Big Apple Tree-Huggers

  • One NYC artist recruited arborists and neighbors to record messages about the city's trees. She placed markers in the cement listing numbers to call to hear the recordings. (Photo by Samara Freemark)

Trees along big city streets have a rough
life. Between pollution, development,
and vandalism, street trees die off at
a pretty alarming rate. One New York
artist thinks if people knew more about
street trees, they’d appreciate them more –
and treat them better. Samara Freemark reports from New York’s “Tree
Museum”:

Transcript

Trees along big city streets have a rough
life. Between pollution, development,
and vandalism, street trees die off at
a pretty alarming rate. One New York
artist thinks if people knew more about
street trees, they’d appreciate them more –
and treat them better. Samara Freemark reports from New York’s “Tree
Museum”:

When artist Katie Holten was commissioned to do a piece commemorating Grand Concourse boulevard in the Bronx, the first thing she thought of was trees. The Concourse, after all, is lined with them. The problem was, no one else seemed to notice they were even there.

“I had conversations with people who were sitting under the trees for the shade. And I’d ask them about what they thought of the trees. And they would say, ‘oh, there aren’t any trees on the concourse.’ But they were sitting underneath one.”

And if people did notice the trees, they weren’t always thrilled they were there.

“Kids told me that trees should all be chopped down because they couldn’t see the view. A teacher told me that all trees were the same, that there was only one kind of tree.”

People didn’t pay much attention to the trees. When they did, they often abused them – which is pretty common treatment for the trees that line city streets. People pin street trees with flyers. They spray trees with grafitti. They chain their bikes around trees, stripping their bark. City buses jump curbs and plow into trees. And developers chop them down to put up new buildings.

“You can’t just stick a tree in the ground and hope for the best. It’s a really tough environment.”

In fact, half of all trees planted in New York City die.

Holten figured one way to protect street trees was to get people to understand all the good that trees do.

So she recruited arborists and neighbors to record messages about the Grand Concourse’s trees. She placed markers in the cement listing numbers to call to hear the recordings. And she called the whole thing the Tree Museum.


“There are 100 trees along the 4 miles. And each of the trees gets a small marker. So we can walk up here to 165th street and I’ll show you one. Here’s one of the markers- nice and dirty.”

(sound of dialing in)

We dial and hear…

“I’d like to a moment to say thank you to this tree. This tree is busy cooling the air and helping to keep the river clean. The leaves in the canopy above are pulling water out of the air, reducing humidity, like an AC.”

It’s not really clear how many people are actually calling in to the museum, or whether the recordings are changing anyone’s mind. But it’s a start.

Joyce Hoagy lives further up the Concourse. She recorded a message for tree number 31. And now she feels kind of possessive of it.

“This is my tree. It’s a honey locust and I’m identified by it.”

Hoagy says Bronx trees have been under particular threat lately. This year the city cut down hundreds of mature oaks to make room for the new Yankees stadium.

“One street had these giant oaks, and they formed this canopy. And on the hottest day of the year you could walk down…people didn’t know what they had till it was gone.”

So now Joyce Hoagy’s spreading the word about the Tree Museum too. She hopes it will give her neighbors a hundred reasons to care about trees around them – and watch out for them.

For The Environment Report, I’m Samara Freemark.

Related Links

Protecting Art From Climate Change

  • Climate change can affect temperature and humidity. And those changes can damage art. (Photo source: Aude at Wikimedia Commons)

Preservationists are worried climate
change could destroy valuable art
and cultural artifacts. Kyle Norris
reports thay are looking at ways to
protect these valuables:

Transcript

Preservationists are worried climate
change could destroy valuable art
and cultural artifacts. Kyle Norris
reports thay are looking at ways to
protect these valuables:

Climate change can affect temperature and humidity. And those changes can
damage art. Debbie Norris is the chair of the art conservation department
at the University of Delaware.

“Fluctuations in temperature and relative humidity can cause art
materials to crack and craze and deteriorate over time.”

