Tag: history

Tug-Of-War Over Great Lakes Seawall

  • Some people who escape to Promontory Point from the "concrete jungle" of Chicago are worried about the Point's future. (Photo by James Lin)

Cities along the Great Lakes often depend on sea walls to keep the crashing waves from eroding the shoreline. Some of those walls have been around for close to a century. One city wants to rebuild its protective walls. But the neighborhood near one popular section is not happy about it. They say the huge limestone blocks give the area character. They don’t want concrete to replace any of it. But the structure is deteriorating, and the city and Army Corps of Engineers want to shore it up. The plan for repairing the seawall is igniting an age-old debate between historic preservation and shoreline protection… and it’s got an entire neighborhood ready to fight. The Great Lakes Radio Consortium’s Lynette Kalsnes has more:

Transcript

Cities along the Great Lakes often depend on sea walls
to keep the crashing waves from eroding the shoreline. Some of
those walls have been around for close to a century. One city wants
to rebuild its protective walls. But the neighborhood near one popular
section is not happy about it.


They say the huge limestone blocks give
the area character. They don’t want concrete to replace any of it. But
the structure is deteriorating, and the city and Army Corps of Engineers
want to shore it up. The plan for repairing the seawall is igniting an
age-old debate between historic preservation and shoreline protection…
and it’s got an entire neighborhood ready to fight. The Great Lakes Radio
Consortium’s Lynette Kalsnes has more:


(Sound of water)


Jack Reed stands on the edge of the huge limestone rocks that make up the seawall, drying himself off. He just swam a mile along the shore of Lake Michigan. He drapes a big flannel sheet over his head that he’s fashioned into a makeshift changing tent, and modestly gets out of his swimsuit.


The 67-year-old has been swimming off this rocky peninsula that juts into Lake Michigan for forty years now. He says the trees and the giant limestone rocks made him appreciate nature and realize how much he needs a break from the city.


“I sort of hate to leave and go back to the grind, ’cause when you’re out here, you can relax and look at the sky and get in the water and watch the birds and the clouds go by. It’s like a vacation trip, just as long as you have time for.”


The place where Reed comes to swim and relax is called Promontory Point. The point is lined with large limestone blocks that stretch along the water like a chunky, irregular staircase.
People come here to swim, fish and bicycle. They have picnics, walk their dogs and throw Frisbees.


The city and Army Corps want to replace a lot of the limestone with concrete. They say the limestone seawall is getting weak. They just overcame an important obstacle by winning approval for their concept from the Illinois Historic Preservation Agency which recognizes the limestone wall as a historic part of Chicago. Jack Reed says replacing the limestone with concrete would make the Point seem sterile.


“The thing about concrete is it’s artificial. It’s manmade. We spend most of our lives inside buildings and buses and subway tunnels; that’s all manmade.”


Reed says he comes here to escape what he calls the “concrete jungle” of the city. He says the limestone makes a soft, naturalistic transition between land and water. But the lakeshore isn’t as natural as it looks.


Less than a century ago, this whole area was part of the lake. The point was created by dumping debris into the lake in the 1920s. Workers built the limestone seawalls on top of wood shorings. Now the wood is rotting, and the rocks are shifting. The city and the Army Corps say that’s dangerous for people and for the shoreline.


And the Illinois Historic Preservation Agency says there needs to be balance between safety and historic preservation and making the shoreline accessible to people with disabilities. David Blanchette is with the state agency. He says the wall has to be reconstructed to stabilize the shoreline.


“Our job is to make sure that this historical resource, which was built for a specific purpose quite some time ago, preserves as much hisotric character as possible, but still allows it to function for its intended use.”


The work at Promontory Point is part of a 300-million dollar project to replace miles of old limestone revetments along the city’s lakeshore, but the point has caused a snag in the plan. Community members and preservationists have stalled the work at Promontory Point for years now.


The Landmarks Preservation Council of Illinois put the point on its list of ten most endangered historic places in the state, putting it at odds with the Historic Preservation agency.
And Council president David Bahlman says it’s one of the few spots left where the lakeshore hasn’t been hardened with concrete.


“Let’s say it’s an unacceptable compromise that moves closer to ensuring that two-thirds of the point is going to be destroyed.”


Most critics acknowledge something needs to be done to protect the shore from erosion. But they say it’s entirely possible to come up with a plan that preserves limestone on the entire seawall, not just part of it. A community group is now lobbying the U.S. Senate for legislation to prevent funding for construction unless the limestone wall is preserved much as it is. A similar measure has already passed the U.S. House.


For the GLRC, I’m Lynette Kalsnes.

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Great Lakes Sloop Sails Into the Past

  • Bonnie Wilson, left, and Megan Blough, right, act as crewmembers on the Friends Good Will dressed in full period costume. (Photo by Tamar Charney)

This summer there’s a new ship plying the waters of the Great Lakes. The ship stretches 101 feet from end to end and is a replica of a sloop that did battle in the War of 1812. Those on board are hoping to provide a glimpse of what it was like to sail the lakes in the 1800’s. The Great Lakes Radio Consortium’s Tamar Charney takes us on board the “Friends Good
Will”:

Transcript

This summer there’s a new ship plying the waters of the Great
Lakes. The ship stretches 101 feet from end to end and is a replica of a
sloop that did battle in the War of 1812. Those on board are hoping to
provide a glimpse of what it was like to sail the lakes in the 1800’s.
The Great Lakes Radio Consortium’s Tamar Charney takes us on board the “Friends Good Will:”


There’s this famous phrase from the Battle of Lake Erie during the War of
1812. U.S. Commodore Perry sent a dispatch that read,
“We have met the enemy and they are ours.”
It goes on though, and reads “Two Ships, two brigs, one schooner and a
sloop.” That sloop was the Friend’s Good Will.


