Author: Jennifer Guerra

Hemingway’s Paradise Lost

  • Students do 'the Hemingway thing' (Photo by Jennifer Guerra)

A good book has the ability to transport
you to different times and places. You can travel
to far off exotic countries or cities nearby. You
can also visit places that aren’t so easy to get
to – mostly because they don’t really exist anymore.
Places like Hemingway’s wild north woods. Jennifer
Guerra reports:

Transcript

A good book has the ability to transport
you to different times and places. You can travel
to far off exotic countries or cities nearby. You
can also visit places that aren’t so easy to get
to – mostly because they don’t really exist anymore.
Places like Hemingway’s wild north woods. Jennifer
Guerra reports:

Say what you want about Ernest Hemingway’s writing, the man loved his North Woods.
Up until his early twenties, he spent almost every summer up north at his family’s cottage
in Michigan.

And it’s there where most of The Nick Adams Stories take place.

“They were walking on the brown forest floor now and it was springy and cool under
their feet. There was no underbrush and the trunks of the trees rose sixty feet high
before there were any branches. It was cool in the shade of the trees and high up in
them Nick could hear the breeze that was rising.”

This is Nick Adams country in the early 1900s. The Last Good Country, Hemingway
called it. Filled with cathedral-like forests and streams swimming with big fat trout.

Now, it’s said that some of The Nick Adams Stories are based on Hemingway’s own
experiences in the north woods. Especially the parts in the book about hunting and
fishing.

“That was one of his favorite things to do.”

Valerie Hemingway was with the author when he wrote The Nick Adams Stories. Before
she married into the family, she was Hemingway’s secretary and occasional fishing
buddy. She says Hemingway used to go on and on about the good old days back in
northern Michigan.

“He taught me how to shoot a gun, told me about the river fishing – and these were
things that were initially associated with Michigan. And I think Michigan
represented the freedom in his life.”

But if Hemingway went up north today, he probably wouldn’t recognize the place.

“I think we’ve done our share of damaging it. And I’m sure there are areas where we
can still find something that he found, but it would be few and far between.”

Mary Crockett just finished The Nick Adams Stories. She read it as part of a state-wide
reading project put on by the local chapter of the National Endowment for the
Humanities. The reason The Nick Adams Stories was chosen for the great state read was
because of its obvious ties to Michigan and the north woods.

But Adam and Eva Colas
just read the book in a high school writing class. They’ve lived in Michigan their entire
lives, and they can’t relate to Hemingway’s North Woods at all.

“It doesn’t feel really representative of Michigan to me, cause it’s not the Michigan I know.”

“Cause even if you go to
Lake Michigan now for camping, there are specific pits for bonfires and specific cabins and all
these designated areas that make sure you don’t get lost or hurt, and you don’t have
to do anything for yourself.”

Their teachers thought that might happen, so they came up with the next best thing. An
outdoor classroom where the students can talk about the stories while doing what Adam
and Eva Colas call ‘the Hemingway thing’.

“The nature, hiking, canoeing. We can’t do the hunting/fishing thing, but just sort
of experiencing nature as nature.”

“Michigan as it was back in the day when this takes
place.”

See, that’s the beauty of a good book. Virginia Murphy teaches a class on Environmental
Literature at the University of Michigan. She says just because the students can’t
experience Hemingway’s world as it was back in the day, doesn’t mean they can’t learn
from his words.

“It allows them to see an environment that they’re not necessarily exposed to on a
daily basis. Most of us live in cities, drive our cars, work in buildings. And so it offers us a
perspective that we don’t have.”

So even if you never got to experience the north woods with all the big open spaces and
virgin forests and clear blue streams, well, there’s always the public library.

For The Environment Report, I’m Jennifer Guerra.

