American Reviving Roman River

  • Rome is known for its many landmarks, but the Tiber River is often overlooked and neglected by its residents. (Photo by Nancy Greenleese)

When we think of Rome, we think of the Colosseum with its graceful arches and
Saint Peter’s Square, designed by Michaelangelo. We don’t often think of the
Eternal City’s oldest wonder: the Tiber River. But one American artist has. New
Yorker Kristin Jones creates public art that often focuses on nature and time. She
has found a muse in the trash-filled Tiber and wants to clean it up starting with a
small stretch. Nancy Greenleese reports from Rome:

Transcript

When we think of Rome, we think of the Colosseum with its graceful arches and
Saint Peter’s Square, designed by Michaelangelo. We don’t often think of the
Eternal City’s oldest wonder: the Tiber River. But one American artist has. New
Yorker Kristin Jones creates public art that often focuses on nature and time. She
has found a muse in the trash-filled Tiber and wants to clean it up starting with a
small stretch. Nancy Greenleese reports from Rome:


Along the Tiber, it’s “pazzo,” or crazy. Motorscooters and cars whip by near a
bridge that spans the river. Kristin Jones stands here, gazing down at the far more
tranquil river below. She decides to head down the stairs:


“We’re descending 36 feet below the street level into the channel or the gully that is now
the Tiber.”


Grafitti covers the stone walls and trash bobs in the water. It’s dirty and secluded
and Jones wants to change that with the creation of a water-themed “piazza,” the
gathering places that dot Italian cities. Jones remembers when she first saw the Tiber.
It was 1983 and she’d just arrived in Rome on a Fulbright scholarship:


And as a New Yorker I said to myself, “Oh my God. There’s something parallel here?
What is this?”


And then it hit her like a vision from the nearby Vatican:


“This is like a Central Park. Central Park is such an abstract miracle, I mean, it’s really
nature in the middle of the city and you walk there and you see leafs tremble and you see
real grass and you see a real squirrel. You even can collect mushrooms in Central Park.”


Jones could collect an impressive collection of beer bottles here. Homeless people are
camped nearby and the stench of urine is overpowering. Italian have little love for the
Tiber. It used to frequently flood, prompting the construction in the 1800s of walls that
hold – and hide – the river below the streets. Jones, however, wants people to visit and
appreciate the Tiber:


“Well, if you think about it, perhaps you could consider it to be the most ancient
monument in Rome (laughs).”


The city was founded along its banks nearly 3000 years ago and water has flowed
through its history. The Roman Empire’s aqueducts revolutionized water transportation.
A flooded Colosseum once held mock sea battles. Today, Jones says tourists still come
for the water:


“The fountains in, throughout the historic city have always been a sort of showy element
of power and exuberance and fun and yet the main artery is completely neglected.”


Until now.


(Mariamba music)


Locals and tourists stroll along the proposed piazza on a recent evening. Jones’ group
group Tevereterno, or Eternal Tiber, organized this event to promote the 600 meter
stretch. Supporters would like it to eventually host modern art exhibits and conferences
focused on water. Tonight, musicians perform and more than 1000 candles line the
river’s banks. Allegra Zapponi checks out the scene and reflects on what the Tiber means
to Italians:


“I think in the last 50 years of the last century, like the place for the rubbish. Everything
that you want to give away, you throw it in the river (laugh).”


But Kristin Jones and her supporters believe that the piazza would be a tributary for
getting people to the river and encourage its cleanup. However, arts advocate Luca
Bergamo, who has worked for two mayors, says Jones’ enthusiasm might not be enough
to get the project afloat:


“The biggest challenge is that you don’t find people investing in risky things in this
country. This is not risky but it’s unknown, not understood.”


Change is resisted in Italy, a country often strangled by its historic past. And politicians
can’t justify spending money on the Tiber when resources are scarce for more famous
monuments.


As couples at the party listen to an avante garde audio composition, attitudes might be
changing. The city has added the proposed renovation of this stretch of the Tiber, the
Piazza Tevere, to its new city plan. Jones says it’s time to hand the project over to
Italians:


“They’re all applauding me and trying to get me to keep doing it. And I keep trying to
step back and say, ‘It’s YOUR river. Hallelujah! See the potential, see the potential. I see
the potential.'”