The sailboat looks like a pirate ship or something out of the movie Master
and Commander. 19-year-old Megan Blough and 75-year-old Bonnie Wilson are
loosening ropes from wooden pins so the ships biggest sail can be raised.


(Sound of orders and talking)


WILSON: “Being a crewmember, you get to go out once or twice a week on it.”


CHARNEY: “Now, as a crewmember, what do you do?”


WILSON: “Whatever the captain tells me to do. I just generally help; I try to let all the heavy stuff go to the men. I have gone out in the bowsprit, but I prefer to let the younger ones do that.”


That’s because she’d have to climb out on that piece that sticks out over
the water in the front of a one of these tall ships while wearing period
clothing to boot.


WILSON: “This is supposedly a typical uniform from a sailor in 1812. Wore the
plants with the flap in front and they usually wore a striped shirt and a kerchief and a
straw hats.”


Replicating the Friends Good Will was Jim Spurr’s idea. He’s a lawyer and
an avid sailor. He worked with the Michigan Maritime Museum in South
Haven to research historic records and come up with a ship the Museum
could recreate and let people sail.


“It is the only ship sailing the Great Lakes as a tall ship that
served both as a merchant vessel, a Royal Naval vessel, and a United States
Naval vessel all in just three short seasons. She had penchant for being a
wrong place at wrong time, and it is really a great story. So it enables
the museum to educate visitors and school children about all three different
maritime traditions.”


But this isn’t a teacher and classroom sort of education. The idea is
that people onboard will experience what it was like to sail at that time
in history. Barbara Kruiser is the executive director of the Michigan
Maritime Museum.


“This will be a performance, and as the season goes on and we get
better at what we’re doing, it will be a performance and they will talk to
one another as they would have spoken 200 years ago, and we’ll try to be
using some of the same language of that day as well as just of this
particular occupation.”


She says Friends Good Will will take out school groups. There will be
sails for the general public including sunset cruises and overnight sails.
And while there are a number of places around the Great Lakes where you
can see a tall ship or even sail on one, Barbara Kruiser says Friends Good
Will is the only one where the crew is in costume.


Jim Spurr says he is thrilled his idea is now reality. But didn’t get to go
out on this sail. As Friends Good Will left the dock, he had to go back to
work. Which may be why he could best put his finger on what it is about
being out on the water in a ship at the mercy of the winds that so
captures our imagination.


SPURR: “Well perhaps all of us in our hearts wish we had more adventure in
our lives and there’s nothing more adventurous than setting out in a
historic tall ship for parts unknown going roving or exploring.”


And even if Friends Good Will will rarely sail out of view of its home
port, it’s still fun to pretend.


(Sound of singing)


For the GLRC, I’m Tamar Charney.

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Heirloom Seeds Preserved in Gardens

  • The produce we see in stores today are bred for uniformity in color and size. Heirloom seeds grow vegetables that look different, and those who grow them say they taste better too. (Photo by Deon Staffelbach)

Planting a seed has a pretty obvious purpose: once you put it in the ground, if you’re lucky, a few weeks later something pretty or useful pops up. But for some people, seeds are a lot more than that. The Great Lakes Radio Consortium’s Nora Flaherty has this report:

Transcript

Planting a seed has a pretty obvious purpose: once you put it
in the ground, if you’re lucky, a few weeks later something pretty
or useful pops up. But for some people, seeds are a lot more than
that. The Great Lakes Radio Consortium’s Nora Flaherty has this report:


Greenfield Village is a historical village that’s part of the Henry Ford
Museum in Dearborn, Michigan. The village has one of those “living history”
farms where people do things like shearing sheep and chopping wood, while
dressed in 19th century clothing.


They try hard to make the farm authentic,
and part of this has to do with the seeds they plant — they’re the very same
kinds that 19th century farms in this part of the country would have used.
They’re called heirloom seeds. Jim Johnson is the manager of special
programs at Greenfield Village. He says that the vegetables that heirloom
seeds produce aren’t what people are used to seeing.


“They’re lumpy and bumpy and sometimes have a strange look to them, but some of these varieties have a taste that cannot be compared to the things you can find on the supermarket shelves today. Most of the things you can find today in the standard produce section, they’re grown to be uniform, they look appealing to the eye, but typically they don’t have a very good taste and have been around for a while.”


Johnson says that it’s important to use seeds that are authentic. That’s
because what people plant, can show a lot more about them than just what
they eat. Laura Delind is an anthropologist at Michigan State University;
she says that even the names of seeds, can say a lot about a group. She
points to a seed grown by traditional farmers in Africa, that has a much
more telling name than what you’d see on a seed packet at your local
hardware store.


“It grew at a time when a majority of other beans didn’t. And what I found compelling is the seed was called ‘So the Grandparents Can Survive.’ Inherent in the seeds is a whole set of social relationships, responsibilities, cultural understandings, and a collective wisdom about how to manage, live well in a particular place.”


Delind says that in the U.S. we’ve lost a lot of this. But for many people, growing heirlooms isn’t just a thing of the past or something that people do in far-off countries.


Heirloom gardening has become more popular in recent years. In part that’s
because of the taste. It’s also because people have become more concerned
about commercially developed seeds, which are sometimes genetically
modified. Royer Held offers classes about heirloom seeds. He says that
planting, saving and sharing heirloom seeds, are important for a lot of
reasons, especially now when the food we eat comes from fewer and fewer
places.