Related Links

Old Stuff Gets New Life

  • Tennis ball art made of 160 balls. Some of the balls can be moved around in order to create different formations. (Photo courtesy of Britten Stringwell)

Everyone has stuff. Probably too much stuff. Stuff you don’t use anymore, stuff that’s just
gathering dust in a box somewhere. Sure, you could recycle it. Or, as reporter Jennifer
Guerra discovered, you could turn some of that stuff into art:

Transcript

Everyone has stuff. Probably too much stuff. Stuff you don’t use anymore, stuff that’s just
gathering dust in a box somewhere. Sure, you could recycle it. Or, as reporter Jennifer
Guerra discovered, you could turn some of that stuff into art:


Vivienne Armentrout has only the essentials in her house. A table, some chairs, a
sideboard. Maybe a vase with fresh cut flowers from her garden. But that’s it. No clutter,
no knick knacks. Armentrout doesn’t like to have stuff lying around her house. So she
gets rid of it. But she doesn’t just throw it out or recycle it:


“The thing is, it’s easy to recycle. You just load up everything take it down to drop off
center and put it in the appropriate bin. And that’s okay for material recovery. But a lot of
objects have a real use still and that would be a waste. ”


Like fabric, for example. Armentrout says there’s nothing inherently wrong with
recycling old neck ties or curtain remnants. But if you go that route, the material will
probably just end up being turned into stuffing for seat cushions:


“But I think making them into a beautiful piece of art is a much better use.”




Now you might be thinking to yourself, okay, sounds like a cool idea…but I’m not an
artist! That’s ok, you don’t have to be. That’s where someone like Britten Stringwell
comes in. Stringwell calls herself a…


“A creative, inspirational doer…or artist.”


Stringwell and Armentrout live in the same town. But they never met until Armentrout
read an article about Stringwell in a local paper. Stringwell had some art work on display
at a coffee shop, so the paper was doing a little bio on her. When Armentrout read that
Britten Stringwell used recycled materials in her pieces, Armentrout immediately went to
work. She went through boxes of stuff she had in her attic and in her basement. Armentrout
invited Stringwell over to her house and together, the two sifted through old metal gears, antique
furniture knobs and wooden beads.


Some of the items Stringwell took home with her. Some she didn’t. Stringwell’s quick to
point out that she doesn’t just take anything that’s handed to her:


“I don’t like to keep collecting things, but if I can help to inspire other people who
would use them, too, is really important.”


I think that’s key to understanding what drives Stringwell to do what she does. She likes to make connections, she likes to form relationships with people.


People – strangers – will read or hear about Stringwell and they’ll invite her into their
house. Virtual strangers! Sometimes they have her over for tea, maybe a light snack. And
then, they just talk. Mostly, about all the stuff they’ve got in their basement and their attic,
and it’s those stories – the stories BEHIND the items and not the actual items themselves – that
Stringwell says inspires her the most:


“More recently, I guess I’ve been interested in not talking so much when I enter a space,
but kind of seeing where the person leads me. And just kind of finding out what’s
important to them or what story comes up and why does this object inspire me more
or them more…”




For example, that’s how Stringwell discovered someone’s box of old tennis balls. An
older woman invited Stringwell into her home one day. The two walked through her
basement, where there were boxes of stuff everywhere. When they came to the box of
tennis balls, the older woman went on and on about her love of the game, and about how she
and her partner used to play tennis all the time when they were younger.


So, Stringwell took those tennis balls home with her and she gave them new life. She put
them in an art piece. Tennis balls that otherwise would have stayed in a box in a
basement or ended up in a landfill somewhere. Stringwell created an interactive composition of
sorts. So within the composition, the balls can be arranged by the viewer to form different
shapes and patterns:


“What’s important is that it becomes this new, physical game. What was important
to them about it. They might not be as physical as they were when they were
younger and playing tennis, but now they can take these things out and play a
matching game and they will change it around and recreate it.”


Of course not everyone is a creative inspirational doer, like Britten Stringwell. But that doesn’t mean you can’t reduce, reuse and recycle. That part’s easy. Everybody gets that. And maybe, while you’re at it, you’ll start to look at all the stuff around you in a different way. Maybe you’ll find your own way to recreate, repurpose and reimagine.


For the Environment Report, I’m Jennifer Guerra.

