Tag: drown

Native Americans Lose Land to Climate Change

  • Choctaw Chief Albert Naquin has watched his tribe's island - the Isle de Jean Charles - go from four miles across to a quarter mile across. (Photo by Samara Freemark)

Over the next century, rising
sea levels will change coastlines
all over the world. But the impact
might be most dramatic in South
Louisiana. A study out last month
predicts the state will lose up to
5000 square miles in the next
century – a chunk of land the size
of Connecticut. If the report’s
authors are right, that means a
lot of people in Louisiana are
going to have to relocate – become
climate refugees. Samara Freemark has the story of one of
the first communities to be displaced:

Transcript

Over the next century, rising sea levels will change coastlines all over the world. But the impact might be most dramatic in South Louisiana. A study out last month predicts the state will lose up to 5000 square miles in the next century – a chunk of land the size of Connecticut. If the report’s authors are right, that means a lot of people in Louisiana are going to have to relocate – become climate refugees. Samara Freemark has the story of one of the first communities to be displaced:

It was sometime in the mid-1970s that Albert Naquin first realized that Isle de Jean Charles was sinking. Naquin had grown up on the island. He’s the chief of a group of Choctaws who have lived there since the 19th century – and when he was a kid, it was a pretty good community: it had stores, a couple of churches, horse pastures and fields. But those are all gone now.

“Salt water kept coming in, faster and faster, and now it’s basically just beach.”

Isle de Jean Charles is sinking into the Gulf of Mexico.

The list of reasons why is long. There’s subsidence- that’s the natural phenomenon where delta regions kind of settle down on themselves. There are the dams that block the sediment that used to wash down and build the land back up. There are oil company canals that slice through the wetlands, hurricanes that tear up the island’s coastline, and, of course, there’s rising sea levels.

All together they explain why Isle de Jean Charles used to be about 4 miles across and now has shrunk to a quarter mile.

“Now, we see the disaster that is Isle de Jean.”

We’re in Naquin’s pickup truck, and he’s driving me out to the island.

“See this little house moved across the way, this house. These 1, 2, 3 are deserted.”

Naquin himself moved off the island awhile ago. But for years he was happy to support families who chose to stay. In fact, when the US government came to him in 2002 and offered to pay to help people move off the island, he resisted.

“So, I said, ‘what they gonna do, tell us they’re gonna move us there and then next thing send us a bill for the house?’ You know, so I said, ‘no, that’s just a modern day Trail of Tears. We’re not moving.’”

But lately Naquin has just gotten tired. Tired of evacuating people before storms, tired of helping them rebuild after, tired of watching the sea nibble away at the island.

And so he decided – enough. For the past year he’s been on a mission to convince the 25 families still living on the island to abandon it.

“They’re not going to save the island. It’s going to be gone. Either we move now or we move later, ‘cause we will move.”

But not everyone is ready to leave.

(sound of greeting and talking)

Naquin pulls over to talk to Dominique Dardar.

Dardar’s house was leveled by Hurricane Gustav last summer. He’s rebuilding it with pieces of other houses he’s found blowing around the island- bits of roof and siding. Dardar says he’s not moving.

“I ain’t never gonna move. I’m gonna stay over here. That’s my territory.”

Across the street Wenselas Billiot lives in a house raised 13 feet in the air.

Billiot is Naquin’s brother in law. He’s in his 80s and has lived on the island his whole life. I ask him what he’ll do if the island shrinks any more.

“That’s going to be rough. But, as long as I can stay, I’ll stay. I was born and raised on the island. As long as I can stay here I’m going to stay.”

Albert Naquin hasn’t given up. He thinks if he can get everyone to agree, the government will help the tribe get a big piece of land where they can all relocate as a group. He’s already thinking of names for the new town.

“We could say, Island Number Two, or Isle de Jean Charles New Beginning, or something like that. But I think we just name it Isle de Jean Charles 2. I think that has a good sound to it.”

In short, Naquin is trying to figure out how to keep the idea of Isle de Jean Charles alive, even when the island itself no longer exists.

It’s a challenge many Louisiana communities could soon face.

For The Environment Report, I’m Samara Freemark.

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Polar Bear Protection Spurs Lawsuits

  • The polar bear is now listed as a threatened species (Photo courtesy of the US Fish and Wildlife Service)

The federal government has announced that
it’s listing the polar bear as a threatened species.
Biologists say the rapid loss of sea ice from
the warming climate is putting the bears at risk.
Mark Brush reports the government is now facing
legal action from some conservative groups:

Transcript

The federal government has announced that
it’s listing the polar bear as a threatened species.
Biologists say the rapid loss of sea ice from
the warming climate is putting the bears at risk.
Mark Brush reports the government is now facing
legal action from some conservative groups:

In the announcement Secretary of the Interior Dick Kempthorne tried to make it clear –
the listing doesn’t mean the government is regulating greenhouse gases. He says the
listing can’t be used to stop oil and gas drilling or to go after industries for releasing
carbon dioxide.