“People are giving up the cultivation of these varieties they’ve maintained over centuries and millenia. We’re basically at risk of losing a lot of very unique agricultural material. And what we’re trying to do here in Ann Arbor is to encourage the gardening community here to take on as their personal responsibility the maintenance of these varieties.”


Although Royer Held is a long-time gardener, he can’t say that he’d given
that much thought to spreading the word about heirlooms until a couple of
winters ago. When bad weather kept him inside, he passed the time reading.
In one book he found that that the U.S. Department of Agriculture, kept
supplies of lots of heirloom seeds that weren’t widely available.


He requested several kinds of potato seeds from the agency. When they arrived
he and his friend Marcella Troutman planted them along with some other
heirloom seeds. They saved the seeds and cuttings from the new plants, and
now they’re making these available as well as trying to get people used to
the idea of saving their own seeds. She says that people can be a little
intimidated by the idea.


“They almost think it’s not going to be as good as having bought seeds in a packet from a reputable seed company.”


She hopes that in time, people will get over this. Royer Held adds that saving seeds and sharing them with your friends are all part of what makes gardening rewarding.


“If you grow heirlooms, you should save the seeds, because it’s only by saving the seeds that you can allow the plants to grow and develop and adapt to particular growing conditions. And if you do, save enough for your friends because they might want some too. And if they take time, they’ll probably wind up liking them better, which gets us back to why we all garden.”


They hope that in the end, people will get comfortable enough to start creating and sharing their own varieties.


For the GLRC, I’m Nora Flaherty.

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Re-Using Land to Meet City’s Changing Needs

  • Don Mikulic with the Illinois Geological survey hunts for the fossilized brachiopods and snails available in the quarry. (Photo by Shawn Allee)

Some of America’s grandest city parks were built when urban areas still had room to grow. But today, older cities wanting new parks face shortages of space, money, or both. The Great Lakes Radio Consortium’s Shawn Allee looks at one major city’s development of a park … from below ground
level:

Transcript

Some of America’s grandest city parks were built when urban areas still had room to grow. But today, older cities wanting new parks face shortages of space, money, or both. The Great Lakes Radio Consortium’s Shawn Allee looks at one major city’s development of a park from below ground level:


At first blush, an old quarry site doesn’t seem to be a good candidate for a new city park, especially this one.


For the past fifteen years, the city of Chicago has used this quarry as a landfill. The site, called Stearns Quarry, lies off the beaten track, in Chicago’s Bridgeport neighborhood, more than two miles southwest of downtown.


Right now it’s kind of ugly. Tractors are patting down a mound of debris and dirt that’s piled up thirty-feet above the nearby street.


(Sound of trucks)


I find the project manager, Claudine Malik inside the site’s construction trailer. She’s hovering over a map of what the park might look like by next year.


“It’s a twenty-seven acre site. It’s roughly a square and if you think of it as broken up into about four separate areas, that helps you map it out mentally. As you come in, there’s an athletic field, It goes down to a pond, which will be stocked for fishing. The majority of the section is a sledding mound. And along the back wall, which is a long preserved quarry wall, is a series of wetland cells that lead down into the pond.”


That’s a lot of different uses to cram into the site’s 27 acres. It’s hard to imagine a stone quarry turned into a landfill and then turned into a city park. To get a better idea of how it will be transformed, Malik and her team take me on a ride around the site.


(Sound of truck starting)


The plan puts every inch of ground to use because there aren’t many chances to put new parks in the city. Malik says rising land values in Chicago make even small land purchases pricey. And everybody seems to have ideas for the park.


Local residents, the state of Illinois and the city gave designers a tall order to fill. Since they’re all putting money into the five million-dollar project, everybody gets something they want.


Soon we spot Don Mikolic, a scientist with Illinois’ Geological Survey. He’s checking the quarry walls before the park’s complete.


(Sound of tapping)


“There’s part of a snail right there.”


Turns out, the quarry’s produced some of the best aquatic fossils in the Midwest.


“In fact you can probably find specimens from this specific quarry sitting in some of the biggest museums around the world.”


And some of the limestone exposed by quarrying will be left for park visitors to view. These walls offer more than just natural history though. Stearns Quarry is part of the region’s architectural history too. The quarry opened in 1833, a few years before Chicago became a city. Its limestone strengthened Chicago harbor and can be found in historic Midwestern churches.


Malik says the site’s history will find its way into the design as well. Just another thing for the planners to work into the park. Which makes you wonder, what’s driving a park to be all these things at once? To get some perspective, I head to the offices of the American Planning Association.


The APA is a professional organization for urban planners. Megan Lewis researches parks for the APA. Lewis says parks like Stearns Quarry face bigger challenges than the grand old parks designed in the 19th century.


“Now, you can’t really approach park planning especially in a city in the same way, because you don’t have the luxury of having all of that land available to you. So you sort of have to see what is there that can become a park and what do we do with it?”


Lewis says the mix of recreation, open space, even history, has a lot to do with the demands from so many competing interests. To see how thing have changed, she gives the example of Frederick Law Olmsted. He’s most famous for developing New York’s Central Park, a hundred and fifty years ago.


“The planning was sort of done in isolation. He would come up with his grand idea and he maybe only had a few people involved. But I think that now, so many people are empowered to say, This is what I want this place to be like, that planning doesn’t really happen in isolation anymore. Which is good, because you want it to be a democratic process.”


(Sound of quarry)


Back at Stearns Quarry, you can see just how those demands are being incorporated. Meeting all those different needs in a relatively small area with a relatively small budget is played out in each square foot.