Related Links

Growers Cover Up Local Produce

  • If the hydroponics trend continues, strawberries could be available locally everywhere. (Photo courtesy of the USDA)

It’s the middle of winter and you’re craving some fresh,
juicy strawberries. Go to your local grocery store and
you’ll find lots of packaged strawberries shipped from the
west coast or down south. For locally grown strawberries,
you have to wait till June if you live in the Midwest. But
that’s starting to change. Jennifer Guerra has the story:

Transcript

It’s the middle of winter and you’re craving some fresh,
juicy strawberries. Go to your local grocery store and
you’ll find lots of packaged strawberries shipped from the
west coast or down south. For locally grown strawberries,
you have to wait till June if you live in the Midwest. But
that’s starting to change. Jennifer Guerra has the story:


I like strawberries. A lot. There’s strawberry rhubarb pie
for starters, strawberry and spinach salad, strawberry
shortcake. But I’ve been on this kick lately of trying to
buy only locally-grown produce, which is admittedly hard to do when you
live in the Midwest, especially with strawberries. Most of
the year, they’re shipped in from Florida and California,
but there is one place in Michigan were you can still pick
strawberries as late as October.


(Guerra:) “The redder the better…that’s too green”


It’s snowing out. I’ve got on the winter coat, the hat, the gloves,
and I’m picking strawberries with Kelly Bowerman.


(Guerra:) “So, which one is this?”


(Bowerman:) “This is a tribute. We have aroma, diamante, and
tribute. Aroma is a nice big berry, diamante’s even a bigger berry,
but it just don’t turn red, it’s oranged-colored, and tribute is smaller with a lot more
flavor.”


(Guerra:) “Alright, let’s get all three. Let’s get a
variety.”


Bowerman calls his strawberries three finger berries, which
he says are roughly the same size as the ones shipped in
from California


(Bowerman and Guerra try strawberries)


And frankly, the strawberries better taste
good, seeing as how Bowerman spent 60,000 dollars on them.


Well, not on the actual berries themselves, but on the
hydroponics system he uses to grow the berries. With
hydroponics, he still grows his strawberries outside, but
instead of planting them in the ground, the runners sit in
pots above the ground in a solution of warm water and
minerals. And since there’s no soil, the strawberries can
grow from June to October without the roots freezing over at
the first sign of cold weather. Still, there’s only so much
a hydroponics system can do on its own:


“He’s gonna find out that people want strawberries at
Christmastime, and so the next step will be to put a
greenhouse over that system and then we have 12 months.”


Merle Jensen is a professor of plant science at the
University of Arizona and he knows his hydroponics. He
knows growers all across the country who’ve started moving
their hydroponics systems inside greenhouses so they can
artificially light the crops. That way, they can produce
year round. But wait, there’s more:


“All of our leafy vegetables – high value fruits like
strawberries – will all be under cover in the next 5 years.
I’m sure of that. It’s a rapid expansion, not only in the
United States, but we see it in Canada, Mexico. So, this is the wave
of the future.”


A future that Jensen swears will taste delicious:


“You know what? I can say that because we can control the
nutrition, the salinity within the root system such that we can
program that product to have more acid and more sugars and better
flavor, and we can do that through hydroponics at will. And local growing is
becoming bigger and bigger all the time. It’s just got an
image of being better.”


Of course in the Midwest, “local” is still pretty relative.
Our Michigan farmer, Kelly Bowerman, says he gets people
from up to 50 miles away to pick his strawberries:


“One guy bought $28 worth of strawberries, and he said that ain’t
no big deal cause it cost me $40 worth of gas to
get here and back.”


And he’ll have to continue putting in that kind of travel
time if he wants to eat locally grown strawberries in the
middle of winter. Unless of course Jensen’s right and
hydroponic greenhouse systems really are the wave of the
future. If so, it might not be too long before Bowerman’s
strawberries show up year round at your supermarket.


Oh, and by the way, I liked the tribute strawberries the
best. They were my favorite.


For the Environment Report, I’m Jennifer Guerra.

