Scientists Buff Up Their Tinseltown Image

When we go to the movies, we expect to escape from reality. Visiting aliens, time travel, extinct animals coming back to life… that’s the dazzling stuff blockbusters are made of. But not everybody is thrilled by the way scientists look in the movies. The GLRC’s Rebecca Williams has the story of screenwriters who want to make movie scientists a little less weird:

Transcript

When we go to the movies, we expect to escape from reality. Visiting
aliens, time travel, extinct animals coming back to life, that’s the dazzling
stuff blockbusters are made of. But not everybody is thrilled by the way
scientists look in the movies. The GLRC’s Rebecca Williams has the
story of screenwriters who want to make movie scientists a little less
weird:


(Theme music from “Back To The Future”)


So Dr. Frankenstein and Doc Brown from “Back to the Future” are a
little… freaky. But they’re smart… and enterprising. But those kinds of wacky
movie scientists make real life scientists hurl their popcorn.


Researcher Paula Grisafi says movie stereotypes about scientists are actually
worse than those about lawyers or politicians.


“My sense of movies about scientists is that there are maybe 10% good
guys and 90% bad guys. Or not even just bad guys but misguided, even
when they’re trying to be good, they’re usually sufficiently misguided
that what they start out to do turns out wrong.”


Paula Grisafi says there are a few oddballs in real science labs, but she says her peers are really much more normal.


Really — instead of hair frizzing out of control… they have nice haircuts. And they never, ever wear pocket protectors. Grisafi’s day job is at MIT in
Cambridge, but she’s also an aspiring screenwriter. She’s working on
scripts that she says shake up the Hollywood stereotypes.


“These sort of scientist archetypes are Frankenstein and Jekyll and Hyde.
They’re people who were loners obsessed with their work to the point of
being a danger to themselves or to others. It’s usually frowned upon in
science to experiment on yourself.”


Take Jeff Goldblum’s character Seth Brundle, in “The Fly.” When
Brundle tests his transport machine on himself, the experiment backfires.
Brundle becomes a genetic mutant, but he’s kinda proud of it.


“Am I becoming an 185 pound fly? No, I’m becoming something that
never existed before! I’m becoming Brundle-Fly! Don’t you think that’s
worth a Nobel Prize or two?”


Maybe Brundle should’ve stopped when he turned that baboon inside out.


Paula Grisafi admits there are a few movies that show scientists as
somewhat normal people. Jodie Foster’s character in “Contact” for
example. But Grisafi says there aren’t enough to balance out the weirdos.
She says at worst, distorted images of scientists might give audiences the
impression that science is more dangerous than good.


So Grisafi jumped at the chance to be part of a screenwriting workshop
for scientists in LA last summer. It was an intense crash course with
sessions called Plot and Character, and of course, Agents and Managers.


The workshop was dreamt up by Martin Gundersen. He’s an electrical
engineer who’s had a brush with fame. He added credibility to Val
Kilmer’s lasers in the film “Real Genius.”


“I’ve met people now who are young faculty members who have told me
they were influenced by that picture to think seriously about science.”


Martin Gundersen says if the scientists in movies were more appealing,
more people might want to go into the sciences. He says the Defense
Department and companies like Boeing are really concerned that fewer
people want careers in science and engineering. In fact, Gundersen
actually landed money from the Pentagon for the workshop.


But Gundersen admits he’s still testing the theory that scientists can be
screenwriters.


“Oh it’s impossible (laughs). That’s the thing – you can’t promise that
somebody’s going to get their picture made. To me the truest cliché in
Hollywood is that everyone has a script.”


And so, can chemists and engineers possibly compete?


One box office expert says — sure. Paul Dergarabedian is president of
Exhibitor Relations Company in LA. He says scientists have as good a
chance as anyone at selling a script… as long as their stories are
compelling.


“And it’s the more interesting characters who bring that scientific
element, or you have a scientist who’s not the typical nerdy scientist. He
might be more of a sophisticated kind of character in terms of lets say a ladies’
man or something like that you wouldn’t necessarily expect.”


And actually, there is a ladies’ man in one of Paula Grisafi’s scripts. Her
story features two rivals thrown together to figure out why sea life is
dying. The stars of the story are a lovely young marine ecologist and a
hotshot microbiologist from Norway. Grisafi’s been advised that playing
up the romance might help sell the story.


“I guess I was sort of writing for a PG audience. I spent eight years in
Catholic girls’ school so I’m not sure how competent I’m going to be to
write really steamy sex scenes, but I’ll make an effort.”


Grisafi says even if she never sells a script, she’ll still get up at 5 a.m. to
write, and then she’ll put in a full day at the lab.


These new screenwriters hope to prove you don’t have to be a mad
scientist or a loner in the lab to invent movies that sell tickets.


For the GLRC, I’m Rebecca Williams.