This new use of the site is again reflecting the city’s needs. The little piece of land has evolved as the city has evolved. First it provided stone for building the city. Then it was a dumping ground. And now it’s a break from the asphalt and concrete, a place to play and rest in a bit of nature.


For the GLRC, I’m Shawn Allee.

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Part 1: Selling the Family Farm to Developers

  • A former farm field in Central Ohio ready for development. It's an increasingly common sight in this area. This land is right next door to a dairy. Worried about his new neighbors, the farmer is planning to sell. (Photo by Tamara Keith)

In the Great Lakes region, farmland is rapidly being developed into homes, office parks and shopping centers. Nationally, farmland is lost at a rate of more than 9-thousand acres a day. But in order for this development to happen, someone has to sell their land. In the first of a two-part series on farmers and the decisions they make about their land, the Great Lakes Radio Consortium’s Tamara Keith introduces us to some farmers who have made the difficult choice to sell:

Transcript

In the Great Lakes region, farmland is rapidly being developed into homes, office parks
and shopping centers. Nationally, farmland is lost at a rate of more than nine-thousand
acres a day. But in order for this development to happen, someone has to sell their
land. Tamara Keith introduces us to some farmers who have made that difficult choice:


At a busy intersection in a newly suburban area, a red barn and white house sit back
off the road. Lush green pasture land hugs the old farm buildings. But the days are
numbered for this bucolic scene.


(sound of construction)


Across the street dozens of condos are under construction… and farmer Roy Jackson has
put this 216-acre farm in Central Ohio under option for development. As soon as the
developer gets approval to build, Jackson’s farm will be no more.


“I’m a third generation farmer and you put your roots down and to see your land be
developed is something I have seen coming, but to actually see it happen across the
road; it’s a sad thing, but it’s progress.”


Sitting on his front porch, Jackson looks our on a neighborhood where once there were farms.


Jackson: “At one point we farmed over 1500 acres and now we’re down to about 300.”


Keith: “What happened?”


Jackson: “We’ve lost a lot of it to development. In the estate of my mom and dad
we had to sell that to settle the estate and that was part of it as well.”


Like many in agriculture, Jackson didn’t own all the land he farmed. He was leasing
it and when the owner decided to sell for development, Jackson was out of luck. Now
he says there’s not enough land left to farm profitably.


“I have a son that wants to farm with me and to do it here, there just isn’t enough
land to sustain two families and make a living for both.”


So, he’s found a big piece of land down in Kentucky, in an area where land is still
plentiful and development pressures are distant. He’s leasing it with an option to buy.
Soon Jackson and his son will have the cattle ranch they’ve been planning for years.
It just won’t be in the state where his family has farmed for three generations.


(sound of heavy machinery)


Workers operate backhoes to grade the ground in an open field that will eventually
be home to some seven-thousand people in a new development. Retired farmer and
agriculture educator Dick Hummel recently sold a portion of this land, allowing
the project to move forward.


“I had some people critical of me because I was going to sell farmland, but on
the other hand, I really didn’t. I traded. You just have to accept that in this
community because that’s what’s going to happen. That’s what has happened. Plus
the fact, it’s been pretty tough farming and this has given a lot of farmers a
chance to sell some land for some excellent prices.”


Hummel sold about 100 acres of farmland and bought some new land – 77 acres –
farther out in the country. His father had bought what Hummel calls the “home farm”
in 1935, and that family history weighed heavily on Hummel when he was deciding what
to do.


“It was harder to decide to sell that land because it had been in my family for many
generations than it was the agricultural part.”


His father bought the land for 100 dollars an acre and Hummel was able to sell it
for a whole lot more. Asked why he sold, Hummel’s answer is simple.


“The offer. I hadn’t thought about selling at all. I didn’t even know that they
would want any of this particular land ’till all at once there were others that
were selling for a price. I heard about that, and first thing I knew, a heck of
a lot of land in this area was selling. So you compare notes as to prices, et
cetera and so forth, and that’s how it happens.”


Hummel says he wasn’t pressured to sell. He’s well past retirement age, and
he says it was the right decision personally. And such is the case for most
farmers who sell their land for development, says Sara Nikolich, Ohio director
with American Farmland Trust.


“You’ve got acres of farmland that can be sold for 20, 30,000 dollars an acre at times.
For a lot of farmers that’s their retirement they’re sitting on, and when you have
development surrounding you and you don’t have any public policy to promote agriculture
and perhaps you don’t have any heirs, you don’t have any options available to you other
than development.”


And so, the personal decisions of individual farmers are transforming some of the
nation’s rural landscape into suburban landscapes.


For the Great Lakes Radio Consortium, I’m Tamara Keith.

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Room for Wilderness in the Suburbs?

  • Lilies like these reside in the Reinstein Nature Preserve. Environmentalists worry about natural life in the preserve as the state of New York considers opening it up without restrictions.

Imagine a suburban, backyard wilderness where 200 year-old trees still stand. That’s exactly what you’ll find at the 300 acre Reinstein Nature Preserve. It meanders right through the heart of a bustling suburb. The preserve has been limited to small groups led by a nature guide. But there’s a new plan to give unrestricted access. Some environmentalists worry that would ruin the preserve. The Great Lakes Radio Consortium’s Joyce Kryszak takes us to the woods – and to the debate:

Transcript

Imagine a suburban, backyard wilderness where 200 year-old trees still stand.
That’s exactly what you’ll find at the 300 acre Reinstein Nature preserve.
It meanders right through the heart of a bustling suburb. The preserve has been limited
to small groups led by a nature guide. But there’s a new plan to give unrestricted access.
Some environmentalists worry that would ruin the preserve. The Great Lakes Radio Consortium’s
Joyce Kryszak takes us to the woods – and to the debate:


A Great Blue Heron perches lazily in the distance above an expanse of pink water lilies.
At first Bob Reinstein doesn’t see the bird.


