Nature’s Little Architects

  • The nest of a Swainsons warbler. (Photo by Judith McMillan)

Some of the world’s most intricate
architecture is not always constructed by
humans. Sometimes the most skilled architectural
wonders are designed by nature. Gretchen Cuda reports on an exhibit that celebrates
birds’ nests:

Transcript

Some of the world’s most intricate
architecture is not always constructed by
humans. Sometimes the most skilled architectural
wonders are designed by nature. Gretchen Cuda reports on an exhibit that celebrates
birds’ nests:

Judith McMillan didn’t find her inspiration in tree branches. She found it in the
basement of the museum where she works. She was rummaging through drawers
there when she came across a hundred-year-old collection of bird nests.

“This Museum must have 10 cabinets full of bird’s nests.”

She was fascinated and immediately knew she had a new subject for her art.

McMillan is a photographer who has been volunteering at the Cleveland Museum of
Natural history for 20 years. In her latest exhibit, titled “Nesting”, she captures some
of natures most inspiring, and often overlooked architecture – the nests of birds.

(sound of exhibit crowd)

“I was looking for nests that were different from each other so that you could see that
these birds were little architects. And there were so many different kinds of materials
used – and then the eggs could be so different. Some with little tiny speckles, some
with different colors some with little calligraphic streaks around them, so it was that
variety that I wanted to capture.”

All the photographs are in black and white – because she really wanted people to
concentrate on the architecture without being seduced by the color. She’s fascinated
by the way different birds chose very specific materials to work with – everything
from marsh reeds, grape vine, or little knotty twigs – like this one.

“This is a vermillion flycatcher – it’s almost like it’s made of pick up sticks in the way
their pushed together.”

And to emphasize the diversity of structures birds can create she shows me an
Orioles nest that’s five inches deep and formerly hung like a basket from a tree.

“I actually had to shine a flashlight down in it when I was taking the photograph in
order to get the eggs to show up.”

Most of the nests and eggs were collected around the turn of the 20th century by
amateur naturalists who never thought twice about disturbing the natural wildlife.

But the practice eventually fell out of fashion as people became more
environmentally conscious and large nest and egg collections were often turned over
to museums – explains Andy Jones the museum’s ornithologist.

“People whose grandfathers were dealing with eggs as a hobby, well their
grandfathers are passing away and so they contact their local university or natural
history museum, and say, ‘hey do you want these?’”

Those specimens were originally collected just because they were pretty. These
days, they’re still beautiful, but they also serve a scientific purpose. Scientists can
look at things such as the thickness of the shells, or the type and number of birds
found in a specific location and tell a lot about the birds. They can see where birds
used to live and how far their territories reached. They can even tell if a bird that’s
extinct now once lived in an area.

Judith McMillan hopes her photographs will not only show how beautiful the birds’
handiwork was, but will also inspire people to do something about saving the birds
that are still here.

“I didn’t understand until I started using a camera myself how you can isolate
something and make people look at it differently–And I hope through my
photographs I’m getting people to take a fresh look at things. It’s hard to have an
appreciation of nature unless you really look at it and start to really care about it.”

Recent surveys have found that many songbirds are disappearing. If people don’t
start caring, those photographs and drawers full of nests might become the only
reminders of many more species that go extinct.

(song of a Cardinal)

For The Environment Report, I’m Gretchen Cuda.

Related Links

Recapturing Music’s Roots

  • Frank Youngman playing on the Sound Garden. Photo by Tamar Charney.

These days a lot of modern music depends heavily on technology. Guitars are electric and beats electronic. But since ancient times human beings have found a way to make music with the things they found in nature. The Great Lakes Radio Consortium’s Tamar Charney has the story of one man who is helping his neighbors rediscover the roots of music:

Transcript

These days a lot of modern music depends heavily on technology. Guitars are electric and beats
electronic. But since ancient times human beings have found a way to make music with the
things they found in nature. The Great Lakes Radio Consortium’s Tamar Charney has the story of
one man who is helping his neighbors rediscover the roots of music:


In the woods behind Frank Youngman’s log home in Cadillac, Michigan there’s a small fire in a
fire circle. The smoke is wafting around logs that hang from the trees that surround the fire. It
curls around old car springs and break drums that also hang from the nearby trees. And big
hollowed out logs are propped up just inches off the ground.


