Activist Family Sets Stage for Global Warming

Scientists predict global warming could have a devastating impact on the earth and its inhabitants. But a traveling theater troupe has managed to find something funny about climate change. As the Great Lakes Radio Consortium’s Chris Lehman reports, the group “Human Nature” hopes to spread a message as well:

Transcript

Scientists predict global warming could have a devastating
impact on the earth and its inhabitants. But a traveling theater
troupe has managed to find something funny about climate
change. As The Great Lakes Radio Consortium’s Chris Lehman
reports, the group “Human Nature” hopes to spread a message as
well:


Joyful Simpson’s middle name is Raven. So perhaps it’s only
fitting that she plays a raven in the play, “What’s Funny About
Climate Change?”


“I suppose the raven in mythology is known as a trickster or a
shape shifter. So she’s come in human form to both tease and
cajole and plead with the audience for their understanding and
their awareness.”


(sound of play: “You came, you actually came! I said that if we made a show about global warming sound like
it actually might be funny, that the humans would come. And
here you are…suckers!!”) (laughs)


(fade under)


“What’s Funny About Climate Change” is a three-person
comedy review. The three members are the Simpson family.
They call their theater group “Human Nature”. Their goal is to
raise awareness about the problems caused by global warming.


Jane Lapiner is Joyful’s mother. She says their group uses
theater as a political tool.


“With comedy and theater in general, people can be more
receptive to important ideas, as opposed to a meeting or a
conference.”


That’s why the Simpsons founded the Human Nature theater
group more than 20 years ago. Global warming’s not the only
thing they’ve written about. They’ve performed plays about the
timber industry, wolves, and Pacific salmon.


David Simpson writes most of the material. He says he tries to
inform people and make them laugh.


“I have to say this is an intelligent show…It’s a sophisticated
show, the humor is sophisticated. People are going to learn
something about climate change, they’re gonna laugh, and
they’re gonna think.”


(sound of play, actors singing)


Joyful Simpson says she was fairly involved with her parents’
theater group growing up. But when she left for college, she
started to pursue other ways to communicate her concerns about
the environment. Her journey eventually led her back to her
parents’ theater group.


The current tour is the first time she’s worked with her parents in
about seven years. She says her years away from her family
might have prepared her for her role in “What’s Funny About
Climate Change.”


“I’m not educated about it from a scientific perspective and
actually I think that I embody some of the societal doubt of
whether or not it is a real thing and I’m trying to break out of
that because I think that’s deeply ingrained.”


Joyful is young. She’s in her mid-20’s. And she says it’s crucial
that young people understand environmental issues.


“I have a lot of people in the older generation that I look up to
who are very active in the environmental and the political world
and I see some of that energy in my generation but we are
lacking in that field. And so I’m pushing myself to feel inspired
to take the torch and also trying to push others to understand our
responsibility.”


(more sound of play: Joyful Simpson: “Did you actually think
there was something funny about climate change? It’s the
biggest disaster in the history of the entire civilization and it
really is happening…”)


(fade under)


The Simpson family will be performing on college campuses
across the nation this spring.


For the Great Lakes Radio Consortium, I’m Chris Lehman.

Dancers Mimic Nature’s Form

  • Dancer Anna Beard performing in Dragontree Waterfall Tea at the Matthaei Botanical Gardens in Ann Arbor, Michigan. Photo by Beth Wielinski.

The arts have long been used to draw people’s attention to things… a woman’s mysterious smile, social injustice, or details in the world around us. As the Great Lakes Radio Consortium’s Tamar Charney reports…one choreographer is using dance to encourage people to become more aware of nature:

Transcript

The arts have long been used to draw people’s attention to things – a woman’s mysterious smile,
social injustice, or details in the world around us. As the Great Lakes Radio
Consortium’s Tamar Charney reports…one choreographer is using dance to
encourage people to become more aware of nature:


(water trickle)


It’s really cold and gray outside. But the tropical conservatory at the Matthaei Botanical Gardens in
Ann Arbor is green and lush. The air is thick with humidity, warmth, and sweet-scented pollen.
The horticulturalists are sweeping up dead leaves, replacing plants, and removing wilted
blossoms. But occasionally the workers lift their heads from what they’re doing to take in an unusual
sight.


There’s a group of dancers, ranging in age from 7 to 70, rehearsing a performance among the
garden’s plants, waterfalls and walkways.


(sound of rehearsal)


They lean against vine-covered walls, prance down paths, and splash water from a fish pond.
Occasionally a dancer’s arm brushes against a branch setting the leaves of a bamboo, papyrus, or
orchid plant in motion. Shirley Axon is an environmental activist and one of the dancers. She
says it’s quite an experience dancing in a lush conservatory instead of a barren stage.


“It’s thrilling…the humidity, the green, the shapes of the plants…
the light, and then to think that we can climb the trees and the walls.”


The dance piece is called Dragontree Waterfall Tea and its creator is Jessica Fogel, a professor
of Dance at the University of Michigan. After choreographing a dance piece for a celebration at
an arboretum over the summer, she realized she just couldn’t imagine going back inside.


“At first I was going to do a snow dance, and then that seemed very unrealistic.”


Eventually she decided an indoor conservatory would be more practical and more comfortable for
both the dancers and the audience. She created this piece by absorbing the shapes, colors, smells,
and stories behind the plants in the garden. Movements the dancers make often mirror the
curves of a plant’s leaves. The dancers also use gesture, props, and pantomime to call attention to
how we use a plant.


“That the papyrus plants can become scrolls upon which messages are written, and that tea comes from these
camellia bushes and can be drunk, and that coffee does come from these beans and chocolate from the trees. So we do play with
those ideas as well, the function of the plants.”


Fogel says we often forget that we depend on plants and
nature for food, medicine, and even paper.
And she hopes this performance will remind people of
our reliance on the natural world. But some parts of the
dance just play with nature.


At one point in the performance, dancer Anna Beard climbs over a wall and down into a waterfall
in the conservatory.


“I step into it and bit by bit I work myself into the water until finally I’m completely immersed in the waterfall.”


She says it’s supposed to be a bit surreal and a bit surprising. She dances soaking wet with the
waterfall splattering down on her body.


“It’s more about existing with the setting and interacting with it instead of just placing some
movement in front of it as a backdrop.”


And unlike a performance in a theater, changes in the garden can affect what the dancers do or
don’t do. During rehearsals, a branch a dancer was supposed to lean against died and was cut off,
another plant grew to be in the way of a dancer’s arm, and some ground cover the dancers were
told they could walk on turned into a path of slippery mud.


Dancer Raphael Griffin says as she performs in the conservatory, she has to be very cautious of
the impact her movements make. The rock ledges are uneven and the plants fragile. And she
says that sense of the dancers treading lightly on the environment is something she hopes the
audience picks up on.


“Just a better awareness of nature and how the human body can interact with nature and yet not
ruin it either.”


Most of us will never get a chance to frolic in a conservatory like Raphael Griffin and the other
dancers in Dragontree Waterfall Tea , but as one dancer pointed out there’s nothing stopping us
from going out into our own backyards to enjoy and appreciate the line, movement, and form in
the natural world around us.


For the Great Lakes Radio Consortium, I’m Tamar Charney.