctuations in temperature and relative humidity can cause art
materials to crack and craze and deteriorate over time.”

Changes in the weather can also cause biological growth on artifacts. So,
for example, mold can grow on old photos or damage historic documents.

Some buildings that house art are very old and made of stone or wood.
Those building materials are deteriorating faster than they have in the
past. And many of those buildings are not equipped with heating and
cooling equipment advanced enough to control the climate inside the
buildings. That puts the collections they house at risk.

For The Environment Report, I’m Kyle Norris.

Related Links

Big Name Design With a Green Twist

  • New York fashion designer Issac Mizrahi during a fitting session. Mizrahi used salmon leather to create an ensemble that includes a dress, jacket and shoes. (Photo by Mackenzie Stroh, courtesy of the Cooper-Hewitt National Design Museum)

You might not have heard of the design firm Pentagram, but more than likely you’ve seen
its work. Pentagram designed the shopping bags for Saks Fifth Avenue, the logo for
Citibank, the layout of the New York Times Magazine. In short, its designers make
things look pretty. Recently, Pentagram got a call from the nonprofit Nature
Conservancy. As Hammad Ahmed reports, it wasn’t the usual request for a nice new logo
or packaging:

Transcript

You might not have heard of the design firm Pentagram, but more than likely you’ve seen
its work. Pentagram designed the shopping bags for Saks Fifth Avenue, the logo for
Citibank, the layout of the New York Times Magazine. In short, its designers make
things look pretty. Recently, Pentagram got a call from the nonprofit Nature
Conservancy. As Hammad Ahmed reports, it wasn’t the usual request for a nice new logo
or packaging:

The Nature Conservancy wanted Pentagram to issue a challenge to big name designers.
And the challenge was this: design environmentally friendly stuff. In other words, you
have to use renewable, abundant, and natural materials… instead of plastic.

Pentagram stepped up the challenge, recruited some designers, and, now, I’m here to see
what they came up with.

Curator Abbott Miller and I are standing at the Smithsonian Design museum in
Manhattan.

“The exhibition actually goes, um, this way.”

The exhibition is called “Design for a Living World.” And honestly, it looks like a
Pottery Barn. Bowls, chairs, and rugs. When you look closely though, you see all this
stuff is made from really interesting materials. For example, salmon leather.

Miller: “Salmon leather is stripped away from salmon in the process of canning and
literally was considered waste, but is actually an incredible material.”

Ahmed: “So this is just like salmon scales?”

Miller: “It’s the skin of salmon that’s been preserved.”

Working with the preserved salmon skin fell upon big-name fashion designer Isaac
Mizrahi, who’s more used to designing with silk and satin.

“If you’re weighing like sort of you know ecology and glamour, I think they weigh the
same to me, sorry to say that.”

Ecology or glamour, huh? Well, Mizrahi took this salmon leather and he turned it into a
dazzling pair of high heels you’d expect to see on the red carpet.

“For some people, that kind of product, represents a negative.”

Gary Bamossy is a marketing professor at Georgetown’s Business School.

“These very expensive green items that are really just sort of ‘fashionista’ kinds of
acquisitions, they see that as frivolous and maybe even as a waste of money.”

So, not exactly a ‘green ethic.’

And this makes me wonder which way of being green is better. Buying more shoes made
from salmon leather? Or not buying more shoes at all?

Abbott Miller admits it’s a valid question.

“That whole question of should we buy less, I think the answer is probably yes. You
know everyone knows that we’re an over-consuming culture.”

So if the real problem is over-consumption, what’s the point of green design?

When I ask Gary Bambossy, the marketing professor, he comes back with another
question.

“Green design as it relates to museum and as fashion? Or green design as part of a
business model process?”

And that question makes me realize green design isn’t just a new look for the same
products. It’s a new way of making those products, and educating the consumer.

Abbott Miller says we really ought to know more about what we buy, what is used to
make it.

“We may come to a point of such hyperawareness of the materials that we use that that’s
part of the story of why you buy something.”

Miller and Bambossy agree that buyers increasingly want to know more. And that could
lead to products being more sustainable.

But, the thing is, all this awareness isn’t free. So, you’re left with one last question: are
you willing to pay more for knowing more about the things you buy?

For The Environment Report, I’m Hammad Ahmed.

Related Links

State Declares Itself Maritime Heritage Destination

Many states and provinces in the Great Lakes region have museums, monuments, and shipwrecks that tell the story of the explorers, shippers, and industries that are a part of the region’s maritime history. But one state in the region plans to market itself as the place to visit to learn about the region’s maritime past. The Great Lakes Radio Consortium’s Tamar Charney reports:

Transcript

Many states and provinces in the Great Lakes region have museums, monuments, and shipwrecks
that tell the story of the explorers, shippers, and industries that are a part of the region’s maritime
history. But one state in the region plans to market itself as the place to visit to learn about the
region’s maritime past. The Great Lakes Radio Consortium’s Tamar Charney reports:


Michigan has declared itself a ‘Maritime Heritage Destination.’ Bill Anderson is the director of
the Michigan Department of History, Arts and Libraries. He says visitors have long come to the
state for its natural beauty and outdoor activities. But he thought the state could appeal to
regional visitors interested in the culture and history of the lakes. He says the state has many
maritime-themed attractions, including the nation’s only underwater sanctuary devoted to
preserving shipwrecks.


“Lighthouses, maritime museums, historic ships, underwater preserves, performing artists that specialize in maritime culture, cruises, other museums that have significant maritime collections…”


And so on. Anderson says discussions are underway with the National Park Service to bring the
park service on as a partner.


For the Great Lakes Radio Consortium, I’m Tamar Charney.