Changes in the weather can also cause biological growth on artifacts. So,
for example, mold can grow on old photos or damage historic documents.

Some buildings that house art are very old and made of stone or wood.
Those building materials are deteriorating faster than they have in the
past. And many of those buildings are not equipped with heating and
cooling equipment advanced enough to control the climate inside the
buildings. That puts the collections they house at risk.

For The Environment Report, I’m Kyle Norris.

Related Links

On Board ‘The Waterpod’

  • The pod docked at the Worlds Fair Marina in Queens. (Photo by Samara Freemark)

So, maybe you think you do good
by the environment. Maybe you buy
local, maybe you go to the farmers’
market, maybe you even walk to work.
But you’ve probably got nothing on
the crew aboard the Waterpod – a
converted barge anchored in New York
City. Samara Freemark
went to the Pod to see just how
sustainably people can live:

Transcript

So, maybe you think you do good
by the environment. Maybe you buy
local, maybe you go to the farmers’
market, maybe you even walk to work.
But you’ve probably got nothing on
the crew aboard the Waterpod – a
converted barge anchored in New York
City. Samara Freemark
went to the Pod to see just how
sustainably people can live:

When I caught up with the Waterpod barge, it was docked at a marina right next to
Laguardia Airport.

(sound of a plane)

That’s the sound of people and products moving all around the world.

But on board the Waterpod, four artists have spent the summer living locally – about as
locally as a group of people can possibly live. They’ve been surviving almost entirely on
what they can make, grow, or gather on a 3000 square foot barge.

Which is where I found artist and Waterpod creator Mary Mattingly.

“Hi.”

Last spring, Mattingly and some friends rented the barge and spent a month converting it.
They built a kitchen, 4 bedrooms, gardens, and a whole lot of alternative energy and
water systems. They wanted to see whether they could create a floating self-contained
ecosystem – one that could adapt to a future where resources were scarce and rising sea
levels had swamped coastal regions.

“We’re probably going to need to find new ways to make land that’s usable. So can you
just recreate it on a platform like this? So what’s the answer? I think so.”

Waterpod launched in June. It’s been traveling to docks in the New York City area since
then. The barge is towed around by tugboats – not exactly a sustainable energy source,
true, but the crew does pretty well producing just about everything else.”

We have 33 vegetables and 2 fruits. In this garden we’re growing kale, potatoes,
tomatoes.”

There’s also a coop for 4 chickens, which each produce an egg a day.

“Their names are Gilly, Rizzo, Marble and Bonzai.”

Between the chickens and the gardens, Mattingly says Waterpod is almost self-sufficient
for food. The barge gets its water from collected and purified rain.

“We get enough water barely. We are very close to not having enough water. We only
use a 55 gallon jug of water a day. So split between four people that’s about maybe 10
gallons a day at the most. So we’re taking really short showers.”

Solar panels and a power-generating stationary bike provide energy – enough to power
the lights and the fridge and an impressive collection of laptop computers. The crew uses
those to collect and analyze data on how their various survival systems are functioning.

Crew member Ian Daniels says the data could eventually be used not just by people
embarking on radical living experiments – but also by regular folks who just want to
make their homes a little more sustainable.

“We have 3000 square feet here. So what would happen if you cut that in half? Or a
third? What can I use that space for? Maybe you’re growing food on your roof or in your
window. Maybe you just take this example and take it down a notch, just do what’s
plausible in your own world.”

The Waterpod experiment is ending. So, I asked the crew for the biggest lesson they
learned this summer about living sustainably. Was it about energy conservation? Or, a
new method for collecting rainwater? Actually, Mattingly told me, it was mostly about
getting along with other people.

“I guess I didn’t really consider what it would be like to live in such a small space for
such a long time with other people and the psychology of that became a really interesting
part of the day to day life, and how we managed to make that work and how we would
have to have that dinner every night to reconnect and get back together.”

Which, she says, is a lesson that translates pretty well back on land.

For The Environment Report, I’m Samara Freemark.