Reed Hopper is the principal attorney for the Pacific Legal Foundation – a conservative
public interest group. He says he still expects lawsuits from environmentalists. And that
the Secretary can’t control how the courts will interpret the new listing.

“If the activists are able to use this as they intend, to challenge industrial activity in the
United States, the ultimate effect on the average person is going to be an increase in
energy costs, transportation, fuel, food and housing.”

Hopper says his group is planning to go forward with a lawsuit of their own – opposing the listing.

For The Environment Report, I’m Mark Brush.

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A Snow Sculpting Pilgrimage

  • Gary Tessier of Team Manitoba works on the team's 16-foot-high snow sculpture in Gatineau, Quebec. (Photo by Karen Kelly)

Every year, snow sculptors from the U.S. and Canada travel
to northern cities to carve huge works of art. They often depict things such as legends of sea monsters and native spirits. As the Great Lakes Radio Consortium’s Karen Kelly reports, these artists are driven by a shared passion for the outdoors:

Transcript

Every year, snow sculptors from the US and Canada travel to northern cities to carve huge works of art. They often depict things such as legends of sea monsters and native spirits. As the Great Lakes Radio Consortium’s Karen Kelly reports, these artists are driven by a shared passion for the outdoors:


(sound of chipping and scraping)


Gary Tessier is jabbing a spade into the side of a towering block of snow. He and his team are here to compete in a snow sculpture competition in Gatineau, Quebec. It’s just across the Ottawa River from Ottawa, Canada’s capital. The team has 50 hours to transform this 16 foot high block of snow into a work of art. They work from 8:30 in the morning until 10:30 at night – shoveling, scraping and sawing.


“Basically, fundamentally, you use a good sharp spade and these homemade sander kind of things. A whole variety of tools and uh, it doesn’t take much.”


The team is creating a sculpture based on a legend of a fiddler from their hometown of Winnipeg, Manitoba. The fiddler drowned in the Winnepeg River and the legend has it that people can still hear his music in the rapids. Gary uses the spade to follow the outline of a fiddle drawn in black magic marker on the snow.


“I’m working on one of the what do you call that? La manche… du violin… comment t’appelle ca? The fiddlehead! The fiddlehead. When we’re finished, hopefully it’ll be two fiddleheads and the fiddler surrounded by the water that well, he lost his life in, but went on to forever playing music.”


Gary and his sculpting partner Real Berard have been going to snow sculpting competitions for 25 years. They both work in the arts, Gary as an administrator and Real as an artist. Gary says they spend most of their time indoors, hunched over, working at a desk. Which is why he looks forward to a week outside, even if it’s 30 below.


“This is like a pilgrimage, literally, it clears my mind and clears the body, too, of all kinds of awful things. It’s just a reawakening, like a rebirth every time, it’s beautiful, it really is.”


And on the best days, Gary and Real say, the sculpture takes over.


Tessier: “You’re sort of going with the flow, going with the line and going where it’s going.”


Berard: “Yeah, and you see quite often, like we follow the lines. It seems like a snake. It wants to go someplace and there’s no way that you could… it’s stronger than your mind.”


Tessier: “Sometimes you try and fight it and don’t listen – this is really where this thing has got to go – and then ultimately it doesn’t work.”


Kelly: “That’s when you make a mistake?”


Tessier: “Yup, and it shows.”


Not that they’re that concerned about making mistakes. Of course they want the sculpture to look good, but they say they don’t care about winning, which was tough for Denis Vrignon-Tessier, Gary’s son, to accept. He’s 22 and has been with the team for 4 years.


Vrignon-Tessier: “Like at first, in a competition, I’d be like, ‘Oh, I’m going to be real disappointed if we lose,’ and stuff and then just being with them every year, they’ve just showed me that really, it’s not important.”


Kelly: “So what is it about?”


Vrignon-Tessier: “It’s about being here and spending time with them, just joking around, hearing what they have to say. Yeah.”


In the end, the sculpture has two giant violins. There’s a fiddler kneeling in front of them, playing in a swirl of water.


It doesn’t win.


The judges seem to like the sculptures with lots of details carved on them. But Gary and Real like bold, smooth shapes that will last for a while. And sure enough, after a couple days of freezing rain and warm temperatures, a lot of the detailed work on other sculptures is worn away. But the fiddler and the violins stay strong – ready to play into the spring.


For the GLRC, I’m Karen Kelly.

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