Forest Service Takes Heat on Timber Land Sales

  • The pine marten is a member of the weasel family that makes its home in yellow birch trees. (Photo courtesy of the Wisconsin Department of Natural Resources)

Environmentalists and the U-S Forest Service often fight over the best way to balance between cutting timber for lumber and paper, and preserving wildlife habitat. Lately, the battle is over whether government just looks at each tract of land where it sells timber or whether it looks at the cumulative impacts of logging on National Forests. The GLRC’s Chuck Quirmbach reports:

Transcript

Environmentalists and the U.S. Forest Service often fight over the best
way to balance between cutting timber for lumber and paper, and
preserving wildlife habitat. Lately, the battle is over whether
government just looks at each tract of land where it sells timber or
whether it looks at the cumulative impacts of logging on National
Forests. The GLRC’s Chuck Quirmbach reports:


When some people look at a stand of trees they see lumber for a house or
wood for paper.


“Let’s go to the yellow birch.”


But when Ricardo Jomarron spots a stand of yellow
birch trees, he sees a valuable home for the pine marten – a member of
the weasel family. The marten is endangered in some states.


“The great thing about yellow birch is that it has a propensity to become
hollow while staying alive. So you have this wonderful den for pine
marten and other species to rear their young that isn’t going to blow over
in a windstorm.”


Jomarron is standing in the Chequamegon-Nicolet National Forest in
northern Wisconsin that’s near the border with Michigan. Last year,
Jomarron’s group, the Habitat Education Center won a federal court case
that has blocked timber sales on about 20-thousand acres in the million
and a half acre Chequamegon- Nicolet.


A judge ruled the Forest Service had violated the National
Environmental Policy Act by not considering the cumulative impact of
logging on other forest species. Logging not in just one place, but many
can have a larger impact on some wildlife that the judge said the Forest
Service didn’t consider.


But it’s not just the act of cutting down the trees that worries the
environmentalists. It’s the loss of shade that some plants need to survive
and new logging roads crossing streams where erosion damages trout
habitat.


The Chicago-based Environmental Law and Policy Center is representing the
Habitat Education Center. Attorney Howard Learner says the case is not
about banning logging in the national forests. He says it is about
restoring a system that he argues has gotten out of whack.


“In part because the Forest Service was looking at one timber sale and what the
impacts of that were, and then they’d look at another one and what the impacts of that were, and
they didn’t look at the overall impact – and what was the forest rather
than the trees.”


The Forest Service eventually decided not to appeal the judge’s rulings to
stop the disputed sales in this one forest. It’s taking another look at the
cumulative impact of the proposed deals, but the Forest Service says it
didn’t approve the timber sales without getting advice from state and
tribal experts on water and wildlife.


Chequemegon-Nicolet forest supervisor Anne Archie says her agency
has done a good job. She says if you really want to study the total effect
of forest management, look back a century when loggers cut everything
in sight.


“70 to 100 years ago there was no national forest. It was shrub land and
burnt over grassland. Now the National Forest is there that provides a
habitat for the species. So cumulatively in 70 to 100 years, we’ve been
growing the habitat for the species that Habitat Education Center…we’ll
we’re all concerned for those species.”


But Habitat Education Center and other environmental groups say the
Forest Service still isn’t doing a thorough job of determining the impact
that logging might have. The environmentalists and conservation groups
say the agency’s follow-up study on the Chequemegon-Nicolet is like
Swiss cheese with many more holes than substance. Depending what
happens at the end of the current comment period, the groups could ask
the judge to keep the lid on the timber sales.


Logging companies that cut and mill the trees from the forest are not
happy about the legal battles.


James Flannery runs the Great Lakes Timber Company. He says if you
want to look at the cumulative impact to the forest, you should look at
the cumulative impact to the economy of the area.


“Part of the money generated from forest sales comes back to
communities. If we have no forest sales and there’s thousands of acres of
forests land that we harvest I’m more worried about the income of these
communities, which will be zero.”


But the environmental groups argue the broad expanse of the forests
need to be protected from multiple timber sales that cumulatively could
cause wider ecological damage. They say ignoring the health of the
forest ignores another important industry of the area: the tourism that
brings a lot of money to the north woods.


For the GLRC, I’m Chuck Quirmbach.

Related Links

Playwright Laments Changing Rural Life

  • A new musical looks at the pressures to develop pristine areas of the Great Lakes north woods. Lure of money and love of land conflict in the North Country Opera Continued.