“I should’ve brought my field glasses.”


But then its giant wings spread wide, laboring to clear the water in this serene Monet-like setting.


“The lilies were a gift from two different environmental organizations…”


The man and the majestic heron both seem oblivious to the rush of cars and people just
beyond the edge of the woods. This is the Reinstein Nature Preserve. It’s framed on all sides
by a sprawling suburb of houses and shopping plazas in Western New York. Like his parents before
him, Bob Reinstein says he’s risked his life for nearly sixty years defending this scene; he guards it against trespassers – and sometimes trespassers with guns.


“Their lives were threatened several times, in fact, mine was also. I was unarmed at the time,
but he had pointed his shotgun at me and threatened to shoot. Realizing it was pointing at my face,
I stopped following him.”


But Reinstein never stopped trying to protect the nature preserve his father created half a century ago.
By the time he died in 1984, the elder Reinstein had dug nine ponds, planted thousands of trees,
rare ferns and flowers to compliment the ancient scene. The younger Reinstein says it’s like a
living museum.


“Where else can schoolchildren walk back through history a hundred and fifty years and see
samples of what existed then, that are still here today?”


Reinstein says his father bequeathed the preserve to the state to keep it from being trampled.
He stipulated that it must stay forever wild. People could visit, but only for educational
purposes. And only with a trained nature guide. That could all be changing. A proposal by the
State Department of Environmental Conservation would give the public unrestricted access.


Jane Wiercioch lives in the nearby suburb and loves visiting her backyard wilderness. But today
Weirchioch is handing out petitions here. She hopes to stop the DEC from opening the preserve. She
says it would leave the woods vulnerable.


“I know I came in here the other day for a walk around that lily loop with my great granddaughters
and, of course, they were chasing frogs. So, I’m with them, I’m yelling at them, ‘don’t do anything.’ But can you imagine having people just coming in here and doing what they want?”


State conservation officials say bringing in more people is the whole point. Meaghan Boice-Green
is a spokesperson for the New York State Department of Environmental Conservation. She says all
other department-run properties are open to the public. Boice-Green says unrestricted access would be good for both the public and for the agency.


“We’re not talking about property that hasn’t touched by the hand of man, and in order for us
to obtain the funding to do the habitat maintenance that’s going to be necessary to maintain
this manmade habitat, we have to provide some public access. We’re not going to be able to
access funds to support a property that the public isn’t allowed to access.”


But the state has never had any trouble finding money to maintain the preserve before.
And Boice-Green couldn’t offer specifics about any extra funding.


Terry Boyle has volunteered as a guide at the preserve for eight years. But he agrees the
preserve should be unrestricted. Boyle says visitors can’t have a truly natural experience
if someone’s watching their every move.


“A lot of those people who do want to come in, they want to take photographs, they want to sit
down and reflect for a little bit about what they’re looking at, and that kind of stuff. So,
they can’t go at their own leisurely pace with tour guides, because we have to push them through a little bit
faster.”


But the head of a local environmental group sees it differently. Larry Watson says if the
preserve is opened, there won’t be anything left to look at anyway. He believes the state is
just tired of policing the woods. But Watson says it was Dr. Reinstein’s wish that the
preserve be kept wild. And he should know. As a young boy sixty years ago, Watson spent many
long hours in the woods, helping Reinstein plant the saplings that now tower overhead.


“If they turn this into what they want to, it will be nothing more than a state park.
And we’d rather see it kept as an individual showpiece and a place New York state can be quite
proud of and show the rest of the country what can be done in the way of environmental
conservation.”


The New York State Department of Environmental Conservation says it hasn’t made a final
decision. It will consider the wishes of those who want access to the preserve to remain
restricted. But many people are also demanding it be opened. Ultimately, the state says
it will likely let people come to the preserve whenever they want – and trust them
to be good caretakers.


For the Great Lakes Radio Consortium, I’m Joyce Kryszak.

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Cost of Taking Eagle Off Endangered Species List

  • The American Bald Eagle has made a remarkable recovery. It's done so well, it might soon be taken off the Endangered Species list. (Photo courtesy of USFWS)

With more than 7600 breeding pairs in the continental United States alone, the American Bald Eagle has made a remarkable comeback. A new proposal to remove the bird from the Endangered Species list is expected soon. But that means removing a powerful safety net that can affect future research, monitoring and habitat protection. The Great Lakes Radio Consortium’s Sally Eisele reports:

Transcript

With more than 7600 breeding pairs in the continental United States alone, the
American Bald Eagle has made a remarkable comeback. A new proposal to remove the
bird from the Endangered Species list is expected soon. But that means removing a
powerful safety net that can affect future research, monitoring and habitat protection.
The Great Lakes Radio Consortium’s Sally Eisele reports:


In the history of the Endangered Species Act, only a dozen or so of the more than 1200
plants and animals listed as threatened or endangered have actually recovered. The eagle
may be the latest to join that little group.


(Young birder: “I see a big birdie…”)


This is a pretty unlikely spot for an eagle — a manmade wetland by a landfill in a busy
airport flight path on the outskirts of Detroit. But state wildlife biologist Joe Robison
shows this young visitor the bulky nest across the marsh where two adult birds are
teaching their gangly fledglings to fly.


“Something just landed in the tree out there. Oh. That’s the other juvenile. This is the
first time I’ve seen them flying this year. They look like they’re flying good though.”