Related Links

Company Trash, Classroom Treasures

  • Anita Gardner (right) and Shirley Ellington of the Discovery Center of Cleveland rummage through boxes at ZeroLandfill. (Photo by Julie Grant)

Furniture stores and architectural
firms get a lot of samples – of fabric,
tiles, and carpet. Those samples can
pile up. Usually, they get thrown in
the trash. But, in some cities, they
are starting to make unused design
samples available to artists and art
teachers. Julie Grant has more:

Transcript

Furniture stores and architectural
firms get a lot of samples – of fabric,
tiles, and carpet. Those samples can
pile up. Usually, they get thrown in
the trash. But, in some cities, they
are starting to make unused design
samples available to artists and art
teachers. Julie Grant has more:

(sound of Anita looking thru boxes)

Anita Gardner is rummaging through boxes of old tile samples. They’re still attached to those three-fold sample books you’d see at a design store. But she’s imagining what else the kids at her community center might make with them.

“You have to see it first, sometimes. Sometimes it doesn’t come. It comes later and then you go, ‘we can do this and we can do that.’”

Gardner is at a special event called ZeroLandfill. Furniture stores, architects and design centers can drop off unwanted materials, and people like Gardner can take whatever they want – for free.

“This has been a godsend to us, because we really don’t have a lot of money to spend on arts and crafts.”

Last year, she found a lot of unused fabric – so she taught the kids at her center to sew quilts.

“And a lot of children in our community have never even threaded a needle. Now they’re learning to use sewing machines. They’re learning to piece all types of fabric together. They’re learning patterns and designs. They have no idea, they’re actually learning math.”

And in inner city neighborhoods, where kids can go to bed cold in the winter, Gardner is especially pleased that she’s started a quilt-making trend. It also warms the hearts of the folks who organize ZeroLandfill.

David Fox helps to run these events in Cleveland.

“A lot of samples end up just being discontinued and then, where does this all go? And it ends up being thrown out a lot of time. Or – they just have so much stuff they just keep hoarding and hoarding and hoarding.”

About five years ago, some folks at architecture and design firms around Cleveland, as well as a carpet company, all started talking about what to do with their unwanted material. They were spending a lot of money to send it to the landfill. So they held a one-day drop-off for companies to recycle it.

Fox says they soon realized their trash might be treasure to artists and art teachers.

“It was a program that started as a one-day thing. Firms were able to come and drop stuff off. But it has turned into a yearly process and now it’s even gone to other cities.”

Fox says they’ve already saved more than 100 tons of material from going to the landfill.

Arts and crafts teacher Anita Gardner says it’s also provided innumerable lessons for kids and teenagers at her community center.

“They see now that anything can be art. Anything can be a craft. And it doesn’t have to cost a lot to be beautiful.”

ZeroLandfill has been training architecture and design firms how to organize these events regularly. They’re now held annually in cities around Ohio – and new ZeroLandfills are being held in Minneapolis, Louisville and Boston this year.

For The Environment Report, I’m Julie Grant.

Related Links

Hip Hop Artists Tackle Environmental Issues

  • Some Hip Hop artists are using their music to reach people about environmental issues affecting their communities (Photo source: Lestat at Wikimedia Commons)

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Transcript

When many people think of songs about the environment, they conjure up visions of folk singers and acoustic guitars. But the environment is becoming a more prevalent issue among Hip-Hop artists. Lester Graham reports they’re looking at the issue and how it affects their lives directly:

Environmentalists are often portrayed as treehugging elitists by conservative talk show hosts – and others.

That image really was never accurate, but the environmental movement is becoming more diverse. The environmental issues are becoming increasingly important to a wider swath of society.

Mike Cermack is a consultant for Boston’s public schools. He helps teachers figure out the best ways to teach classes such as environmental science.

He’s come to the conclusion that music can go a long way in getting the attention of kids in the classroom – especially since Hip-Hop artists started tackling the environment and not just as some distant ‘polar bears and butterflies’ issue.

