A Rare Visit From a Northern Neighbor

  • The Great Gray Owl is a rare sighting south of the U.S.-Canadian border. (Photo by Matt Victoria, Camillus, NY. www.fickity.net)

The Great Gray Owl usually lives deep in the northern forests of Canada. But due to scarce food, thousands of the big owls have drifted south. They’ve drifted into southern Ontario and Quebec, even crossing the border into Minnesota, Wisconsin, and Michigan. Last month, a Great Gray was spotted in New York, the first one documented there in almost a decade. The Great Lakes Radio Consortium’s David Sommerstein was there when it
happened:

Transcript

The Great Gray Owl usually lives deep in the northern forests of Canada. But due to scarce food,
thousands of the big owls have drifted south. They’ve drifted into southern Ontario and Quebec,
even crossing the border into Minnesota, Wisconsin, and Michigan. Last month, a Great Gray
was spotted in New York, the first one documented there in almost a decade. The Great Lakes
Radio Consortium’s David Sommerstein was there when it happened:


Ornithologist Gerry Smith had invited me to see some of the best raptor habitat in northern New
York. We took off in his cluttered Saturn wagon.


“Here we go!…” (sound of engine turning on)


Gerry wears a beat up canvas hat, green sweatshirt, and always has one hand on his binoculars.
He started birdwatching when he was 13 as a sort of therapy.


“My father passed away when I was 15, but he was terminally ill, and I needed an escape, you
know, obviously as a 13 year-old kid I didn’t know that, but I got hooked, and the rest, as they
say, is history.”


More than 40 years later, he’s never had a job not related to birds. And he’s in his element
cruising the back roads of Upstate New York.


These farm fields are near the St. Lawrence River. They’re ideal for hawks and owls. They’re
grassy with occasional tree stands. And they don’t get as much snow as other parts of the state.
So birds can snag the mice and voles they live on all winter long.


In no time, Gerry’s spotting raptors. There’s a hawk perched in a twisted elm…


“Yep, it’s a Red-tailed Hawk and I think it’s got prey because it’s bending down like it’s eating.”


A rough-legged hawk soars above us, black and white plumage glowing in the sun.


“The bird was just lofting along.”


A Short-eared Owl glides past a farmhouse.


“Look how that is flying. It’s flying like a big fruit bat. Cutting left across the hay bales, coming
toward the house, above the house now, and drifting left.”


Smith’s also seen a snowy owl this year. But still no sign of the Great Gray owl.


The Great Gray usually lives in the far northern forests of Canada. But this year it has flown
south to the upper Great Lakes region by the thousands. Conservation biologist Jim Duncan is a
Great Gray Owl expert with the province of Manitoba. He says the phenomenon happens
cyclically, when the Great Gray’s main food source – the meadow vole – becomes scarce.


“It’s a regular migration. It’s like a robin migrating in response to food availability, except in the
case of the Great Gray Owl, it’s a longer period of time. It’s three to five years.”


Gerry Smith’s still waiting for the Great Gray in New York. It’s been spotted just across the St.
Lawrence River in Canada.


“There’s a single Great Gray Owl on Amherst Island, but not one, as far as we know, has made it
into northern New York despite the fact that a whole lot of us have been looking.”


Now, I know you’re going to call that easy foreshadowing. But believe it or not, just an hour
later, Gerry pulls the car over, grabs his binoculars, and peers at something big perched on a tree.


“We have the first Great Gray Owl that’s made it across the border. I’ll be a son of a gun. That is
so…Now I’m very enthusiastic. Hey, I’m gonna set up my scope.”


While Gerry unpacks the telescope, a raven flies to a branch just above the owl and tries to scare
it away. Birders call it “mobbing.”


“Now don’t you mob that owl, you fiend. I think that’s what he’s thinking of doing. Watch this.”


The owl holds its ground, and Gerry gets it in the telescope’s sights.


“That is so cool. It’s not facing us, it’s back is to us, but take a look, that shape is very
distinctive.”


It’s slate gray with some brown and white, round head, stocky body, as big or bigger than the
raven.


“This has been…oh, the owl just hooted. It’s a very low guttural hoot, something like a horned
owl, only deeper.”


Just then, the owl’s finally had enough. It takes flight and drifts slow and low to a stand of trees,
likely its roost. Gerry jots down the GPS coordinates and we get back in the car.


“Well, sir, we’ll finish the route and head back, but we have had undoubtedly the high point of
the day. That’s the high point of my winter.”