These birds are among more than 400 pairs in Michigan monitored by state and federal
wildlife officials. The eagles are banded, the nests are watched and when a bird dies it
ends up in the freezer of wildlife pathologist Tom Cooley.


(sound of Cooley opening the freezer)


“Lots and lots of ’em. You can see that one was a road kill along I-75…”


Right now, Cooley’s freezer is brim full of dead birds stacked like frozen Thanksgiving
turkeys in plastic bags. Road kill has become the leading cause of death among eagles
he examines, but Cooley says they still investigate suspicious looking deaths for the
heavy metals and pesticides—like DDT—which once caused the eagles’ demise.


“Birds that kind of send up a red flag to us are adult birds that are in poor condition and
you don’t see a reason why they could be in poor condition. Those are the ones that we
especially look at for pesticide analysis because there are still the organochlorines out
there. The DDTs are still picked up by eagles or still contained in eagles. Those
pesticides can cause real problems for them and actually kill them.”


Cooley sends tissue samples to another state lab for analysis. But the testing is
expensive. And with the eagle on the way to recovery, it’s not as urgent. Right now, he
says all the samples he sends are being archived—shelved basically. That means the
testing won’t be done until the money is available.


“I never like archiving anything if I can help it. You’re probably not missing anything
but that kind of data is always nice to have if you can get it right away and look at it right
away.”


The question is, if it’s hard to get funding for monitoring and testing now—while the bird
is still on the Endangered Species List—what happens when it’s taken off the list? The
reality, say state and federal wildlife experts, is that budget priorities change as a species
recovers. Ray Rustem heads Michigan’s non-game wildlife program.


“There’s not enough money for every species. So you try to take a species to a level
where you feel comfortable with and you take money and apply it to another species to
try to recover.”


The federal Endangered Species Act requires the Fish and Wildlife Service to monitor
what it terms a delisted species for five years. After that, responsibility largely shifts to
the states. That concerns groups like the National Wildlife Federation. Attorney John
Kostyak questions whether states can really afford to protect fragile species and their
habitat over the long term.


“That’s going to be an issue with any delisting. A tough question that we’re going to
always be asking is: all right assume you go forward with delisting—how are you going
to be sure the species doesn’t turn right around and go back toward extinction again?”


With some species, that means habitat management. With others, like the recovering
gray wolf, it means public education—teaching people not to kill them. With the eagle, it
means ensuring that the birds are not threatened by the pesticides, heavy metals and
newer chemicals that contaminate the fish the eagles eat. Because of the bird’s
importance as an indicator species, Fish and Wildlife biologists are hopeful banding and
testing programs will continue after delisting. But it will likely mean finding new ways
to pay for them.


For the Great Lakes Radio Consortium, I’m Sally Eisele.

Related Links

Soap Makers Revive History and Family Farms

  • Kim Brooks makes a batch of her Annie Goatley Hand-Milled Soap in her kitchen. (Photo by Tamar Charney)

For many of us, soap is just another mass-produced product we buy at the local supermarket. But in recent years, all-natural handmade soap has been showing up in galleries, gift boutiques, craft shows, and farmers’ markets. The Great Lakes Radio Consortium’s Tamar Charney has more:

Transcript

For many of us soap is just another mass-produced product we buy at the local supermarket.
But in recent years, all-natural handmade soap has been showing up in galleries,
gift boutiques, craft shows, and farmers’ markets. The Great Lakes Radio Consortium’s
Tamar Charney has more:


Kim Brooks’ home smells clean – like lemon, rosemary, citronella and well,
soap. The smell’s so pervasive that it wafts onto the school bus with her
12-year-old son, prompting taunts. His response to the kids teasing is he smells
like profit. See, his mom is a soap maker.


“I think I need to make some goats and oats with a dab of honey. So we’ll take oatmeal…
then I also want to add a little fragrance to this…”


(bottles clinking)


She makes 30 different types of bars for her Annie Goatley line of homemade soap.


“My soap is hand-milled, so what that means is I take olive oil, palm oil and coconut oil
and then I melt it down and add the lye and it saponifies, and then I make a base that
comes out in big chunks of hard soap and then I take these big chunks…”


It takes about two months from the time she starts a batch of soap until she
has a finished bar.


Kim Brooks started her business last June. She says she’s one of those
people who’d buy handmade soap any time she saw it. She says it was an
inexpensive way to feel like she was pampering herself. Eventually she
learned how to make it.


“There is a group of people that whenever they go to a craft show they buy soap. It’s
odd to think of it, but there is actually a culture of people that seek it out.”


Enough that Brooks says she can make soap seven days a week and still have trouble keeping up
with demand.


“As long as people get dirty, there’s always a market isn’t there?”


Patty Pike is another soap maker. She lives near Rogers City in northern Michigan. And she runs
an e-mail list for soap makers all across the state. More than 170 people are on the list.


“There are many women who are at home, either by choice or otherwise, and they are looking for
something to do to keep busy or to have a home-based business.”


She says for some, soap making is a creative outlet or a craft. For others,
such as Patty Pike herself, soap is a way to beef up a family farm’s bottom
line.


She raises goats, cattle, and chickens for show and for meat. And
soap was a way to make some money off the extra goat milk.


If you drive around rural communities you’re likely to see hand-lettered signs for soap outside
family farms.


In recent years, there’s been a renewed interest in how things used to be back before soap became
a mass-produced product advertised on TV.


(sound of soap ad)


At The Henry Ford Museum & Greenfield Village in Dearborn, Michigan, crowds of people who
grew up humming the ads for Dial, Zest, and Irish Spring show up to watch soap making
demonstrations.


Jim Johnson is with the Henry Ford. He says in colonial times, soap was just something everyone
made at home.