She has agreed to plan next year’s celebration on the Tiber. In the meantime, there’s a
reminder of what could be. Jones has surreptitiously posted on the river’s embankment a
replica of the stone signs that mark Rome’s piazzas and streets. It says “Piazza Tevere.”


For the Environment Report, I’m Nancy Greenleese.

Related Links

Urban Artists Fight for Graffiti

  • Graffiti artist Juan Carlos Noria imagines his artwork as a gift to the community. Artwork provided courtesy of JCN at them-art.com

Graffiti has been a part of urban life since ancient times. There’s also a long history of trying to get rid of it. In many North American cities, civic leaders are experimenting with new ways to eradicate graffiti. But as the Great Lakes Radio Consortium’s Karen Kelly reports, urban artists are determined to keep it alive:

Transcript

Graffiti has been a part of urban life since ancient times. There’s also a long history of
trying to get rid of it. In many North American cities, civic leaders are experimenting
with new ways to eradicate graffiti. But as the Great Lakes Radio Consortium’s Karen
Kelly reports, urban artists are determined to keep it alive:


About twenty artists, most of them men, spread out on either side of a canvas wall set up
in the middle of a parking lot. They wear baggy jeans, baseball caps and gas masks. The
ground is littered with spray paint cans as they splatter color across the canvas.


(sound up)


The artists build on each other’s ideas. Horizontal purple stripes are transformed into an
exotic bird. Pen and ink drawings peek out beneath layers of orange and brown, slowly
disappearing under the paint. This is Ottawa’s first graffiti fest, organized by
local artist Juan Carlos Noria. He arrives by bicycle, wearing splattered jeans and
carrying two backpacks stuffed with spray paint.


“This is our way of giving back to the city true expression and unfortunately I do agree that some of it
is ugly but it’s like a hammer, you know? It’s a tool for building or destroying.”


Noria is a full-time artist who sells oil paintings and sculptures. But his best known work
might be his graffiti. He creates detailed pen and ink drawings on white paper. Then,
late at night, he glues them to downtown buildings.


His drawings depict the plight of humans in the modern world. One shows a man using
one hand to pour coffee into his mouth, as he pounds a hammer with the other.
Another depicts a person surrounded by bubbles representing thought – about money,
heartbreak, and the passage of time.


For Noria, this sort of unexpected art is comforting in a city that prides itself on
cleanliness.


“My living room isn’t this clean, you know? And a lot of these Ottawa streets are super
clean. In an alley that is vacant, it’s almost like a mark that a human being has been there
and I think that’s important, you know?”


But to many other people, graffiti is a sign of crime, decay and danger. That’s prompted
Ottawa to join other North American cities in introducing a graffiti management policy.
The plan includes a special phone line to report graffiti and tougher fines for those who
are caught.


The city estimates it spends about 250 thousand U.S. dollars cleaning up graffiti on city
property every year.


Paul McCann is head of Ottawa’s surface operations office. He says the biggest problem
is tags – initials or names scrawled in marker.


“I’m not talking about the nice graffiti art that a lot of people appreciate but the problem
is the tagging. Some of it is gang related. It’s not in the right place, it is considered
vandalism if you don’t have permission.”


McCann says there’s been a sharp increase in tagging. And it can make residents, and
tourists, feel unsafe. But he draws a distinction between the taggers and the so-called
serious artists.


While graffiti will never be tolerated in places like the parliament buildings, McCann is
looking for areas where graffiti can flourish, such as skateboard parks. It’s a strategy
that’s been used in other cities, including Toronto and Montreal. And it’s something Juan
Carlos Noria is eager to support.


“Graffiti is a movement of the youth. We must embrace it, say it’s not going to go away
so let’s give them spaces to work in and I think that by offering them these spaces, the
older artists will realize these are gifts, so they will in turn speak to the younger artists and
educate them and that’s what it’s all about.”


For Noria, graffiti offers a public venue to vent his frustration about pollution, capitalism,
and the ubiquity of advertising. Not long after the graffiti fest, one of his works
appeared on the wall of an abandoned theatre. It depicts an angel imagining a beautiful
gift as it sends a spray of paint onto the building.


For the Great Lakes Radio Consortium, I’m Karen Kelly in Ottawa.