“We really want to start at the corner store and ask deep questions like, ‘why isn’t there any fresh produce? Is that linked to the fact that diabetes and obesity is kind of rampant in our neighborhoods and in our families?’”

As people living in inner cities Cermack says – artists such as Mos Def did it in his song ‘New World Water.’

(clip of Mos Def song)
And it’s not just those big nationally known artists.

Mike Cermack says he stumbled into Boston’s local ‘green Hip-Hop’ movement by working with activists who were trying to stop a power plant from being built next to an elementary school.

“In talking with them further and getting to know them, also many of them turned out to be these really talented MCs, these talented lyricists who are using the new knowledge that they found working with the non-profits and kind of weaving those into their more traditional narratives of ‘this is what’s wrong with street/urban issues; this is what’s wrong with all the gangsters around/in my city.’ They’re saying how can we also bring in these environmental issues.”

And those artists are pulling in friends and bringing a whole lot of street cred to environmental issues.

Tem Blessed and Ben Gilbarg called in some of their Boston friends to perform ‘Green Anthem.’

(clip of ‘Green Anthem’)

“They’re staying true to their roots as kind of the voice social injustice and speaking out against urban problems and they’re really mixing it up with a lot of environmental issues.”

Mike Cermack says he’s been working to get students interested in environmental issues in the classroom, but Hip-Hop artists such as J-Live and Thes One get it done in a way the students know.

“They’re already used to loving the hip-hop tracks. And they know the MC. You know, it’s more important that the MC is from the community. That’s another big piece. I think it’s a really interesting start to this green hip-hop potential.”

For The Environment Report, I’m Lester Graham.

Related Links

Wanted: Affordable Art Space

  • Back in 2000, Laura Weathered and fellow artists were drafting what their artist community would look like. (Photo by Lester Graham)

When artists make a check-list for the ideal place to live – they add things the average family
might not, like plenty of work space and being close to other artists and galleries. Big cities
usually offer all the things on that list – but there’s a problem. Big-city real estate prices have a
habit of rising quickly – and pricing artists out. Shawn Allee found artists who’ve tried to stay
put:

Transcript

When artists make a check-list for the ideal place to live – they add things the average family
might not, like plenty of work space and being close to other artists and galleries. Big cities
usually offer all the things on that list – but there’s a problem. Big-city real estate prices have a
habit of rising quickly – and pricing artists out. Shawn Allee found artists who’ve tried to stay
put:

Laura Weathered began her career in painting in Los Angeles.

It was tough enough finding her muse – but it was also tough finding places to live that stayed
affordable.

“This kind of history of settling into a space and then the neighborhood going through
gentrification was chasing me all over L.A.”

Fed up, Weathered left for Chicago.

Before long, she found some Chicago artists had the same problem – rents and home prices just
weren’t stable.

Weathered and fellow artists got tired of toughing it – so about thirty of them put their heads
together and looked into buying property – to live in, to work – and maybe share with artist
groups, too.

“And someone’s comment was, You know, this is going to cost more than a million
dollars – who’s going to rent a bunch of flaky artists a million dollars?”

But then they did some back-of the napkin kinda math.

“We had a everyone go around the room and, What are you paying for rent? And that
was the Aha moment – collectively we could afford much more than a million dollars,
because that’s what we’d been paying all along.”

It took almost ten years to dig up funding and expertise, but eventually – they transformed a
former metal-stamping factory into artist housing, studio and office space.

People have been living in the artists’ community for five years now.

When you walk around, you see paintings in some loft windows and sculptures near the front
step.

Weathered shows off some shared gallery space.

“So, this is really important. You can bring test audiences in and see how it plays and get
feedback and the like without taking huge risks.”

All this is great – but the big idea was to make the space stay affordable for artists and artist
groups. So far, it’s worked.

“We can stay here a long time.”

This is Denise Zaccardi.

Zaccardi runs the Community TV Network. It has offices at the Bloomingdale Arts Building.

The network teaches low-income teens how to produce news, TV and documentaries. Zaccardi
says arts organizations like hers can benefit from this stability.