Related Links

Mapping the Path Less Traveled

Sidewalks don’t go a lot of the places we’d like to walk. So people do what people have always done: cut through empty lots… or woods… or across railways. A lot of these pathways, worn down by use, never seem to make it onto maps. The GLRC’s Jennifer Guerra reports one group thinks they ought to be mapped… and their stories told:

Transcript

Sidewalks don’t go a lot of the places we’d like to walk. So people do
what people have always done: cut through empty lots… or woods… or
across railways. A lot of these pathways, worn down by use, never
seems to make it onto maps. The GLRC’s Jennifer Guerra reports one
group thinks they ought to be mapped… and their stories told:


When Hilary Ramsden moved to Detroit from England, she thought the
best way to explore the city was to bike it.


“And I was run off road by cars, and people shouted and screamed at me.
So I decided to cycle on sidewalk but then I noticed sidewalks came to
end, and started singing little paths.”


Ramsden points to a little ribbon of dirt that run thru a neighbor’s yard
or cut through a vacant lot…


“And I noticed there was a whole network of these paths through the
city. So I started exploring them!”


Soon Ramsden’s co-worker, Erika Block, starts tagging along on the
walks, and since none of the trials they want to take are listed on any
maps, the two just start wandering:


“And then we started thinking about mapping and what’s really
represented on traditional maps and what’s missing.”


Block thinks of maps as a kind of storytelling. So if the short cuts and
gravel paths that people take aren’t listed on a map, then the stories of the
people who use them aren’t being told. So Block and Ramsden – who
run a theatre company in the city – decided to turn their walks into a performance
art piece of sorts. It’s called The Walking Project.


Once a week they pick out a section of Detroit and walk it. To track their
route, they use a handheld Global Positioning System device. They also
bring along digital cameras to snap pictures and record conversations
they have with people. Eventually, the photos, recordings and GPS tracks will
all be uploaded to a computer and transformed into a sort of 3-D digital map.


“And so a representation of place is going to be more than just lines and
dots and symbols on a map, it hopefully will become the video, and audio, and drawings
and conversations that people bring to it.”


And that’s really what these walks are about for Hilary Ramsden…
meeting people.


“…oh look at path here…this is a great shortcut. Is there a story here?
Tons of stories here, but no one walking here to ask at the moment. I’d
be interested in talking to someone.”


About twenty minutes into the walk, we cut across a gravelly path that
runs through a small field. There, we run into a homeless man. The
minute Block and Ramsden say hello, the man starts talking. About
himself, about the path and about the field we’re standing in…


(Sound of talking)


Block and Ramsden snap pictures and record everything he’s saying.
Their hope is to one day have it all linked to a virtual map that places this
man and his image on this particular Detroit dirt path, and because Block
recorded their conversation, his story will become a part of the map, too:


“People will ultimately be able to drag and drop images to build their own maps
of these places that tell different stories. And I think people are fascinated by
other people’s stories, and I think that ultimately the more we know of other
people’s stories the less afraid we become and the more comfortable it becomes.”


Block admits that the technology for creating such a map is at least two
years off. But in the meantime, she and Ramsdon will continue to walk
around and record the stories of those who choose to travel off the beaten
path. In hopes that maybe one day they’ll have a map to call their own.


For the GLRC, I’m Jennifer Guerra.

Related Links

Urban Blight Gets a Paint Job

  • One of the abandoned houses that a group of artists has covered in "Tiggerific Orange" paint to get the attention of city officials in Detroit. (Photo courtesy of the artists... who wish to remain anonymous)

Football fans are gearing up for the bright lights and glitz of this year’s Superbowl in Detroit. One event that won’t make the halftime show is a tour of the city’s dilapidated and abandoned buildings. They’re everywhere. The Great Lakes Radio Consortium’s Jennifer Guerra reports on a group of artists sneaking around late at night hoping to draw attention to the urban decay:

Transcript

Football fans are gearing up for the bright lights and glitz of this year’s Superbowl in Detroit.
One event that won’t make the halftime show is a tour of the city’s dilapidated and abandoned
buildings. They’re everywhere. The Great Lakes Radio Consortium’s Jennifer Guerra reports on
a group of artists sneaking around late at night hoping to draw attention to the urban decay:


When you drive around Detroit, you can’t help but notice the abandoned buildings. Houses with
caved in roofs and charred out insides line the streets. I met up with Christian, an artist who’s
been living in Detroit for the past 15 years. He says when people from the suburbs drive into
Detroit… they don’t see a city so much as a burnt out chasm, and that’s not the kind of symbol
he wants associated with his hometown.