On this cold, snowy Saturday there are five teenage boys and two adults banging on the logs and
car parts with sticks. And making music on what Frank Youngman calls his Sound Garden.


(music)


“I was out cutting firewood with our kids one day. And we were throwing it in the back of the
truck and it kept hitting each other. The logs were hitting each other. I just started noticing they
had all these different pitches and so I said, ‘kids throw ’em back out here.’ So we start laying it
out on the ground and we sorta constructed this crude xylophone. And pretty soon we were just
playing. I’d start a grove and they’d start playing and the four of us were on our knees around
these logs on the ground playing and we had a blast. After that, I kept thinking, wouldn’t it be fun
to have some instrument out in our woods here that when were walking by on the trail or skiing,
you could just stop and play a little bit.”


And eventually he built it. Youngman is a music teacher and band director, so he had an ear for
picking out the right logs with which to build his dream. Small logs are arranged to create
primitive xylophones and marimbas. Big logs act as bass drums. And the pieces of scrap metal
are miscellaneous percussion instruments. And any chance he gets, he’ll drag people out here to
play.


“Someone will start something just a click, cluck, cluck. Real simple little thing and then
someone layer in on top of it and it’s been fun cause they start to get the idea that we can slow
down and let it happen over a longer period of time and let it develop.”


He says after a while the people playing will start communicating and sharing musical ideas with
looks, nods, and beats.


(music)


As the rhythm gets going Ryan Newson and Mike Filkins emerge from their sullen teenage shells
and begin dancing and grooving to the beat. Like many people in town they first thought Frank
Youngman’s Sound Garden was really, really weird, but slowly they came around.


“You can’t explain the fun of playing it. You just have to go out there. The diversity of sounds
you get when hit stuff that you’re not even used to. When you play a drum set all day you just get
eight or nine different sounds you can play with, but with this it’s just a new set of sounds you can
screw around with and do what you want.”


The experience of playing the Sound Garden can vary from time to time. Frank Youngman says
night time playing has a different vibe from daytime playing. He thinks the Soundgarden’s best in
winter because the snow muffles the sounds and the woods are quiet, but then again other seasons
also have their appeal for instance warmer weather brings a chorus of frogs.


“In the spring, its great when the spring peepers. I’ve gone out by myself and you start hearing all
this sounds of springs birds and the peepers are just deafening at night sometimes and even they’ll
get a rhythm going and you get thousands of those things – rrrepperr rrrepper – they just get this
kind of pulsing rhythm and I’ve gone out and played with the peepers which sounds kind of
Crazy and maybe it is.”


Whether or not its crazy, the Sound Garden resonates with teenagers and adults alike, according
to 17-year old Mike Filkins.


I can imagine there will be people trying to build these now. This is just unbelievable. I was very
surprised how much it took off and how many people like it.”


And, in fact, a second Sound Garden has been built. After word got out about Frank Youngman’s
backyard one, the director of Cadillac’s Convention and Visitors Bureau suggested he create one
for the town’s new riverside Greenway. It’s just been finished in time to ring in the New Year
during Cadillac’s first night celebration.


(music)


“It’s a pretty primitive experience, you know, but I think it does kind of get back to musical roots
in some ways. It starts with rhythm – beating on a log – whether its signaling, talking over great
distances or just listening to each other and just responding.”


(music)


For the Great Lakes Radio Consortium, I’m Tamar Charney.


WEB INFO: For more information about the Sound Garden or Cadillac’s First Night celebration
which include demonstrations and a Sound Garden performance, www.cadillacmichigan.com.