“As we move towards the whole convenience thing… this starts really at the end of the 19th
century and takes off at that point. By the time you get to the other side of Depression, the other
side of World War II, homemade soap is something only of folklore at that point.”


He says with the back-to-land and natural foods movement in the 1960’s and 70’s there was a
return to handmade, homemade soap. Since then, it has bubbled up from being a counterculture
interest to a more mainstream one.


One that’s been encouraged by the slow food movement, interest in organic products, and even
the popularity of how-to shows on television.


“It may be just sort of a whim or a hobby trying to make a connection to the past, other times they
might attempt it for practical purposes, you know, where they want something that they’ve done
with their own hands and they know what’s in it.”


And for a lot of people that itself is rewarding.


Kim Brooks takes a break from stirring a big pot of soap and she goes out to feed her goats and
chickens.


(barnyard sounds)


Like many of her customers, she has discovered she gets a certain satisfaction making things
herself or from buying things from someone she knows or at least has met.


“You know, we have heard so many things about ‘well this has been put in our
foods or that has been put in our foods’… and ‘this is a cancer-causing agent’ and you know, ‘this
is safe’ but then later on we find out well it’s not really safe. And I think that just as a culture
we’re really trying to get back to more of the natural products. I think handmade soaps go right
along with that.”


And she thinks people may be realizing they value things more when they’re made by people, not
machines. Handmade soaps might be all the rage at craft shows, gift boutiques, and farmers’
markets, but even soap manufacturers have caught onto the trend. In the aisles of many
supermarkets and drug stores, more and more soaps are showing up that look handmade even
when they’re not.


For the Great Lakes Radio Consortium, I’m Tamar Charney.

Related Links

Historic Lighthouse Lives On

  • The Selkirk Lighthouse circa 1860-1870. (Photo courtesy of Jim Walker)

Lighthouses often hold a special place in people’s hearts. They’re viewed as symbols of America’s maritime history. The beacons guiding sailors back to safe harbor are metaphors for guiding lights in our lives too. That might be why the idea of spending a little time living in one of the historic structures is so appealing to many people. The Great Lakes Radio Consortium’s Skye Rohde talked with the owners of a lighthouse that’s now operated as a place to vacation:

Transcript

Lighthouses often hold a special place in people’s hearts. They’re viewed as symbols of
America’s maritime history. The beacons guiding sailors back to safe harbor are metaphors for
guiding lights in our lives too. That might be why the idea of spending a little time living in one
of the historic structures is so appealing to many people. The Great Lakes Radio Consortium’s
Skye Rohde talked with the owners of a lighthouse that’s now operated as a place to vacation:


The Selkirk lighthouse sits at the mouth of the Salmon River on Lake Ontario. It’s scenic,
although the area is not very well known – except to salmon fishers. But some people, once they
visit find they keep coming back. Jim walker was one of those people.


“I didn’t move to Pulaski to buy the lighthouse at all. I was living and working quite comfortably
with a family in a lovely location in Maine and came out here on a fishing trip. A friend of mine
got ahold of me and said, ‘We have to go to a place called Pulaski, New York.’ I said, ‘Pulaski,
New York. Now what’s a good reason for going there?'”


Walker came to Pulaski on Veteran’s Day weekend in 1986 with 10 friends. But when the time
came for them to leave, half the group didn’t want to go.


“They were just having such a great time. We were fishing in the snow in the river, catching
steelhead, having a ball. And none of us had had the chance to experience anything like this
before.”


A couple of the men started talking about investing in the area’s hospitality industry. They
looked at some properties over the winter, and when the Selkirk lighthouse came up for sale in
1987, walker made an offer.


Sixteen years later, walker has turned the old lighthouse into short-term rental housing. It’s
become a popular stop with a 98-percent occupancy rate and visitors from over 100 countries.


Since then the lighthouse has operated as a lifesaving station, private residence, resort and
“designated historic landmark.” In 1989, the coast guard reactivated the Selkirk lighthouse
lantern.


The lighthouse itself is a 3-story rectangular stone building with an octagonal glass lantern house
on top. Wayne Wheeler is President of the San Francisco-based U.S. lighthouse society.
Wheeler says the Selkirk lighthouse is one of a dying breed.


“It’s a unique structure in that it has the old-style lantern on the tower. There are only three or
four of those remaining in the country.”


Only 20 of the 600 lighthouses across the nation offer some kind of lodging, either in the actual
working lighthouse or in keepers’ quarters nearby.


Richard Moehl is President of the Great Lakes Lighthouse Keepers Association, which
encourages lighthouse preservation and restoration on the Great Lakes. Moehl says people
appreciate the uniqueness of spending the night in a lighthouse.


“People just love to be able to say ‘I did this, and at a historic lighthouse,’ versus a walk-through,
one-time light station. You have an opportunity to work there and live there, eat there, cook
there.”


And people will pay for the chance to do just that.


Nicole Paternaster is Manager of the Selkirk lighthouse and has worked there off and on for 15
years. Walking in through the kitchen door, she points out the building’s attributes.


Bathroom, stand-up shower and the kitchen area are mainly what make up the addition part of the
lighthouse. And here’s the stone wall that I just absolutely love. And all the amenities of home
away from home… (fades under)


It’s homey and relaxed. The floorboards in the first-floor bedroom are original. Paternaster and
walker are working to replace the windows with original-style ones, whenever the lighthouse isn’t
occupied.


The staircase to the third floor is blocked off right now, since a couple of stairs up to the
lighthouse are too rickety to use. But you can get to the top. Nicole Paternaster led me, creeping
past the roof rafters and around the spiral staircase, through a wooden portal and then up a metal
ladder leaned against the wall. At the top we popped up in the lantern room itself.