“Kids can tell their brothers and sisters down the line we’re here – we’re not moving
every three years, which is a common thing for people who rent, especially for artists.”

So, sounds like everything is an artist’ dream, right?

Well, like in other condo-associations, members have fought over repair costs. And artists who
own their units can only sell them to other artists. Plus, if they do sell … their profits are
capped. That’s made the units much lower in value compared to their neighbors’.

Laura Weathered says there’ve been second thoughts.

“I think some people are saying, ‘Did I agree to this too quickly?’ because it’s restrictive,
but the agreement originally was that we wanted an artist community and not just for one
generation for the future.”

Weathered says the idea was to keep units affordable for artists – and that’s been the case for
five years.

She says it’s not perfect, but if it works for a decade or two more, it might be a model for other
artists to follow.

For The Environment Report, I’m Shawn Allee.

Related Links

Nature on a Concrete Canvas

  • Artist Christopher Griffin, the owner of the house, uses a long smooth bone to draw a picture after each swipe of the trowel (Photo by Karen Kelly)

Sometimes cities can seem like drab, impersonal places. But every once in a
while, you see a building that stops you in your tracks. Karen Kelly tells a story about a house designed to do just that:

Transcript

Sometimes cities can seem like drab, impersonal places. But, every once in a
while, you see a building that stops you in your tracks. Karen Kelly tells a story
about a house designed to do just that:


(sound of construction and trucks)

When you first see it, you’re just not sure.

A two-story house is being covered with marks etched in concrete.

Is it intentional? Or just a layer of construction?

Then you see a large black figure on the west side of the house and realize- oh, it’s
a whale. Waves are etched in the concrete around it. Walk around the corner and
you see flocks of birds flying over roughly drawn buildings.

(sound of scraping)

And just past the birds, there are three men working silently on a platform. Two
are spreading layers of fresh concrete.

The third is artist Christopher Griffin, the owner of the house. He uses a long
smooth bone to draw a picture after each swipe of the trowel – and before the
concrete sets.

He says he has to work fast.

“They would scrape the mud on and I would be going around them, over top of
them, actually right behind their trowel and there’s no chance to stand back; there’s
no chance to second guess.”

Griffin has been a professional artist in Ottawa, Canada for almost twenty years.

Griffin’s motivation was simple: his house really needed a new exterior. But the
regular stuff that people put on their houses didn’t feel right to him.

Instead, he thought he’d try some drawings like he’d seen in a photo of mud huts in
Africa.

“It was irregular; it was organic; it wasn’t pristine; it wasn’t crisp; it wasn’t
heartless. And that sort of quality was something I was after.”

(sound of chatting and scraping)

But while Griffin had this vision of giant sunflowers and caribou, contractors had
no idea what he was talking about.

Several told him it couldn’t be done.

Dan Charette is part of a team that was willing to give it a try.

“It’s a fantastic opportunity to bring our craftsmanship to a different level. There’s
a whole other creative level to what we do here with constructive behaviors, so it’s
really a lot of fun.”

For instance, the contractors suggested adding fly ash to the cement. It’s a
byproduct of burning coal and it also makes the cement more elastic.

Griffin liked that it was more environmentally friendly.

He also recycled building materials and added solar panels. But usually that’s not
what people see.

He says what really makes him feel good is when people just stop and stare.

“Absolute strangers stopping their cars, getting out and having a look. There’s a
teenage skateboarder who stopped and said, ‘Wow, awesome house.’”

Griffin says, in that way, his house has become a public space.

In fact, he argues everyone’s house is a public space.

And he suggests people think about what they want their house to say to someone
walking by.

For The Environment Report, I’m Karen Kelly.

Related Links

Downtowns Make Room for Artists

  • James Abajian is an artist who lives in Elgin, Illinois. His entire apartment is stuffed with tools, paint, and works like this one. (Photo by Shawn Allee)

The stereotype of the
starving artist isn’t always true,
but, let’s face it, some artists
have a tough time finding affordable
places to both live and work. Shawn
Allee reports how one city’s
trying to solve this problem while
revitalizing its downtown:

Transcript

The stereotype of the
starving artist isn’t always true,
but, let’s face it, some artists
have a tough time finding affordable
places to both live and work. Shawn
Allee reports how one city’s
trying to solve this problem while
revitalizing its downtown:

The City of Elgin Illinois has a housing crisis – not so much for average residents, but for
some artists.