Related Links

Harvesting the Wind (Part 1)

  • Wind turbines can be both a blessing for farmers, as a source of extra income... and annoying to the neighbors. (Photo by Lester Graham)

Wind farms of huge turbines are springing up along coastlines,
windy ridges and blustery farmland. Most of us see them from a distance.
The Great Lakes Radio Consortium’s Chris Lehman recently visited some
of them up close… and has the first of two reports on wind energy:

Transcript

Wind farms of huge turbines are springing up along coast lines, windy ridges and
blustery
farmland. Most of us see them from a distance. The Great Lakes Radio Consortium’s
Chris
Lehman recently visited some of them up close… and has the first of two reports on
wind energy…


If you can imagine the sight… there are 63 wind turbines scattered across the
prairie farmland,
their huge blades sweeping around, capturing energy from the wind. Each turbine is
213 feet
high. You can see them from miles around. But it isn’t until you stand directly
underneath the
80-foot long blades as they rotate in the wind that you begin to appreciate their size…


(sound of wind from underneath turbine)


“This is probably a typical day. They’re probably producing at about 30 percent of
what they are
rated at, and probably on average, for a year, this is what you’d expect.”


Christopher Moore is Director of Development for Navitas Energy. The Minnesota- based
company opened the Mendota Hills Wind Farm in northern Illinois just over a year ago.


Q: “What are some of the highest levels that you’ve reached?”


“Each turbine is capable of producing 800 kw, and there are times when we’ve had the
windfarm
working at about maximum.”


Moore says the Mendota Hills Wind Farm produces enough electricity to power about 15-
thousand homes per year. It’s the first wind farm in the state of Illinois.


Brian Lammers is a Project Manager for Navitas Energy. He says the location is
ideal since it’s
windy here nearly all year long…


“The wind here is more robust in the fall, winter and spring. So we have more
production during
those months than we do during June, July, August.”


Unfortunately, the summer months are the months that most often experience peak
demand for
electricity. Because of that, and because it takes so many windmills to generate
lower amounts of
power, it’s unlikely that current wind energy will completely replace fossil fuel
generated power.


(sound of turbines)


On the flat prairies of Illinois, the giant turbines are the tallest structures for
miles around. You
begin to wonder about things like lightning strikes…


“We might have experienced one or two last year. The turbines are protected from
lightning. The
entire wind farm is grounded, so if there is a strike typically it will just be
grounded down to the
ground grid. There’s typically no long-term damage associated with a lightning
strike. But as you
can imagine, they’re the tallest structures around so there are periodic lightning
strikes.”


Q “What about a tornado? This is tornado country…what would happen if one came
through
here?”


“I don’t know. These turbines are built to withstand everything but a direct strike
from a tornado,
so I think the same thing would happen to a wind turbine that would happen to any
large
structure if they were struck by a tornado. You’d probably have some significant
damage.”


(fade up sound inside turbine)


Inside the turbine, there’s a distinct hum as the blades whirl away at the top of
the hollow shaft.
It’s about ten feet across at the base, and a metal ladder allows anyone brave
enough to climb all
the way to the top.


Despite the hum of the turbine’s blades up close, the sound fades away just a few
dozen feet from
the tower. But noise isn’t much of a concern for this wind farm. It’s in the
middle of a soybean
field and there are no neighbors nearby.


Noise is just one of the aesthetic concerns for neighbors of wind farms. Appearance
is another.
The Mendota Hills turbines are coated with a special paint that appears white in
bright sunshine.
But when the sun’s not out, the turbines appear grey, and seem to blend in with the
cloud-covered
sky.


Dennis Cradduck has 19 of the turbines on his corn and soybean farm. He says the
wind farm
hasn’t been a problem. Of course, he’s getting paid by Navitas for allowing the
turbines on his
land. But he says the wind farm has led to an unexpected benefit: getting to meet
people from
across the country who pull off the highway for a closer look…


“We get people almost on a daily basis that drive by on the interstate and see them,
and stop and
want to look at them, and they’re amazed at them, and most—about 99 percent of them
have been
positive comments. In fact, one fellow from North Carolina stopped the other day
and said ‘I wish
we’d build more of these around the country because we need renewable energy.'”


The prospect of more renewable energy is appealing to most environmentalists. But
some worry
that wind farms can be deadly to birds. A study by the National Wind Coordinating
Committee
found that wind turbines kill an average of two birds per year.


Another concern is that windmills disrupt the scenery. But the only view around
here is farmland
as far as the eye can see. And on this brisk day, it isn’t just corn and soybeans
being harvested: it’s
the power of wind.


For the Great Lakes Radio Consortium, I’m Chris Lehman.

Related Links

4-H Kids Learn to Let Go

Fair season is in full swing in counties around the Midwest, and for kids in 4-H it’s the culmination of months of work. Many have been raising animals to show and sell at the fair. The Great Lakes Radio Consortium’s Julie Grant spent time with one farm family and reports that the experience can be rewarding and difficult for children:

Transcript

Fair season is in full swing in counties around the Midwest and for kids in 4-H it’s the
culmination of months of work. Many have been raising animals to show and sell at the
fair. The Great Lakes Radio Consortium’s Julie Grant spent time with one farm family
and reports that the experience can be rewarding and difficult for children:


(sound of auction: “Okay, next coming in we’ve got…”)


Today’s the day they’re auctioning off animals at the Randolph Fair in Portage County.