The remote northern areas are where people go to get away – to vacation, fish, and relax. But for a variety of reasons the region’s north woods are being developed and settled. In the process, the wild, the quiet, and the slow pace of life that attracted people in the first place is disappearing. The Great Lakes Radio Consortium’s Tamar Charney tells us about a playwright who is trying to get people thinking about the changes development brings:

Transcript

The remote northern areas are where people go to get away – to vacation, fish, and relax. But for
a variety of reasons the region’s North Woods are being developed and settled. In the process the
wild, the quiet, and the slow pace of life that attracted people in the first place is disappearing.
The Great Lakes Radio Consortium’s Tamar Charney tells us about a playwright who is trying to
get people thinking about the changes development brings:


Jay Steilstra writes songs and plays that celebrate the natural beauty and slower pace of life in
rural northern Michigan.


(sound of music)


(“You see the white birches and pines, you know you’ve crossed over the line…”)


“I’ve always liked the North land a lot, the beautiful running water and the lakes are beautiful too
blue sparkling, and the white birches and the evergreens.”


Twenty years ago, Jay Steilstra wrote a musical play called the ‘North Country Opera.’ It told the
story of a man from the big city who falls in love with a woman and the way of life in the
fictional Northwoods town of Grand Marais. By the end of the play he’s left city life behind,
moved north, and married Sari, the owner of a small working class bar, and the two live happily
ever after. But a couple years ago, Jay Steilstra realized the up north life he writes about is being
threatened.


“There is a real Grand Marais, and I’ve been there many times, and it’s a little lovely town, and I’d
hate to see that turned over to condos and completely defiled, if I can use such a strong word.”


So, he’s written a sequel ‘In North Country Opera Continued.’ His characters grapple with the
pros and cons of development, after two big city land developers show up at Sari’s bar.


“You’re not going to believe what just happened. The offer I just got for this place. And you
know that eighty acres old Ereos got for sale, who knows for how long. McKinley, she’s talking
to the real estate agent right now, and she’s good. You should see her work. And chip says,
maybe shops or some galleries and you know the snowmobilers are short of motels in winter and
well, a lodge, upscale, good taste, and all elegant even, maybe even a boutique, and my god, the
money they’re talking its unreal.”


Tracy Lee Komarmy plays the bar owner named Sari in North Country Opera Continued. She
says the musical play has an anti-development message, but she says it also explores why
development has an appeal and allure.


“I think everybody might kind of feel the thrill…’What if they put in a lodge, a fancy
lodge…What if they did that?…’You know, going up north, I could see that.”


And Jay Stielstra’s musical shows how people in rural communities often yearn for the jobs and
money development brings, and for the stores, products, and lifestyle they see in books,
magazines, and on TV.


(sound of play)


“Nowadays are different. People change. You have to admit that.”
“Well, what do you want? Forty acres of malls and boutiques?”
“Well, it would be nice to have some things nice around here, like on TV.”


Steilstra: “If you’re living in a small town in extreme northern Michigan, it is difficult. A very
good friend of mine, after he retired from teaching school, lived in Seney. He loved the north and
loved the air. He loved the cold rivers. But it was 85 miles to the bookstore. So yeah, wouldn’t it
be nice to have a Borders? So, you’re right, people do miss things and they do have temptations
and willingness to make those kind of compromises, so it’s understandable.”


(sound of play…singing)


“When the dollar comes to town she wears a fancy gown. She flirts and she teases gets anything
she pleases…”


But in the end the character Sari says no and turns down the developers offer to turn her bar into a
fancy lodge complete with chic boutiques. She realizes that the beauty of the land and the
rewards of a simple life surrounded by friends are more important to her than money and fancy
things. It’s a message that’s hit home for Tracy Lee Kormarmy who plays Sari.


“Working on this piece, I’ve continually come back to my roots and come back to nature and am
reminded over and over of what really matters. And Jay just captures it beautifully. I hope
everybody leaves reminded of what really matters.”


(music…”It’s a wonder the stars how they twinkle at night…” fade under)


Jay Stielstra’s ‘North Country Opera Continued’ premiers in Ann Arbor, Michigan. He hopes it
might be performed elsewhere in the region.


For the Great Lakes Radio Consortium, I’m Tamar Charney.


(singing…fade under)


(“It’s a wonder the sun shines so warm and bright. It’s a wonder I will never understand…”)