It’s not that they’re homeless, it’s just, well, to understand. It helps to meet an Elgin
artist.

“Come on in.”

“Are you James?”

“Yeah.”

This is James Abajian.

“Don’t really mind the house, I’ve been working on a couple of projects.”

When I get in, I’m dumbstruck.

Wood sculptures cover Abajian’s floor, and his dining room has stacks of paper and
canvas, and right where most apartments would have a TV, Abajian’s got an unfinished
drawing.

“It’s like a wine glass or a martini glass, and it’s on different angles.”

“Is it a charcoal drawing?”

“Yeah, it’s charcoal.”

Abajian started art eight years ago.

He says he’d like to make a living with it and rent a fancy studio, but he’s just not there
yet.

So, he lives where he works.

“My apartment is nothing but paintings and frames.”

“I think the major space that doesn’t have charcoal or something on it is your
couch.”

“Couch. That’s about it. Yeah.”

It can take a while for artists like Abajian to hone their craft, so, they make do with space
not meant for working.

It’s enough for the city of Elgin to step in and try to help at least some artists find better
quarters. Oh, and, by the way, the city thinks the solution might solve a problem it has,
too.

Ed Schock is Elgin’s mayor.

I find him downtown, outside a two-story brick building.

“So, where are we, Mayor?”

“We are looking at the Elgin Community College downtown campus building.”

Schock is considering whether this building might work as an artist colony – a place
where Elgin artists could afford to live and work.

“There are an unusual number of artists here who would like to continue to do their
art, but economic reality’s set in, one of the biggest one’s is housing. Plus, just
having 45-50 residents downtown is a big plus. One of our strategic goals is to
increase the number who reside in the downtown.”

Inside, Schock and I meet staffers from a non-profit group that’s helping Elgin develop
artist housing.

(sound of walking up stairs)

They’re with ArtSpace of Minnesota.

ArtSpace wants to see the building first-hand – they need to make sure it’s the best fit for
Elgin and the artists.

Wendy Holmes says lots of cities want artists to make older parts of town more attractive.

Holmes says it works for cities – but it doesn’t always work for artists in the long run.

“Artists have traditionally been displaced from their spaces because artists make
areas interesting and hip and desirable to move into and other people tend to move
in behind them. And those people can afford to pay higher rent therefore the artists
are usually forced out because their rents will be too high for the artists themselves
to afford.”

ArtSpace does something about that – it uses federal low-income housing credits, so rents
stay affordable, and struggling artists stick around.

Another staffer, Heidi Kurtze asks about public transit, grocery stores, and how much
light these windows get.

“You need natural light into your living space, but for artists in particular, natural
light is a critical piece for them to do the work they do.”

Kurtz takes this as seriously as a family buying a house – after all, this could be some
artists’ home for decades.

It could take two years for ArtSpace to finish its Elgin project.

Artists like James Abajain will have to make due until then.

For The Environment Report, I’m Shawn Allee.

Related Links

A Stamp of Approval

  • The 2008 Nature of America issuance, Great Lakes Dunes, is the tenth stamp pane in an educational series that features the beauty and complexity of major plant and animal communities in the United States. A description of the dunes and a numbered key to the artwork appear on the back of the stamp pane, along with a corresponding list of common and scientific names for 27 selected species. (Photo courtesy of the USPS)

The Great Lakes are getting a stamp of
approval from the Postal Service. Heidi Chang
reports there’s a new sheet of postal stamps
that celebrate the region:

Transcript

The Great Lakes are getting a stamp of
approval from the Postal Service. Heidi Chang
reports there’s a new sheet of postal stamps
that celebrate the region:

The new sheet of stamps is the latest in the Postal Service’s “Nature
in America” series.