(more auction sound)


Sarah Allen is only 12 years old. But she stands confidently at the front of the show ring
with her pig Orlando…


(sound fades out)


For many young people, these projects started nearly a year ago…


(farm sound up)


When we first met Sarah at her farm a month ago, she’d already been working with
Orlando for quite a while….


She and her older brothers have been raising farm animals for the fair since last fall.
Aaron and Lucas are standing in the barn behind their house…


JG: “Would you guys mind showing me your animals?” Aaron: “No… these are Lucas’s
cows.” Lucas: “Yeah, these are my steers for fair. I’ve got three of ’em. Their names are
Mrs. Anderson, Andy, and Josh.”

JG: “What do you have to do today to take care of them?” Lucas: “I rinse ’em off, cold
water until they’re real wet. Bring ’em here. I brush ’em down, I blow ’em out, then I
spray hair conditioning on ’em, then I blow them out again. And then I do that at night
too.”

JG: “Why do you have to do that?” Lucas: “It grows the hair out on ’em, so they look
nice and pretty. It’s just like an appearance thing. The judges like you to have the hair
and that… I think it shows have much dedication you have to your project cause you’re
always out here doing something with ’em.”

These kids are serious about raising their animals for fair. Lucas has a special mix of
feed made for the steer and works nearly every day to break them into a halter and get
them ready.

(sound of Sarah patting pigs with a stick… and pig sounds)

Sarah and Aaron direct their hogs with sticks…to practice keeping them in line when
they’re in the fair arena…

Sarah: “This one’s mine. This one’s Orlando. I don’t know what you call yours.”

Aaron: “I don’t name mine usually. Because if you name them, you start getting
attached.”

Sarah is tough as any farm boy, but she also smiles a lot and shares her feelings easily.
Last year it was tough for her to give up the pig she raised for the fair…

Sarah: “I was so sad. I just get attached to ’em so much. Because I like coming out here
and like brushing ’em. And sometimes we give ’em baths whenever we like clean out the
pen we spray them down and give them baths and stuff. So, you get pretty attached.”

(sound fades to black)

(fair sound fades up: “Well, good evening. It’s a nice night to be back here to judge your
2004 Portage County fair. This our first class of lightweight hogs…”

After months of working with the animals, this is the week the kids have been waiting
for…

Aaron Allen is back in the pen where the kids keep their animals.

JG: “How are you feeling? It’s been awhile since I saw you.”

Aaron: “Yeah, I’m not really that nervous, at all. Actually, I’m going up right now…”

Aaron and seven other kids lead their hogs from the back pen into the arena. They use
sticks to direct them around for the judge to see. Sometimes the pigs go wild and just run
around.

But for the most part, the kids and the animals perform well.

By the end of the fair the Allen kids win a handful of ribbons for their showmanship.

(auction sounds)

And they did okay at auction. Both Aaron and Sarah got decent prices for their pigs.

(sound of rain)

The weather’s been holding out all week, but it’s the last night of the fair and the rain has
let loose. It seems to fit the mood. It’s time for the kids to give up their animals.

(hog sounds)

JG: “How long have you had that pig? “Since May.” JG: “What’s its name?”
“I can’t do this… (crying)”

Many are hanging around the barns hugging their sheep, steers, and hogs for the last time.

(sound inside barn)

Teenagers take their cattle from stalls and lead them single file through a large empty
barn up a ramp onto a trailer to be sent for slaughter. These kids understand the sacrifice
that’s made to make sure the meat counter is full.

(sound of loading steer into trailer)

Some of the cattle bawl and buck against the men trying to load them. Many of the kids
are crying. Charles Harner and his teenage daughter lean against the railing of an empty
stall in the steer barn. She’s a little teary-eyed. Harner says the kids are learning an
important lesson.

“It’s a good teaching for when they lose a parent or if they lose a grandpa or grandma.
That, life does go on, we know that. That’s just part of the process of life, you know.
You’re here for a reason, and you go on, so…”

On the other side of the fairgrounds, Sarah Allen sits with her mom getting ready to say
goodbye to her pig, Orlando.

JG: “So is your pig still here?”


Sarah: “Yep. It goes with Aaron’s, so that’s good. I’m not sad. Nope, I’m not sad.
Maybe just a little bit, not a lot.”

Her brother Lucas says it was hard to put his steer on the truck…

Lucas: “It was kind of hard because you work with them, you bought them and you raised
them throughout the year then you put ’em on the truck and you’re like, ‘oh shoot, they’re
gone now.’ You got to go home and have nothing around. It’s kind of hard. But you get
used to it.”

Lucas plans to use most of the money he got for his steers to buy another one in a few
weeks. And then the process starts all over again. But next year, he’ll have some
competition from his little sister. Sarah’s also planning to show cattle at the fair next
summer.

For the Great Lakes Radio Consortium, I’m Julie Grant.

Related Links