“I just think that the symbol of a burnt out abandoned house is a horrible symbol to grow up
around for the kids in the city. Some people have to look at beaches and mountains, these people
have to live with this sort of symbol of defeat. You almost feel like a social responsibility to do
something about it, you know.”


So Christian, along with his friends Jacques, Greg and Mike grabbed some smocks, a bunch
of rollers, and gallons of orange paint, but not just any orange paint… this is the shockingly
bright, stop-you-in-your-tracks kind of orange paint that you can’t help but notice… it’s called
Tiggerific Orange. And with that, the artists headed out in the middle of the night to paint their
first abandoned house. It should be noted here that what the guys are doing – trespassing and
vandalizing property – is illegal. So they’ve asked that their last names not be used…


Around 3 a.m. – while painting their first house – Christian noticed that they had some
company… the police:


“Well I was outside and they came by and he said ‘what are you doing?’ And I said we’re painting
the house. And he said ‘why?’ And I said because it needs a paint job, and he said ‘Have at it
bro!’… and he drove away… and it was like all right, cool!”


From there the guys went on to paint eight more houses around the area. They’re very choosy
about which houses to paint. The structures have to be residential and clearly abandoned. Also,
they have to be in a high traffic area.


(sound of cars driving by)


Mike – one of the painters – took me to a side street above two freeways. There, the artists had
recently slathered Tiggerific Orange paint on six abandoned houses clustered together.


“You wanna go closer? Just watch your step…”


From pretty much every angle along the freeways you can see all six houses. Each has fallen
victim to arson. Tires, wood planks and garbage cover what was once somebody’s front yard.
Even some of the debris is splashed with orange paint.


“There’s part of the floor that is fallen and is now perpendicular to the ground…so we painted
the underside of that floor…”


Through the windows you can see dirty, old-looking stuffed animals litter the floor. Mike says he
sees that kind of stuff left behind all the time.


“Families used to live in these buildings and now the buildings are not worth enough to tear it
down, the property’s not worth enough to bulldoze, and that’s not a judgment on the city or anything. I wish
it was worth someone’s time to bulldoze. If I had the resources to do that I guess I would, but all
I can do is spend a couple hundred bucks on paint.”


Mike would need a lot more than a couple hundred bucks to bulldoze those houses. Amru Meah
– the Director of Detroit’s Building and Safety Engineering Department – estimates the average
demolition cost for a residential building to be somewhere around 5500 dollars.


“No city could actually effectively demolish every building that became an eyesore or in bad
shape because you could actually have a situation where you gotta whole bunch of buildings… so
you’d run around and try to demolish two, three, four thousand buildings a year. That’s not
realistic.”


But the Tiggerific Orange paint is working. Of the nine houses painted so far, two have been torn
down, and according to Jacques – one of the guys with the orange paint – putting pressure on
city officials and creating awareness are huge motivators.


“People will drive by the houses on the highways and they’ll kind of catch a glimpse of it, but
they’re on the highway so they just drive right by. So the next time they go down the highway
they might remember, ‘oh my god, I want to look for that orange house!’ And so as they’re
looking for the orange house, they’re looking for all the other houses in turn. What that does is
that that raises sort of an awareness of what’s going on, and as we’ve already seen as two houses
have been destroyed: awareness brings action.”


But, as Jacques points out, four guys can only paint so many houses on their own:


“One of the beautiful things about the project is that it’s such a simple move. All we’re doing is
taking a roller, taking a paintbrush and painting the façade of a house orange, and it’s already
had so many ramifications. So, you know actually we would encourage anyone out there who feels the desire
to do it to just go pick up a roller and paint a house.”


But keep in mind… just because the police let the orange painters off the hook the first time…
doesn’t mean they’ll be so lucky in the future.