This Great Gray Owl migration is the biggest on record. Biologist Jim Duncan says it’s a chance
for all eager birders to help science.


“People have a real opportunity to contribute to our knowledge of the species, be they farmers,
housewives, commuters. They don’t have to be scientists.”


You do have to be respectful, though, if you want to report Great Gray sightings to wildlife
officials. Stay off private land, don’t make noise, and keep your distance. And enjoy a rare
opportunity to see a Great Gray visitor from the North.


For the GLRC, I’m David Sommerstein.

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A Snow Sculpting Pilgrimage

  • Gary Tessier of Team Manitoba works on the team's 16-foot-high snow sculpture in Gatineau, Quebec. (Photo by Karen Kelly)

Every year, snow sculptors from the U.S. and Canada travel
to northern cities to carve huge works of art. They often depict things such as legends of sea monsters and native spirits. As the Great Lakes Radio Consortium’s Karen Kelly reports, these artists are driven by a shared passion for the outdoors:

Transcript

Every year, snow sculptors from the US and Canada travel to northern cities to carve huge works of art. They often depict things such as legends of sea monsters and native spirits. As the Great Lakes Radio Consortium’s Karen Kelly reports, these artists are driven by a shared passion for the outdoors:


(sound of chipping and scraping)


Gary Tessier is jabbing a spade into the side of a towering block of snow. He and his team are here to compete in a snow sculpture competition in Gatineau, Quebec. It’s just across the Ottawa River from Ottawa, Canada’s capital. The team has 50 hours to transform this 16 foot high block of snow into a work of art. They work from 8:30 in the morning until 10:30 at night – shoveling, scraping and sawing.


“Basically, fundamentally, you use a good sharp spade and these homemade sander kind of things. A whole variety of tools and uh, it doesn’t take much.”


The team is creating a sculpture based on a legend of a fiddler from their hometown of Winnipeg, Manitoba. The fiddler drowned in the Winnepeg River and the legend has it that people can still hear his music in the rapids. Gary uses the spade to follow the outline of a fiddle drawn in black magic marker on the snow.


“I’m working on one of the what do you call that? La manche… du violin… comment t’appelle ca? The fiddlehead! The fiddlehead. When we’re finished, hopefully it’ll be two fiddleheads and the fiddler surrounded by the water that well, he lost his life in, but went on to forever playing music.”


Gary and his sculpting partner Real Berard have been going to snow sculpting competitions for 25 years. They both work in the arts, Gary as an administrator and Real as an artist. Gary says they spend most of their time indoors, hunched over, working at a desk. Which is why he looks forward to a week outside, even if it’s 30 below.


“This is like a pilgrimage, literally, it clears my mind and clears the body, too, of all kinds of awful things. It’s just a reawakening, like a rebirth every time, it’s beautiful, it really is.”


And on the best days, Gary and Real say, the sculpture takes over.


Tessier: “You’re sort of going with the flow, going with the line and going where it’s going.”


Berard: “Yeah, and you see quite often, like we follow the lines. It seems like a snake. It wants to go someplace and there’s no way that you could… it’s stronger than your mind.”


Tessier: “Sometimes you try and fight it and don’t listen – this is really where this thing has got to go – and then ultimately it doesn’t work.”


Kelly: “That’s when you make a mistake?”


Tessier: “Yup, and it shows.”


Not that they’re that concerned about making mistakes. Of course they want the sculpture to look good, but they say they don’t care about winning, which was tough for Denis Vrignon-Tessier, Gary’s son, to accept. He’s 22 and has been with the team for 4 years.


Vrignon-Tessier: “Like at first, in a competition, I’d be like, ‘Oh, I’m going to be real disappointed if we lose,’ and stuff and then just being with them every year, they’ve just showed me that really, it’s not important.”


Kelly: “So what is it about?”


Vrignon-Tessier: “It’s about being here and spending time with them, just joking around, hearing what they have to say. Yeah.”


In the end, the sculpture has two giant violins. There’s a fiddler kneeling in front of them, playing in a swirl of water.


It doesn’t win.


The judges seem to like the sculptures with lots of details carved on them. But Gary and Real like bold, smooth shapes that will last for a while. And sure enough, after a couple days of freezing rain and warm temperatures, a lot of the detailed work on other sculptures is worn away. But the fiddler and the violins stay strong – ready to play into the spring.


For the GLRC, I’m Karen Kelly.

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