“You can see the river, you can see the lake, you can see what’s called Deer Creek Marsh. But it
is absolutely gorgeous. And of course, today it’s a windy day, so you can see all the waves
breaking out there. I just love it.”


The guests love it too. New Jersey resident Len Levonaitis and his family have fished in the area
for 15 years.


“When I go on vacation, I don’t want to be in the midst of the craziness, you know, downtown
Pulaski, where the salmon fishing is hot and heavy and there are hundreds of guys there. It’s nice
to be able to go out and find a place like the lighthouse. What’s nice about it is that it’s right
there, you know, on the lake. You can see the fish coming in.”


Like Levonaitis, many guests find themselves visiting again. Some have already booked their
stays for 2004 and even 2005.


Jim Walker says owning the lighthouse has been a valuable experience, but after 16 years he’s
ready to pass the torch on to somebody else and focus on other business.


“I’ve reached the hard conclusion of trying to recruit a replacement. No, that’s not just put a
piece of property on the market for sale, but it’s to recruit someone who basically has a younger
body, a lot of motivation and similar ideals to try to pick up and carry the ball from here.”


Walker has advertised the property in different lighthouse publications. It’s listed at one-and-a-
quarter million dollars. So far, there have been a few inquiries.


“It’s a very, very unusual place, one of the last of its kind. That’s, that’s the type of thing we
need to polish up and pass along to the best of our ability.”


Walker says he’s sure the right person will emerge to keep the light shining and the door open to
future guests at the Selkirk lighthouse.


For the great lakes radio consortium, I’m Skye Rohde.

Related Links

Cabinetmakers Reclaim Historic Wood

  • Loggers at the turn of the last century direct their harvest down the Rum River. (Photo courtesy of the Minnesota Historical Society)

At the turn of the last century, lumberjacks throughout the northern U.S. and Canada sent millions of logs downriver. Many were destined for ships headed to Great Britain. But about ten percent of the logs sank along the way. In recent years, some of that old wood has been retrieved and sold on the market. The Great Lakes Radio Consortium’s Karen Kelly reports on a pair of cabinetmakers who are using it to recapture a part of history:

Transcript

At the turn of the last century, lumberjacks throughout the northern U.S. and Canada sent
millions of logs downriver. Many were destined for ships headed to Great Britain. But
about ten percent of the logs sank along the way. In recent years, some of that old wood
has been retrieved and sold on the market. The Great Lakes Radio Consortium’s Karen
Kelly reports on a pair of cabinetmakers who are using it to recapture a part of history:


(drilling)


Dave Sharpe balances a cupboard door against its frame as his brother Andy secures it with
a screw.


They’re installing cabinets in a cottage tucked into the woods of Quebec.


The cabinets are made from century-old pine logs that Dave says were pulled from the
bottom of the Ottawa River.


“I think it’s unbelievable when you think that we’re working with wood that was destined to
go to England like maybe 150 years ago. I always wonder what these old guys that cut the
logs would think if they knew it was 2003 and here we are installing a kitchen in Quebec
with the lumber that they cut. They’d probably think we were crazy for bringing it back
up.”


(pounding)


But for Dave and Andy Sharpe, this wood is a source of inspiration. They design and build
cabinets and furniture in the small town of Havelock, Ontario. They prefer this lumber
because it’s 20 percent denser and heavier than commercial pine. That’s because the logs
came from forests that had never been harvested before.


Plus, the colors are unique. The lumber has spent decades lying on the bottom of the river.
There, it was exposed to minerals that left streaks of red, yellow and blue. Mostly, the
wood has the look of a marble cake. There are stark contrasts between lights and darks.


Andy says the reclaimed lumber has changed the way he approaches his work.


“Sometimes you’ll find a unique board and you’ll set that board aside because you know it
would make a neat board in a table or something. The other thing, you tend to use more
hand tools on this wood than what you do the commercial pine. You just feel, you want to
feel the wood.”


(planing)


Andy slides a hand planer along the edge of a door.


Tiny curls of wood fall into a pile as he carefully molds the door to the frame.


While Andy and Dave love the feel of the wood, and the color, they say what really
inspires them is the story behind it.


At the turn of the last century, about two thirds of men in the Ottawa area worked in the
lumber industry. They spent the winter in rough cabins, cutting down trees and piling them
on the ice. Come spring, they’d ride the logs downriver.


Dave says those men are always present to him while he’s working.


“I can’t pick up a piece of it where I don’t think of the old days and the men that lived on
the rivers while they were driving the logs and lost their lives. Really, it fascinates me and I
think that I feel closer to them. I feel like I’m a part of that chain. I feel kind of like the
end of the log boom in Canada.


(brothers talking)


That passion influences customers too.


Will Lockhart hired the Sharpes to renovate the kitchen in his cabin.


The cabin’s an important part of his family’s history.


But he wanted it to represent the history of the region as well.


“Today, a lot of people don’t know about the logging days and it used to be, as Dave and
Andy mentioned, such an important part of this part of the world. I mean, everybody was
involved in it. The rivers were full of logs and we don’t know that anymore.”


(sound)


Dave Sharpe says, when he builds a piece of furniture, he imagines someone passing it on
to their grandchildren.


And telling them the story of Canada’s lumberjacks.


It’s estimated that the supply of reclaimed wood will be exhausted within 40 years.


Dave and Andy Sharpe plan to devote that time to preserving it in their furniture – leaving
behind a tangible piece of history.


For the Great Lakes Radio Consortium, I’m Karen Kelly.