For the GLRC, I’m Jennifer Guerra.

Related Links

Architecture Students Go Solar

  • The University of Maryland's solar powered house, designed to resemble the path of the sun across the sky, contrasts with the older architecture of the Smithsonian Museum. (Photo by Stefano Paltera/Solar Decathlon)

18 teams from around the world are competing this week
in a solar home competition in Washington, D.C. Each team competes
to see who can build the most aesthetic and livable solar home.
The Great Lakes Radio Consortium’s Jennifer Guerra reports:

Transcript

Eighteen teams from around the world are competing this week in a solar home
competition in Washington, D.C. Each team competes to see who can build the
most aesthetic and livable solar home. The Great Lakes Radio Consortium’s
Jennifer Guerra reports:


Richard King is the director of the Solar Decathlon
Competition in the nation’s capital. We called him on his cell phone as he
was wandering around the National Mall checking out the different houses.
We asked him why he thought solar homes have a future in the housing market.


“You see gas prices are going up, natural gas prices are going up. We call
that volatility in the supply market. Solar energy doesn’t have that. Yes,
you have to buy a collector that you put on your house, but from then, on for the
next twenty years, you don’t have to worry about the price of energy going up
because the sunlight is free.”


Free and limitless, as King points out, and the houses being put up on
the mall try to show how they take advantage of that energy and still look
like something you’d want to live in. As King wandered around the solar
village, he stopped at the University of Michigan’s house.


“Michigan just got their end caps on, and now we finally see what it looks
like. We were all wondering what they had up their sleeve, so it’s pretty
neat.”


Before the University of Michigan team shipped their house to D.C., we
dropped by the School of Architecture. They were just putting the finishing
touches on their entry.


(Sound of talking)


That’s John Beeson, the project manager of the Michigan Solar House
project. It’s called Mi-So for short. They had to be creative to make sure
their entry was dependent on the sun for energy.


“This is a solar contest, so we are very limited in terms of what we can do for energy production. We can’t even convert kinetic energy, somebody bouncing on something, into electrical energy. We’re very limited.”


The house has to be totally off the grid, which means lots of large
batteries and thin, photovoltaic panels, neither of which make for an
aesthetically pleasing house. And in the world of architecture, if it doesn’t look good from the outside, no one’s going to care if its energy efficient.


“Most consumers today aren’t gonna buy something just because it’s sustainable.”


Lee Devore is the Michigan team’s operations manager.


“But if you have two apples, and they’re identical, and their cost is
roughly the same, if one is more sustainable than the other, it’s that extra
thing, but the thing they’re really concerned about is that it’s still a beautiful
thing to possess.”


Back on the National Mall in Washington, D.C., Solar Decathlon
Competition director Richard King says in this contest, beauty’s as
important as sustainability.


“In the 70’s, we just stuck solar collectors on the roofs in all kinds of
directions and one of the barriers are a lot of people didn’t like that up there on
their roof. So we’ve employed these schools of architecture to design very
beautiful-looking buildings with solar integrated in to actually
prove that solar energy works.”


So to make Michigan’s solar house stand out as the belle at the D.C.
National Mall, John Beeson says the team turned to Michgan’s most noted
industry, the automakers, for tips.


BEESON: “People like taking their cars and tricking them out, and the house is the same thing, you
just don’t know you’re doing it, every time you move into it. So why not make the architecture built that way, so that people can change it and affect it the way they want. So for us, there would just be panelized construction. We would just put these panels up, I’m done with this sink, this mirror combination. I’m gonna take it down and sell it on Ebay.”


GUERRA: “Are people ready for this?”


BEESON: “We hope. If not, it’ll be a good exploratory example of it on the
National Mall for people to go see.”


Even after a winning team’s been picked, the challenges aren’t over. It’s one thing to build a solar prototype for the competition, it’s another to
take that prototype and turn it into homebuilding that can be mass-produced
for less waste and lower costs. Once that happens, we might just see solar
homes popping up in new neighborhoods.


For the GLRC, I’m Jennifer Guerra.

Related Links