John Dawson created the painting depicted on the sheet of stamps. It
features 27 different kinds of plants and animals found in the Great
Lakes Dunes.

Dawson says he hopes the stamps will make people more aware of the
beauty of the dunes, and the need to save the whole environment.

“The animals, the plants, the flowers, the bugs, it’s all inter-related.
That’s what’s important about showing this stuff – that it’s important to
keep the environment intact, because there’s so many things that
depend on each other.”

Dawson has designed all ten of the Nature of America series. But this
one is special to him because he started his career living in the Great
Lakes region.

For The Environment Report, this is Heidi Chang.

Related Links

Nature’s Little Architects

  • The nest of a Swainsons warbler. (Photo by Judith McMillan)

Some of the world’s most intricate
architecture is not always constructed by
humans. Sometimes the most skilled architectural
wonders are designed by nature. Gretchen Cuda reports on an exhibit that celebrates
birds’ nests:

Transcript

Some of the world’s most intricate
architecture is not always constructed by
humans. Sometimes the most skilled architectural
wonders are designed by nature. Gretchen Cuda reports on an exhibit that celebrates
birds’ nests:

Judith McMillan didn’t find her inspiration in tree branches. She found it in the
basement of the museum where she works. She was rummaging through drawers
there when she came across a hundred-year-old collection of bird nests.

“This Museum must have 10 cabinets full of bird’s nests.”

She was fascinated and immediately knew she had a new subject for her art.

McMillan is a photographer who has been volunteering at the Cleveland Museum of
Natural history for 20 years. In her latest exhibit, titled “Nesting”, she captures some
of natures most inspiring, and often overlooked architecture – the nests of birds.

(sound of exhibit crowd)

“I was looking for nests that were different from each other so that you could see that
these birds were little architects. And there were so many different kinds of materials
used – and then the eggs could be so different. Some with little tiny speckles, some
with different colors some with little calligraphic streaks around them, so it was that
variety that I wanted to capture.”

All the photographs are in black and white – because she really wanted people to
concentrate on the architecture without being seduced by the color. She’s fascinated
by the way different birds chose very specific materials to work with – everything
from marsh reeds, grape vine, or little knotty twigs – like this one.

“This is a vermillion flycatcher – it’s almost like it’s made of pick up sticks in the way
their pushed together.”

And to emphasize the diversity of structures birds can create she shows me an
Orioles nest that’s five inches deep and formerly hung like a basket from a tree.

“I actually had to shine a flashlight down in it when I was taking the photograph in
order to get the eggs to show up.”

Most of the nests and eggs were collected around the turn of the 20th century by
amateur naturalists who never thought twice about disturbing the natural wildlife.

But the practice eventually fell out of fashion as people became more
environmentally conscious and large nest and egg collections were often turned over
to museums – explains Andy Jones the museum’s ornithologist.

“People whose grandfathers were dealing with eggs as a hobby, well their
grandfathers are passing away and so they contact their local university or natural
history museum, and say, ‘hey do you want these?’”

Those specimens were originally collected just because they were pretty. These
days, they’re still beautiful, but they also serve a scientific purpose. Scientists can
look at things such as the thickness of the shells, or the type and number of birds
found in a specific location and tell a lot about the birds. They can see where birds
used to live and how far their territories reached. They can even tell if a bird that’s
extinct now once lived in an area.

Judith McMillan hopes her photographs will not only show how beautiful the birds’
handiwork was, but will also inspire people to do something about saving the birds
that are still here.

“I didn’t understand until I started using a camera myself how you can isolate
something and make people look at it differently–And I hope through my
photographs I’m getting people to take a fresh look at things. It’s hard to have an
appreciation of nature unless you really look at it and start to really care about it.”

Recent surveys have found that many songbirds are disappearing. If people don’t
start caring, those photographs and drawers full of nests might become the only
reminders of many more species that go extinct.

(song of a Cardinal)

For The Environment Report, I’m Gretchen Cuda.

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